Sebastian Koch Movies

Theodor Fontane's seminal, tragic 1894 novel Effi Briest received numerous screen adaptations up through the early 21st century, including (most prominently) a 1974 feature from Rainer Werner Fassbinder that emerged as one of the hallmarks of the New German Cinema. The 2009 version emerged at the hands of director Hermine Huntgeburth, and stars Julia Jentsch as Effi von Briest, a Prussian adolescent swept up in the throes of high society during the late 19th century. At the outset of the tale, Effi's mother, Luise (Juliane Koehler) sets her up with a romantic suitor decades older than she, Baron von Instetten (Sebastian Koch), with whom Luise herself has a history of romantic involvement. In truth, Effi passionately loves her cousin Dagobert (Mirko Lang), and has promised to dance with him, but she bows to social conventions by dancing instead with the Baron, and before long the nobleman gamely asks for her hand in marriage, which she obliges - again, solely out of respect for societal norms. They move to a port village together and Effi falls into a miserably unhappy lifestyle - until she experiences physical satisfaction via an affair with a handsome militaryman, Major Crampass (Misel Maticevic). Alas, their limited relationship ultimately leaves Effi with even greater feelings of emptiness. ~ Nathan Southern, All Movie Guide

A vulnerable doctor discovers that fate can push you in a new direction at the drop of a hat when he succumbs to the advances of a strong, self-assured woman in this soul-searching drama from cinematographer-turned-director Jan Fehse. Dr. Fricke has grown accustomed to caring for others; his patients at the hospital are constantly crying out for help, and his daughter back home is suffering through a grueling terminal illness. Meanwhile, a woman named Sarah has just dumped her coke-addicted in a desperate attempt to pull her life together. Falling in love with Ben, Sarah believes senses a real chance to get a fresh start. But for all of loves brightness, it can also burn. When the married Dr. Fricke senses an opportunity to relinquish his all-consuming role of caretaker in both his personal and professional lives, he grabs hold without considering that the consequences could scald him in ways he never anticipated. ~ Jason Buchanan, All Movie Guide

A man who has devoted his life to ferreting out "dangerous" characters is thrown into a quandary when he investigates a man who poses no threat in this drama, the first feature from German filmmaker Florian Henckel von Donnersmarck. It's 1984, and Capt. Gerd Wiesler (Ulrich Mühe) is an agent of the Stasi, the East German Secret Police. Weisler carefully and dispassionately investigates people who might be deemed some sort of threat to the state. Shortly after Weisler's former classmate, Lt. Col. Grubitz (Ulrich Tukur), invites him to a theatrical piece by celebrated East German playwright Georg Dreyman (Sebastian Koch), Minister Bruno Hempf (Thomas Thieme) informs Weisler that he suspects Dreyman of political dissidence, and wonders if this renowned patriot is all that he seems to be. As it turns out, Hempf has something of an ulterior motive for trying to pin something on Dreyman: a deep-seated infatuation with Christa-Maria Sieland (Martina Gedeck), Dreyman's girlfriend. Nevertheless, Grubitz, who is anxious to further his career, appoints Weisler to spy on the gentleman with his help. Weisler plants listening devices in Dreyman's apartment and begins shadowing the writer. As Weisler monitors Dreyman's daily life, however (from a secret surveillance station in the gentleman's attic), he discovers the writer is one of the few East Germans who genuinely believes in his leaders. This changes over time, however, as Dreyman discovers that Christa-Maria is being blackmailed into a sexual relationship with Hempf, and one of Dreyman's friends, stage director Albert Jerska (Volkmar Kleinert), is driven to suicide after himself being blackballed by the government. Dreyman's loyalty thus shifts away from the East German government, and he anonymously posts an anti-establishment piece in a major newspaper which rouses the fury of government officials. Meanwhile, Weisler becomes deeply emotionally drawn into the lives of Dreyman and Sieland, and becomes something of an anti-establishment figure himself, embracing freedom of thought and expression. A major box-office success in Germany, Das Leben der Anderen (aka The Lives of Others) received its North American premiere at the 2006 Toronto Film Festival. ~ Mark Deming, All Movie Guide

Based on the true story of a German plot to kill Adolf Hitler, Operation Valkyrie tells the remarkable tale of Clause von Stauffenberg (Sebastian Koch), a decorated army colonel devoted to ending the Fuhrer's reign after witnessing war atrocities and suffering severe injuries on the battlefield. ~ Jason Buchanan, All Movie Guide

The true story of Hasso Herschel inspired this epic Cold War drama from Germany. Harry Melchoir (Heino Ferch) was a respected German athlete when the Berlin Wall forcibly divided the nation in 1961. Unwilling to cooperate with the East German authorities, Melchoir escaped to West Berlin, along with his friends Matthis (Sebastian Koch), Vic (Mehmet Kurtulus), and Fred (Felix Eitner). When he fled to West Germany, Melchoir was forced to leave his family behind, and he fears for the fate of his sister Lotte (Alexandra Maria Lara). Eager to free Lotte from East German rule, Melchoir strikes upon the idea of building a tunnel under the wall that will allow her to leave the country undetected; Melchoir recruits Matthis, Vic, and Fred to help him, along with a resourceful woman named Fritzi (Nicolette Krebitz). It isn't long before Melchoir and his compatriots discover that many others want to help their friends and family escape the East German regime, and the simple tunnel turns into a massive building and engineering project that's both ambitious and fraught with danger for all parties concerned. Der Tunnel was produced as a two-part miniseries for German television; an edited feature-length version was prepared for possible theatrical release outside Europe. ~ Mark Deming, All Movie Guide

A lover, an ultimatum, a phone call, and a gun: these elements are found in each segment of Hal Hartley's Flirt, an experimental comedy-drama that essentially repeats the same story three times. But while the basic narrative remains the same -- a congenital flirt must decide whether or not to commit to a current lover, who otherwise will marry someone else -- the details differ greatly, from the location of the film to the gender of the participants. The initial segment, set in New York, tells the tale with a male flirt in turmoil over his relationship with a woman. The film then moves to Berlin, where the same drama is played out amongst a gay male couple, with an added touch of self-reflexive humor. The third and final episode takes place in Tokyo, with a female flirt and a more abstract cinematic approach, including several sequences in traditional Japanese pantomime. ~ Judd Blaise, All Movie Guide

When they hear that an architect is coming to look over their apartment building, the residents of this East Berlin building get all panicky, because they believe the landlord intends to kick them out and replace them with people able to pay higher rents. They form a tenants' association, electing Cosima to sort things out, and try to appeal to the landlord's better nature. What she discovers is that the building managers are unaware that the real owner is a drunken bum named Klaus who has been so out of touch that he is unaware that his father (the previous owner) is dead. She and all the tenants set out on a campaign to sober Klaus up and get him to take an interest not only in his life, but in this all-important building. In this comedy, this is just what happens. ~ Clarke Fountain, All Movie Guide