Richard Johnson Movies

Vera Farmiga, David Thewlis, and Asa Butterfield star in Little Voice writer/director Mark Herman's adaptation of John Boyne's novel concerning the forbidden friendship that between an eight-year-old German boy and a Jewish concentration camp prisoner in World War II-era Germany. The innocent son of a high-ranking Nazi commandant, Bruno has been largely shielded from the harsh realities of the war. When Bruno discovers that his father has been promoted and that their family will be moving from Berlin into the countryside, he doesn't take the news well. Increasingly bored in his sprawling yet dreary country abode and forbidden by his mother from exploring the backyard, young Bruno searches for something to do while his older sister plays with dolls and vies for the attention of handsome Lieutenant Kotler (Rupert Friend). One day, bored and gazing out his bedroom window, Bruno spies what first appears to be a nearby farm; his parents refuse to discuss it, and all of the inhabitants there are curiously clad in striped pajamas. But while Bruno's mother naïvely believes the "farm" to be an internment camp, her husband has sworn under oath never to reveal that it is in fact an extermination camp specifically designed to help the Nazis achieve their horrific "Final Solution." Eventually defying his mother's rules and venturing out beyond the backyard, Bruno arrives at a barbed wire fence to find a young boy just his age emptying rubble from a wheel barrel. Like Pavel, the kitchen worker who cooks all of Bruno's meals, the young boy is wearing striped pajamas. His name is Shmuel (Jack Scanlon), and before long the two young boys become fast friends. But the closer these two boys grow, the more Bruno becomes awakened to the horrors unfolding all around them. His mother is catching on quickly as well, a fact that causes great tension in her marriage to Bruno's father. Later, after Bruno swipes a piece of cake for Shmuel, Lt. Kotler accuses the Jewish boy of stealing and delivers a swift punishment. When Bruno's father announces that the young boy and his mother will be going to live with their aunt in Heidelberg, Bruno grabs a shovel and makes his way to the camp, setting into motion a tragic and devastating sequence of events. ~ Jason Buchanan, All Movie Guide

A popular video game comes to the screen with this big-budget adventure starring Angelina Jolie as a buxom heroine recalling equal parts Indiana Jones and James Bond. Jolie is Lara Croft, a proper British aristocrat groomed at schools for the children of the elite. Croft leads a double life, however, as an acquirer of lost antiquities through questionable means, highly trained in combat skills with the help of a robotic opponent called Simon. Despite her exciting profession and a life of wealth and breeding, Lara pines for her father, Lord Croft (Jon Voight), whose passing left her orphaned. On the eve of a celestial event that will also mark the anniversary of Lord Croft's death, Lara comes up against an ancient organization called the Illuminati, represented by the sinister Powell (Iain Glen), who's in pursuit of an ancient relic with power over time and even death itself. With the aid of her high-tech support team, Lara travels to some exotic locales in search of the artifact, including a foray into a decrepit Asian temple guarded by lethal stone apes and other creatures that spring to life. Filmed at various locations in Great Britain as well as Iceland and the Angkor Wat temples of Cambodia, Tomb Raider co-stars Noah Taylor, Chris Barrie, Daniel Craig, Rachel Appleton, Leslie Phillips, Mark Collie, and Julian Rhind-Tutt. ~ Karl Williams, All Movie Guide

Part of the "Beckett on Film" series, this adaptation of Samuel Beckett's 1961 absurd tragi-comedy is essentially a very long monologue punctuated by brief interruptions from a secondary character. Considered by many to be Beckett's most cheerful piece, Happy Days opens with the character of Winnie, a fifty-ish woman, buried up to her waist in a mound of earth. This immobility does not seem to bother the optimistic Winnie, who may miss the use of her legs but opts to concentrate on what she can still do with her arms and hands -- brush her teeth, use her mirror, etc. In the second half, Winnie has become buried up to her neck, but even the fact that she can no longer use her arms does not dissuade Winnie, whose motto is summed up with "Ah, well, what matter, that's what I always say; it will have been a happy day after all, another happy day." Winnie also professes to be comforted by the presence of husband Willie, who is rarely seen or heard. Beneath her cheerful exterior, of course, Winnie may not believe that all is really as well as she makes it out to be, but her refusal to admit the grim nature of her own reality is at the core of Beckett's play. ~ Craig Butler, All Movie Guide

Originally produced for the BBC and Masterpiece Theatre, Breaking the Code tells the life story of the famed mathematician and computer science pioneer Alan Turing, the primary designer of the Turing Machine, an early computer used to solve the German Enigma code during World War II, a solution many believe was instrumental in the Allied victory. The title refers to both the solution of the Enigma code and Turing's open admission to his homosexuality, which at the time violated not only the codes of polite society but British law. Hugh Whitemore's screenplay, based upon his play and Andrew Hodges' book Alan Turing: The Enigma, frames Turing's life as a puzzle, beginning in 1952 with the mysterious robbery of some of the mathematician's few possessions. The rest of the film travels backwards and forwards through time, providing associative glimpses of Turing's past and present, including his school days, his wartime efforts, and his post-war experiences. Discussions of his mathematical and logical work alternate with glimpses of his turbulent personal life, including his boyhood love, the unrequited attentions of his female assistant, and his later relationships with younger men, drawing connections between his theoretical work and his personal traumas. ~ Judd Blaise, All Movie Guide

This made-for-cable adventure chronicles the fictionalized exploits of the famed British reporter cum novelist who created the character "James Bond." Starring Jason Connery, the son of the first feature-film 007 Sean Connery, the story alleges that Fleming based Bond's adventures on his own extraordinary experiences. ~ Sandra Brennan, All Movie Guide

In this sports drama, a diver has all the right stuff to make it to the Olympics. There is only one catch--he is terrified of heights. Fortunately his lovely coach is there to patiently help him overcome his terror and go for the gold. ~ Sandra Brennan, All Movie Guide

This drama, adapted from a best-seller by Barbara Taylor Bradford chronicles the convoluted love-lives of two rich women over 23 years. ~ Sandra Brennan, All Movie Guide

Originally telecast in December of 1988, A Man for All Seasons was the first made-for-TV film produced on behalf of the TNT Cable Service. Charlton Heston makes his film directorial debut herein, and also plays the central role of Sir Thomas More, 16th century lord chancellor of England. Unswerving in his belief of the Pope's supreme authority, Sir Thomas refuses to support King Henry VIII's plan to divorce his wife Catherine of Aragon to marry the (hopefully) fertile Anne Boleyn. Declaring himself head of the Church of England, the King annuls his marriage and weds Anne. In concert with his administrator Cromwell, Henry further demands that all British subjects take an oath to uphold Henry's action. More cannot bring himself to do this, and as a result is imprisoned in the Tower of London. Tried for high treason, More is found guilty on the basis of the false testimony of sycophantic Sir Richard Rich. Sentenced to death, More continues to denounce Henry's behavior, walking proudly towards the headsman secure in the knowledge that he will die "the king's good servant, but God's first." Adapted from the play by Robert Bolt A Man For All Seasons was previously filmed in 1966, with Paul Scofield repeating his stage role as More. Heston's version restores much of the text that had been removed from the earlier film--as well as the ubiquitous expository character "The Common Man", here played by Roy Kinnear. More's harsh but loving wife Alice is played in the remake by Vanessa Redgrave, who'd appeared unbilled as Anne Boleyn in the 1966 version (Arch-conservative Heston and ultra-liberal Redgrave in the same film? Fear not: each respected the other's acting skills, and they got along famously). Heston had previously directed and starred in a London stage revival of Man for All Seasons; this splendid cable-TV version manages to retain all the virtues of that production while remaining a thoroughly cinematic experience. ~ Hal Erickson, All Movie Guide

Lady Jane Grey, the 16-year-old girl who for nine days in the 16th century was Queen of England, is here portrayed by Helena Bonham Carter. Lady Jane Grey's sickly cousin, who becomes Edward VI upon the death of Henry VIII, is on the threshold of death himself. The Protestant powers-that-be, fearing that England will fall under Catholic rule, contrive to marry off Edward VI's most likely successor Lady Jane to the wastrelly Guilford Dudley (Cary Elwes), the future Duke of Suffolk. The dying Edward is coerced into naming Jane as his successor. Jane is forced to assume the throne, attempting to impose reforms on the corrupt Protestant government during her brief reign. A coup led by Jane's cousin Princess Mary (Jane Lapotaire) results in the ouster, and eventual execution, of Queen Jane and her consort. The story is told through anti-establishment themes; teen-agers Lady Jane and Guilford Dudley are seen as the only hope for a brighter future, making their deaths all the more tragic. An earlier version of the same story, Tudor Rose, was filmed in 1936. ~ Hal Erickson, All Movie Guide

Adapted by Harold Pinter from the novel by Russell Hoban, Turtle Diary stars Glenda Jackson as a famed author/illustrator of children's books. In the midst of her success, Jackson suffers from writer's block. While casting about for new ideas, she makes several visits to the turtle tank at the local aquarium, where she becomes acquainted with shy bookstore clerk Ben Kingsley. From this point on, nothing is in the least predictable. What can one say that's sensible about a plotline that climaxes with a turtle hijacking? Screenwriter Pinter has a cameo role as "Man in Bookshop." Turtle Diary was the maiden effort of United British Artists, a consortium consisting of Glenda Jackson, Harold Pinter, and producer Richard Johnson (who also appears in the film). ~ Hal Erickson, All Movie Guide

Fed up by the interference of her overprotective cousins Bo (John Schneider) and Duke (Tom Wopat), Daisy (Catherine Bach) moves out of the Duke farmhouse. Our heroine's new independence lasts only long enough for her to be kidnapped by Milo Beaudry (played by future Night Court regular Richard Moll), the son of a Tennessee moonshiner in league with Boss Hogg (Sorrell Booke). Unless her cousins can engineer a rescue, Daisy will soon be Mrs. Milo Beaudry--and there's a brace of shotguns backing up the boy's proposal! This is the final episode of The Dukes of Hazzard's fifth season. ~ Hal Erickson, All Movie Guide

This quaint horror anthology is loosely based on the works of horror novelist R. Chetwynd-Hayes -- who is portrayed by John Carradine as an active participant in his own tales. The author is invited by a suave vampire (Vincent Price) to accompany him to the title establishment, where he observes the secret social customs of various species of monsters -- which apparently include drinking, dancing, and watching undead strippers remove more than just their clothing. He is also made privy to the mating patterns of these creatures, whose tendency to inter-breed creates such new strains of monsters as the "shadmock" (a vampire-like entity with a deadly high-pitched whistle) and the "humgoo" (the sullen offspring of a human and a flesh-eating ghoul). Price's descriptions of these new beasties trigger accompanying vignettes far less entertaining than the framing story, which is rife with horror movie in-jokes, cheesy rubber monster masks, and music by pop-reggae band UB40(!). Accomplished horror-omnibus director Roy Ward Baker seems to delight in the opportunity for pure camp, although the overall silliness of the proceedings has put off more than a few horror buffs. ~ Cavett Binion, All Movie Guide