Charles Hamilton Movies

The popular screen team of Claudette Colbert and Fred MacMurray stars in this wartime farce. MacMurray is an army pilot who develops engine trouble during a vital mission. Thinking he's about to die, MacMurray radios back his undying affection for his dog "Piggy." But the radio reception is fuzzy, and it is assumed that he has said "Peggy"--which happens to be the character name of Colbert, who intercepts the message. MacMurray survives the plane crash, whereupon he is whisked back home into the arms of Peggy, which is not to the liking of Peggy's gormless fiance (Gil Lamb). Practically Yours was guaranteed to make money, which it did. Its humor not meant to survive the ages, which it hasn't. ~ Hal Erickson, All Movie Guide

One of the eerier chillers of its period -- and one of the best ever to come out of Paramount -- Stuart Heisler's Among the Living is a strange and compelling mix of social drama, horror film, and suspense thriller. The story opens with the funeral of Maxim Raden, the patriarch who was pretty much responsible for building up the town that bears the family name, and which has been dominated for decades by the now-idle mill that he owned. Present at the funeral is Dr. Ben Saunders (Harry Carey Sr.), Raden's oldest friend, and the surviving Raden son John (Albert Dekker), who has been away for most of the last 25 years and recently married Elaine (Frances Farmer), a beautiful young woman from New York. John was one of a pair of twin boys; the other, Paul, died in an accident a quarter century ago, just after John was sent away to school. But Saunders and Maxim Raden had a secret between them -- that Paul Raden didn't die, but went dangerously insane, and has kept been alive all of this time, in a hidden room in the decaying Raden mansion, tended to by the doctor and the faithful family servant Pompey (Ernest Whitman). Paul was a victim of abuse by his overbearing father, and suffered brain damage from a beating he received while trying to protect his mother. He has never stopped "hearing" his father's threats or his mother's weeping, and they leave him prone to violent, potentially murderous outbursts of rage. Worse still, the death of his father has agitated him into a state where he is able to escape the mansion. Once freed and relieved of his quarter century of isolation, Paul is at once confused by and delighted with the company of people; he heads to the town and rents a room at a seedy boarding house, where he immediately attracts the attention of the landlady's frisky (and avaricious) daughter Millie (Susan Hayward) with his large bankroll, free-spending habits, and lost-puppy-dog demeanor. Meanwhile, the doctor reveals the truth about Paul to John, who wants to notify the authorities that his brother is loose and potentially dangerous -- but the doctor won't hear of it, fearing that news of the insane son will tarnish the Raden name and the reputation of the clinic that Maxim founded and funded on the doctor's behalf, in return for his covering up the son's existence.
The stakes get raised higher when the coroner reveals that a death the doctor tried to cover up was, in fact, a murder, and then a young woman is found strangled. While John is torn between sympathy for his brother, who never got the help or care he needed, and his feeling of responsibility to the town, the doctor tries to continue the cover-up by posting a 5,000-dollar reward for the capture of the killer. This sets off an orgy of assaults and destruction as the work-starved townspeople, led by Millie's ex-boyfriend Bill Oakley (Gordon Jones), begin rounding up anyone who looks even the least bit suspicious or out of place, trying to get the reward. Millie's greed is also brought to the fore and she persuades her new boyfriend, Paul, to go with her to the one place no one has searched yet -- the Raden mansion. Paul's veneer of calm unravels as he finds himself back in the location of his imprisonment, and in the course of the fight and the chase that ensues, John is caught and accused, by Millie and all of the other witnesses to Paul's outbursts, as the killer. Now it looks like a lynching is in the offing as hundreds of angry, drunken, greedy townspeople gather together to mete out justice -- and John must make them believe that he has a twin who is responsible for the murders. ~ Bruce Eder, All Movie Guide

Brash and vigorous director William Wellman always had a place in his filmography for movies glorifying the early years of aviation -- from the start of his career (Wings), until the end (Lafayette Escadrille). But, perhaps, never has his devotion to aviation been made more vivid than in his 1938 drama Men With Wings. Wellman, in this film, attempts to dramatize the history of aviation from the early days of the Wright Brothers until the 1930s, when airline transportation first became viable. The story centers upon two contrasting aviation types: the barnstormer, Pat Falconer (Fred MacMurray), and the methodical scientist of flight, Scott Barnes (Ray Milland). Through these two archetypes, Wellman follows Pat and Scott from childhood to adulthood. Pat marries childhood sweetheart Peggy Ransom (Louise Campbell) and they have a child. Scott, who had always loved Peggy, remains in the background, not wanting to break up his solid friendship with Pat. But Pat is clearly doomed by his recklessness and breakneck individuality. After fighting in the skies during World War I, he refuses to sit back and do the methodical work of flight research like Scott. Always searching for another war to fight, Falconer leaves Scott and Peggy behind, taking off for China to help the Chinese fight Japanese invaders. ~ Paul Brenner, All Movie Guide

Who Killed Gail Preston? gets off to a rousing start with a nocturnal prison break which turns out to be the prelude for a nightclub musical number, masterminded by bandleader Traynor (Robert Paige). Gail Preston (Rita Hayworth), Traynor's vocalist, is much-despised by practically everyone, so it comes as no surprise when she's bumped off in the third reel. The most likely suspect is a weaselly hanger-on (Dwight Frye) who removes himself from consideration when he takes a header from a fourth-floor roof. This leaves such disreputable types as Marc Lawrence, Arthur Loft and John Gallaudet for detective Connolly (Gene Morgan) to choose from. Set almost entirely in Columbia's standard nightclub set, Who Killed Gail Preston? is a remake of 1934's The Crime of Helene Stanley, which took place at a movie studio. ~ Hal Erickson, All Movie Guide