Jack Mather Movies

No sooner has he arrived at Fort Casper than Beau (Roger Moore) is framed for the murder of Indian brave Swift Rider (Miguel Landa). The actual killers were Marsh (John Zaccaro) and Lawson (Richard Coogan), a pair of crooked shopkeepers who have been systematically cheating Swift Rider's tribe, and are hoping to stir up a war between the Indians and the Army to cover their tracks. Locked up in the stockade, Beau is rescued by Chief Standing Bull (Robert Warwick)--but only so he can be married to Swift Rider's sister Pale Moon (Andra Martin, a marriage slated to end as quickly as it begins with Beau's swift and ignominious demise. ~ Hal Erickson, All Movie Guide

In the ninth episode of the series Bonanza, we get an episode-length flashback into history. While working on the Ponderosa, the Cartwrights are fired on by an old sourdough who claims they're on his land, presenting them with a deed signed by Mr. Henry T.P. Comstock. Ben Cartwright (Lorne Greene) and his sons have a good laugh and proceed to tell the man about Comstock (Jack Carson), a two-bit grifter always on the run from one man's rope or another, who inadvertently struck one of the largest silver deposits ever found while trying to cheat a group of miners. We glimpse the Cartwrights in relatively early days on the ranch, see Hoss' good nature, Adam's seriousness, Little Joe's recklessness (especially where pretty women are concerned), and Ben's concern that gold-fever doesn't destroy the land around him. And we witness the naming and founding of Virginia City, as a by-product of Comstock's attempted swindle. ~ Bruce Eder, All Movie Guide

A kick from an angry horse knocks out the town bully, but it is Bret Maverick who is given credit for the blow--and that's how Bret becomes the new sheriff of Duck 'N' Shoot. His contract calls for him to stay on the job for six months, but the locals give odds that Bret won't last the week. Surprisingly, Bret proves to be an efficient if somewhat unorthodox peacekeeper (thereby foreshadowing James Garner's similar role in the 1969 comedy western Support Your Local Sheriff), but ultimately he is toppled from his perch by beautiful-but-larcenous Melissa Maybrook (Peggy McCay) and ends up locked in his own jail. Fortunately, brother Bart (Jack Kelly) shows up to give Bret a helping hand...but there's a hefty price to pay for his services. ~ Hal Erickson, All Movie Guide

This is the one in which the "villain" is a huge, carnivorous praying mantis. After the titular insect has attacked several people in a remote Arctic region, Col. Joe Parkham (Craig Stevens) swings into action. Parkham and his associates, Dr. Ned Jackson (William Hopper) and Ned's assistant Margie Blake (Alix Talton), track the predatory mantis as it heads southward to Washington DC (how did it get past customs?) The green monstrosity meets its Waterloo in "Manhattan Tunnel", where it is bombarded with poison gas (a little Raid or Black Flag might have come in handy). Some of the Arctic scenes in The Deadly Mantis were clumsily culled from the 1933 drama SOS Iceberg and a handful of Air Force training films. ~ Hal Erickson, All Movie Guide

Luther Davis' racy wartime comedy Kiss Them for Me was expurgated a bit for the 1957 film version. Cary Grant, Ray Walston and Larry Blyden portray three navy war heroes who've been booked on a morale-building "vacation" in San Francisco. Eluding their ulcerated public relations officer (Werner Klemperer), the trio arranges a wild party with plenty of pretty girls. Cary Grant is paired with knockout Suzy Parker, an icy socialite who eventually thaws under his charms. Also on hand is Jayne Mansfield, playing a "good time girl" whose profession was a bit more explicit in the original play; the role was originated by Judy Holliday, who brought a wistfulness to the character that Ms. Mansfield couldn't quite manage. TV sitcom fans will get a kick out of the supporting cast of Kiss Them For Me: Ray Walston, later star of My Favorite Martian plays a libertine navy officer; Werner Klemperer, shorn of the accent he'd use as Colonel Klink in Hogan's Heroes, is hilarious as the flustered p.r. man; and Richard Deacon (Leave It to Beaver, The Dick Van Dyke Show) pops up unbilled as a dour businessman who can't understand the war-hero mystique. ~ Hal Erickson, All Movie Guide

Behind the High Wall is a remake of the 1937 Jackie Cooper-Victor McLaglen film The Big Guy. Tom Tully plays prison warden Frank Carmichael, who is kidnapped during a jail break in which a policeman is killed. In an ensuing car crash, all the escapees are killed except young Johnny Hutchins (John Gavin). Though he knows that Hutchins had nothing to do with the cop's murder, Carmichael refuses to intervene when Johnny is condemned to death. It seems that the escaping convicts had been carrying $100,000 in stolen money with them, which Carmichael has hidden away for his own use. By eliminating Hutchins, the warden is also getting rid of the only potential witness to his own perfidy. Sylvia Sidney is pure venom as Carmichael's crippled, greedy wife, while Betty Lynn (who later played Thelma Lou on The Andy Griffith Show) also registers well as Johnny's agonizing fiancee. ~ Hal Erickson, All Movie Guide

Set in the early '40s and directed by Raoul Walsh, The Revolt of Mamie Stover stars Jane Russell as Mamie, a San Francisco prostitute who is run out of town just as the second world war has begun to intensify. Mamie (Russell) settles down in Hawaii, hoping to start a new life. Though her prospects look good when she falls in love with a science-fiction writer (Richard Egan) who treats her with the respect she deserves, the dawning war and the fallacies of her previous lifestyle complicate their budding romance. Mamie cannot fully remove herself from her former profession, and provides some of her old services to the sailors stationed in town. Searching for another means of financial security, Mamie invests in several pieces of real estate and becomes quite wealthy, though her bad reputation has not been forgotten by the locals. The part of Mamie Stover was originally intended for Marilyn Monroe, but Russell stepped in when Monroe passed up the offer. The Revolt of Mamie Stover also features Joan Leslie, Agnes Moorehead, and Jorja Curtright. ~ Tracie Cooper, All Movie Guide

Betty Grable's final film was a remake of the 1934 Bing Crosby-Miriam Hopkins musicomedy She Loves Me Not, which in turn was based on a play by Howard Lindsay. Betty and Sheree North star as a couple of striptease "artistes" who have the bad luck to witness a murder. Hoping to evade the killer, the girls hide out in a small college town, where they immediately win the hearts of the male frat brothers. One of these is overaged undergrad Robert Cummings, who falls for Betty, while Sheree settles for not-terribly-bright Orson Bean. A subplot concerns the unending get-rich-quick schemes of college president Charles Coburn. Before the story can be resolved, both Betty and Sheree are placed under hypnosis, with hilarious results. It could not have rested well with Betty Grable that Sheree North stole the show in How to Be Very, Very Popular--especially with her energetic rendition of "Shake, Rattle and Roll"--but Betty was on the verge of retiring anyway, so what the heck? ~ Hal Erickson, All Movie Guide

Miscegenation, that old reliable bugaboo of many a Southern-based novel, is at the center of Hamilton Basso's The View from Pompey's Head. The film version stars Richard Egan as a New York lawyer who returns to his Southern home town to investigate an embezzlement charge. The victim is an ageing novelist (Sidney Blackmer), whose royalties are mysteriously disappearing; the novelist's wife (Marjorie Rambeau) suspects that her husband is being cheated. But it is the novelist himself who is siphoning off his earnings, in order to provide for his African-American mother, and to buy her silence regarding his mixed parentage. The wife is apprised of the situation, and agrees to keep mum. With all this going on, it's understandable that few viewers remember the love triangle between Richard Egan, Dana Wynter and Cameron Mitchell which motivates the rest of The View from Pompey's Head. ~ Hal Erickson, All Movie Guide

Director Otto Preminger's only western, River of No Return is set in Canada during the 19th century Gold Rush. Farmer Matt Calder (Robert Mitchum) is released from prison after serving a sentence for shooting a man in the back to protect a friend. He arrives in a small town to retrieve his young son, Mark (Tommy Rettig), who has befriended a sultry saloon singer, Kay (Marilyn Monroe). Matt is also friendly with Kay, and thanks her profusely for looking after Mark, but distrusts her paramour, Harry Weston (Rory Calhoun)- a gambler with the morals of an alley cat. Matt and Mark return to their rural homestead, but soon glimpse Kay and Harry on a sinking raft, apparently en route to make good on a gold claim; Matt rescues the two of them, but doesn't count on Harry doing an about face, beating him up, and stealing his horse and gun; Kay stays behind to look after Matt. Meanwhile, the Indians go on the warpath, and the defenseless trio decides to seek refuge by fleeing the farm and sailing down the river on a raft. En route, the son - thanks to Kay's doing - is unexpectedly disillusioned about the father's original crime. Moreover, as Matt approaches town, he begins to plot a decisive revenge against Harry. ~ Hal Erickson, All Movie Guide

In this Western with curiously Shakespearean undertones, Matt Devereaux (Spencer Tracy) is a ranch owner who has tried to raise his sons to carry on the fierce, hard-working spirit that helped make him a success. However, as a consequence, he never learned to show them affection and treats his boys little better than the hired help. Joe (Robert Wagner), is Matt's son by Native American wife Señora (Katy Jurado). Because of Joe's mixed ethnicity, he is treated prejudicially by his three half-brothers, Ben (Richard Widmark), Mike (Hugh O'Brian), and Danny (Earl Holliman) -- all Caucasian sons of Matt's first wife. Joe loves his father and would do nearly anything for him, but his siblings resent Matt's emotional distance. When Matt discovers a nearby copper mine is polluting a stream where he waters his cattle, he becomes furious and leads a raid on the mine that causes the law to visit the ranch; the police have a warrant to arrest whoever was responsible for the attack. To spare his father the agony and humiliation of a stay behind bars, Joe claims responsibility and spends several years in prison. When he's released, he discovers that Ben and his other brothers rebelled against their father with such extremity that the old man suffered a fatal stroke. While Señora tries to persuade Joe not to seek revenge, Ben is more than willing to fight his brother for taking his father's side. Screenwriter Philip Yordan won an Academy Award for his work on Broken Lance, while Katy Jurado received a Best Supporting Actress nomination for her performance as Señora. ~ Mark Deming, All Movie Guide

Dreamboat stars Clifton Webb as Thornton Sayre, the perfectionist professor of literature at a sedate Midwestern university. Widowed and with a pretty daughter (Anne Francis), Sayre has given no clue to his previous life before becoming a teacher. But thanks to television, everyone discovers that Sayre is actually Bruce Blair, a former silent screen star known as "America's Dreamboat." Sayre's onetime leading lady (Ginger Rogers) has made a comeback hosting screenings of her old films on TV, and the result is acute embarrassment for both the professor and his college. Sayre takes the case all the way to court, where he wangles a compromise agreement: he will permit his films to be televised as long as they're not "doctored" to accommodate commercial endorsements (this was based on a real-life lawsuit involving cowboy Gene Autry -- which Autry lost). The ensuing publicity costs Sayre his college job, but the renewal of interest in his old films results in a new movie contract. Although silent movies and singing commercials are easy satirical targets, Dreamboat still delivers the laughs, and it's fun to see Clifton Webb camping it up as a "Doug Fairbanks" type. ~ Hal Erickson, All Movie Guide