Oliver Johnston Movies

Charles Chaplin wrote, directed, and scored this old-fashioned romantic comedy, which proved to be his last film. Wealthy American diplomat Ogden Mears (Marlon Brando) is sailing from Hong Kong to Hawaii, where he hopes to meet and reconcile with his estranged wife Martha (Tippi Hedren). However, while the ship takes on passengers in Hong Kong, a stowaway slips into Mears' suite. Natascha (Sophia Loren) is a White Russian countess who was forced to flee the country following the revolution and ended up in Hong Kong, where she earns a meager living as a dime-a-dance girl in a sleazy ballroom. When Mears discovers that Natascha is an uninvited guest in his quarters, she begs him to help her emigrate to the United States; when he refuses, Natascha tries a new tack, threatening to tell Martha that they've been sharing a stateroom if he doesn't cooperate. Mears grudgingly allows Natascha to stay with him and keep her secret until he can figure out a clever way to get rid of her. Margaret Rutherford has a showy supporting role as an eccentric passenger, and Chaplin gives himself a silent cameo as a bumbling porter (no fewer than four of his children also appear). ~ Mark Deming, All Movie Guide

Once again Vincent Price stars for director Roger Corman in The Tomb of Ligeia, the last of Corman's eight Edgar Allen Poe adaptations, a film graced by a script by Robert Towne and moody cinematography by Nicolas Roeg. Price has the creepy lead role of Verden Fell. In 1821, when Verden's wife Ligeia (Elizabeth Shepherd) dies, she is buried in a churchyard, despite the parson's objections that she can't be buried there since she isn't a Christian. Before the grave is closed, abetted by the screech of a black cat, Ligeia eyes shoot open, startling Verden, who becomes convinced that she is not dead. Months later, Lady Rowena (also played by Shepherd) is thrown from her horse and lands at the foot of Ligeia's grave. Verden tends to her and soon falls in love with her. They marry and move into Verden's gloomy Gothic abbey, where Rowena begins to have strange dreams involving Ligeia and a black cat. One night she awakens to discover a dead fox in her bed. When Ligeia's grave is exhumed, instead of Ligeia's corpse, a wax figure is discovered. Then Rowena finds, to her horror, Verden in the arms of his dead wife in a hidden room of the abbey. Having hypnotized Verden before she died, Ligeia had Verden convinced she will live forever. Verden, now possessed by the spirit of his dead wife, takes a torch to the abbey, trapping himself and Rowena in the flaming conflagration. But Christopher (John Westbrook), an admirer of Rowena, endeavors to rescue Rowena from the flames. ~ Paul Brenner, All Movie Guide

The star of this slapstick comedy is not a person but an antique Bentley sports car, the source of several misadventures. Murdoch Troon (Stanley Baxter) is a simple civil servant who has his heart set on romancing Claire (Julie Christie in an early role), the daughter of wealthy businessman Charles Chingford (James Robertson Justice). As a part of his scheme to appear irresistible, Murdoch takes driving lessons so he will be able to impress Claire in the Bentley. Both the lessons and his driving test produce moments of hilarity, and as might be expected, there cannot be a movie featuring a car without a wacky, wild chase. ~ Eleanor Mannikka, All Movie Guide

A business partner, desperate to milk some kind of profit from his failing cosmetics business, turns to arson with deadly results when he inadvertently immolates his partner while trying to destroy the factory. Still he succeeds in getting the insurance money. He then gets greedy and decides to do the same thing to his late partner's lovely daughter. Fortunately, an intrepid insurance investigator is on the case. ~ Sandra Brennan, All Movie Guide

In this British comedy, a formerly rakish submarine captain is transferred to a desk job. His reputation as a hero and playboy precedes him. He meets an old comrade and his gorgeous fiancee, a Yankee widow. His buddy is quite wealthy and the retired captain realizes that he too must make plenty of dough to steal the woman away. He immediately engineers an elaborate quick money scheme. First he makes it seem as if he has become a traitor in order to get the newspapers to write bad things about him. He then plans to sue them all for libel. He leaves his phony trail and then maroons himself on a desert island. He is later rescued and interrogated by the Special Branch. Fortunately, he convinces them of his innocence and continues with his plan. He then goes to the woman's home and is there discovered by his buddy. The friend sees that the two really are in love and gallantly bows out. ~ Sandra Brennan, All Movie Guide

Perhaps in an earlier era or in some remote village, this comedy would work, but this story about two mixed-up identities during World War II is comedically outdated. Brian Rix has the dual role of an Air Force officer who is going on an important military mission to France. The brass decide to hoodwink the Germans by finding the officer's double (an idiot latrine-cleaner at an Air Force base) and putting him on a plane to Cairo. As events unfold, the two men get mixed up, and each heads off to the other's destination, giving rise to several absurd tangles. ~ Eleanor Mannikka, All Movie Guide

Beyond This Place is a tame murder mystery based on a novel by A. J. Cronin. Van Johnson is cast as an American citizen whose British father has supposedly been dead for years. On a visit to London, Johnson discovers that his father is very much alive, serving a life sentence for murder. Johnson inaugurates his own investigation, retraces the trail of circumstantial evidence, and unearths the real culprit. Director Jack Cardiff was not happy with his work on Beyond This Place, possibly because he was obliged for box office purposes to use an American star in an essentially British story. The film was released in the US as Web of Evidence. ~ Hal Erickson, All Movie Guide

Adapted by Norman Krasna from his play Kind Sir, Indiscreet stars Ingrid Bergman as a wealthy actress and Cary Grant as an international financial wizard. While Grant is visiting London, Bergman's sister Phyllis Calvert and brother-in-law Cecil Parker introduce Grant to Bergman. Because he feels he has no time for marriage, Grant pretends to be married to avoid romantic tangles. Bergman, however, finds the prospect of an affair with a married man to be quite exhilarating. When she discovers the truth, Bergman gets even with the now-smitten Grant by faking a romance with an ex-boy friend--ordering luckless chauffeur David Kossoff to pose as her beau. A comedy by grownups, about grownups and for grownups (at least by 1958 standards), Indiscreet proved to be far more successful as a film than as a stage play. ~ Hal Erickson, All Movie Guide

King Shadov (Charles Chaplin), the newly deposed monarch of a small European country, arrives in New York to face a life in exile. No sooner does he get here, however, than he discovers that his prime minister has stolen the entire royal treasury and departed for parts unknown. Stranded in New York in a luxury hotel without any money, the king tries to adjust to life in America and elicit interest in his plan for the peaceful use of nuclear power. He finds America in 1957 to be too noisy for his taste, however -- a run-in with some rock & roll dancers leads to some slapstick antics, and he doesn't take much to modern movies or the blaring entertainment that goes with them. He meets a pretty young lady (Dawn Addams) in a slightly risqué slapstick encounter in which he is trying to "rescue" her, and she maneuvers him into helping to plug a deodorant on television. The king proves so beguiling on the small screen that he is deluged by offers from advertising agencies, which he rejects at first. But the king soon finds that advertising may be the only thing he can do to earn enough money to keep him living like a king in exile, and he tries to work the system to his advantage, his earnings from television enabling him to remain in the country and push his peaceful nuclear plan. He soon finds the true dark side of life in the United States, however, when he crosses paths with an unhappy little boy (Michael Chaplin, the star/director's own son) whose parents are about to be jailed as part of the anti-Communist hysteria of the period. In the end, the king provides a shelter to the boy but compromises himself in the process, and while he does make the Congressional committee investigating him look foolish, he sees that he has done all of the good that he can do for now in the United States and leaves. ~ Bruce Eder, All Movie Guide

In this thriller, a murderous writer kills his blackmailer and his ex-lover and then tries to convince his fiancee to help him hide the bodies. She does until she learns that he is planning to frame innocent people for his crimes. ~ Sandra Brennan, All Movie Guide

In this exciting drama, three people spy an empty yacht adrift at sea. They get on board and begin investigating, thinking it was used for smuggling. Not long afterwards, all of them develop radiation burns on their arms. They soon discover that the ship's mast is filled with stolen uranium. They radio the cops, but before they can get there, the crooks return and a chase ensues, culminating in a deadly explosion. In Great Britain, the film was titled Dangerous Voyage. ~ Sandra Brennan, All Movie Guide

Johnny Fraser is a middle-class Briton jealous of the conspicuous consumption of his next door neighbors (Peter Reynolds, Lana Morris). To show them up, Fraser buys his wife (Eileen Moore) a valuable mink jacket. He goes deeply into debt, then goes deeper still as he borrows to pay for the loan that he's already taken out. Overwhelmed by his creditors, Fraser ends up selling the mink coat to pay for the loan that paid for the loan that paid for the mink coat... A "good beginning", indeed! ~ Hal Erickson, All Movie Guide