Jean-Philippe Ecoffey Movies

A disparate, small group of smugglers try to expand their income by carrying illegal cargo across the French-Swiss border in this routine tale of life on the shady side. Paul (Hugues Quester) works as a mechanic in his father's car repair shop, but he makes extra cash by smuggling goods and people across the border. He dreams of getting his pilot's license and going to Canada to work. Mali (Berry Berr) works in a factory and smuggles narcotics across the border for extra lucre. Finally, Jean (Jean-Philippe Ecoffey) works on his father's farm and is not at all interested in smuggling until he meets Mali. After he agrees to help Paul smuggle some gold into Switzerland, he has no idea that Paul realizes the police are hot on his trail. The results are disastrous. ~ Eleanor Mannikka, All Movie Guide

This symbolic drama from director Benoit Jacques underscores the characters' human need for affection. Children steal lemons for the thrill, while women steal other women's men from them just to prove they can. Drug smuggling, clandestine love affairs, and two lovers involved with the production of Shakespeare's Othello carry on with their own off-stage tragedy. ~ Dan Pavlides, All Movie Guide

In this French romantic drama, Stephane (Michel Feller) wants to form a romantic bond with Sabine (Clotilde de Bayser), and to do this has left his pregnant girlfriend behind. Sabine would rather be with Bruno (Jean-Philippe Ecoffey) her former boyfriend, a stage actor. Bruno in turn is much more interested in his current girlfriend. Each person is, in his or her own way, attempting to deal with issues of maturity and responsibility and repeatedly fails to find happiness or even a decently tranquil compromise between their desires and the realities of their situations. ~ Clarke Fountain, All Movie Guide

After moving to Switzerland to be the mail-order bride of an uncouth middle-aged Swiss man, Julie (Marie Gaydu), who comes from an island in the Indian Ocean, discovers that she cannot bear the man. After she leaves him, she embarks on an affair with Jean (Jean-Philippe Escoffey), the son of a local brickworks owner, much to the distress of that man's father. For a while their romance goes relatively smoothly, until the boy discovers that she is pregnant and won't submit to an abortion. Frantic, he goes haring off to some other country for a while. When he gets back, he gets hysterical about seeing their child. In this melodrama, when he finally decides to send Julie and her baby back to their remote homeland, the situation doesn't turn out well. ~ Clarke Fountain, All Movie Guide

Two women who were best friends since childhood come to realize the toll that adulthood has taken on their understanding of each other in this acclaimed French drama. Mina Tannenbaum (Romane Bohringer) and Ethel Benegui (Elsa Zylberstein) first met when they were ten years old. As young Jewish girls growing up in Paris, both felt like outcasts among their schoolmates, and they began to bond as fellow outsiders. That's about all they have in common. As a child, Ethel was a pudgy extrovert from an upper-middle class family who was eager to make friends, while slender and serious-minded Mina preferred to follow her own path and keep her own counsel, and she was raised under less privileged circumstances. Mina and Ethel have remained close friends as adults, but they are still as different as night and day. Mina, still an intelligent iconoclast, has made a name for herself as an artist, while Ethel happened into a career as a pop culture journalist. Ethel has had a number of unsatisfying relationships with men, while Mina is usually too afraid to approach the men she's attracted to. And while both Ethel and Mina value each other's friendship, in time they begin to realize how little they have in common -- and they provide each other with as much aggravation as comfort. Mina Tannenbaum was the debut feature for writer and director Martine Dugowson; it earned her a Cesar Award nomination (the French Oscar) for "Best First Film." ~ Mark Deming, All Movie Guide

A successful prostitute attempts to fashion a homeless man into her ideal pimp in this unconventional, darkly humorous French drama. Marie (Anouk Grinberg) has no real need for a pimp, being a self-reliant, unabashed woman so fond of her job as a hooker that she is able to convince strangers to try it themselves. Indeed, her financial success allows her to take care of Jeannot (Gérard Lanvin), an impoverished vagrant whom she finds on the streets. She provides him with a bath and a place to sleep, and the two rapidly become lovers. Nevertheless, Marie is soon imploring Jeannot to act as her pimp, begging him to slap her around and take her money. He takes to his new role and soon decides to talk a manicurist (Valeria Bruni Tedeschi) into becoming the next member of his stable. The newcomer's inexperience proves to be his downfall, however, as the manicurist lands him in trouble with the law. Director Bertrand Blier attempts to create a controversial look at sexuality by combining black comedy with scenes of smoky sensuality, though many critics found the central premise and the presentation of Marie's contradictory, masochistic character too unconvincing for the film to be fully successful. ~ Judd Blaise, All Movie Guide

A young aristocratic military cadet gets a dose of reality that shakes his high ideals to the core when he is called to fight in the Spanish Civil War in this French anti-war drama. Rafael, is the boy. He comes from a prominent Spanish family of military heroes and has spent his teens studying in a prestigious French military academy run by Dominicans. By October, 1936, Rafael had become a lieutenant; his life forever changes when he is suddenly called back to France to fight against the Communists and defend Franco. He is assigned to report to Col. Masagual, an outwardly tough officer who is flamboyantly effete in his private life. Masagual orders Rafael to first serve on the firing squad to prepare him for the atrocities of the front. In this capacity, the innocent Rafael is forced to slaughter all manner of prisoners, including women and children. It takes a heavy toll upon him and while he and the others shoot the guilty, the colonel and his aristocratic guests, who have come to watch the festivities, gaily sip tea and chat. Soon Rafael has become a literal killing machine, with little emotion. His first experience with sex degenerates into brutal rape. Then Rafael is ordered to kill a renegade priest. Suddenly he remembers his ideals and double-crosses the cruel colonel. This leads to a moral sparring match between the priest and the colonel. The gist of their argument is to demonstrate the stupidity of war. ~ Sandra Brennan, All Movie Guide

In this comedy, layers and layers of personal lies provide the glue that holds a trendy, shallow group of Parisians together. The story centers on Ada, a deeply indebted, but promising young fashion designer who has just purchased an apartment with her lover and holds a housewarming party to celebrate. The bulk of the story unfolds episodically as assorted neurotic characters come to call and begin to intermingle. ~ Sandra Brennan, All Movie Guide

This film is the directorial debut of 29-year-old Graham Guit, who co-scripted with Eric Neve. Young Frenchman Lenny (Melvil Poupaud) takes some cocaine from London to Paris where he makes a risky connection with dapper drug dealer Joel (Jean-Phillippe Ecoffey) and his violent henchman Sammy (Issac Sharry), splitting the scene to get a plane ticket before they discover he's cut the coke. Joel's girlfriend Juliette (Romane Bohringer) seduces Lenny and makes off with the cash. But then Juliette falls for Lenny, decides to double-cross Joel, and departs with a suitcase of cash -- so she thinks. Instead of money, the suitcase contains many valuable vials of the drug Special K. While Lenny and Juliette search for a buyer so they can unload the Special K, Joel and Sammy are in hot pursuit. Shown at the 1997 London Film Festival. ~ Bhob Stewart, All Movie Guide

This romantic comedy from France explores the misadventures of several friends looking for love and trying to define beauty. Daphne (Arielle Dombasle) is a lovely women who is nonetheless unsure about her looks, compounded by the fact that she's fallen in love with Vincent (Thibault de Montalembert), who has a policy of only dating models. Daphne's best friend Celine (Maria de Medeiros) comes up with an idea -- she'll get her pal Jacques (Jean-Philippe Ecoffey) to paint a nude portrait of Daphne. When Vincent sees the painting, he'll be more attracted to the woman who posed for it, leading him to her doorstep. But of course, it isn't quite that simple. Les Infortunes de la Beaute is dominated by Gilles Porte's largely hand-held camerawork, ~ Mark Deming, All Movie Guide