C. Henry Gordon Movies

This episode in MGM's "Crime Does Not Pay" series takes on election fraud. It gives a behind-the-scenes account of how gangsters and crooked politicians conspire to fix elections and install their own candidates instead of the ones who were legally elected and warns that public apathy can lead to the erosion of the democratic process. ~ Brian Gusse, All Movie Guide

This typically economical Edward Small historical drama stars Jon Hall as legendary frontiersman Kit Carson. Wasting no time, the film gets off to an exciting start as Carson and his two saddle pals (Ward Bond and Harold Huber) are attacked by Indians. They manage to escape unscatched and make their way to Fort Bridger, where Captain John "Frontier" Fremont (Dana Andrews) hires Carson to guide a wagon train westward. The plot thickens when both Carson and Fremont fall in love with pretty Dolores Murphy (Lynn Bari), but all misunderstandings and rivalries are forgotten when the two heroes fight shoulder to shoulder against another Indian attack. Despite obvious budgetary limitations, the battle scenes are well staged by serial veteran George B. Seitz. Originally distributed by United Artists, Kit Carson was later reissued by minor-league PRC Pictures, which is why the film is currently in Public Domain. ~ Hal Erickson, All Movie Guide

Man of Conquest was the first "super production" from Republic Pictures, a studio not known for its lavish budgets. This time, however, no expense was spared in recreating the career of Texas empire-builder Sam Houston. Richard Dix portrayed Houston, heading a gigantic cast of character players impersonating such historical figures as Jim Bowie, Andrew Jackson, Davy Crockett and General Santa Ana (who is depicted as a Hitler-like oppressor!). The film's two major highlights are the Battle of San Jacinto and the siege of the Alamo, both featuring the remarkable stuntwork of Yakima Canutt. Though often juggling facts to make a better story, Man of Conquest is an impressive achievement for so small a studio as Republic. Stock footage from the production would show up for years in the studio's more economical westerns and serials. ~ Hal Erickson, All Movie Guide

In this exciting spy drama, enemy agents endeavor to steal the plans for a top secret silent aircraft. The plane's inventor wants to sell his invention to other countries but his government will only allow it if the test flights fail. The prototype is sabotaged and crashes on the first test, killing the pilot. The commanding officer shoulders the blame and ends up court-martialed. He then goes to the enemy agents and wins their trust. In this way, he brings them to justice. Meanwhile the fate of the unpatriotic inventor is left in the air. ~ Sandra Brennan, All Movie Guide

While the "Tarzan" series was going full blast at MGM, several independent producers managed to secure the screen rights to Edgar Rice Burrough's Lord of the Jungle for their own low-budget adventure films. Taking into consideration the fact that MGM's Tarzan was Olympic swimming star Johnny Weissmuller, Sol Lesser managed to cast two Olympic athletes in 1938's Tarzan's Revenge: 1936 decathlon champion Glenn Morris as Tarzan and aquatic medal-winner Eleanor Holm as "Eleanor". The audience doesn't see much of old Tarz' during the first few reels, as Eleanor, her uncle (George Barbier), her sweetheart (George Meeker) and her aunt (Hedda Hopper) safari through the jungle in search of big game. But when Eleanor is kidnapped by lascivious jungle sultan Ben Alieu Bey (C. Henry Gordon), Tarzan comes swinging to the rescue. Though an irredeemably awful actor (his "jungle yell" is so ludicrous as to be laughable), Glenn Morris cuts quite a figure in his Tarzan loincloth, while the curvaceous Eleanor Holm demonstrates just what it was that attracted so many celebrity suitors on both sides of the Atlantic. ~ Hal Erickson, All Movie Guide

Bookish bank employee Atterbury Dodd (Leslie Howard) is ordered to investigate the near-bankrupt Colossal Studios in Hollywood, to see if the firm is any sort of good risk. Dodd's first brush with Tinseltown's cuckoo atmosphere occurs when he takes a room in a boarding house for extras, where all manner of eccentrics wander about as they wait for the phone to ring (Charles Middleton comports himself in an Abe Lincoln costume, on the off-chance that Hollywood will go back to making Civil War pictures soon). He befriends Lester Plum (Joan Blondell), a former child star now working as a stand-in for haughty movie queen Thelma Cheri (Marla Shelton), and perpetually soused producer Douglas Quintain (Humphrey Bogart). Aware that the latest epic of autocratic director Koslofski (Alan Mowbray) will ruin the studio, Howard investigates further, discovering that a rival company has bribed Koslofski to pad the budget and thus bring about the foreclosure of Colossal. While his business sense tells him that this is the next logical move, Dodd has fallen in love with Plum; thus, he gives Quintain 48 hours to re-edit Koslofski's fiasco into something workable, and himself staves off the studio's shutdown by rallying all the Colossal employees to stand firm against being removed from the premises. Based on a Saturday Evening Post story by Clarence Buddington Kelland, this is a light-hearted satire of the movie industry, the sort of amiable farce in which everyone--even the most contentious of characters--is shown to be basically decent underneath. ~ Hal Erickson, All Movie Guide

Actual footage of the 1936 Berlin Olympics is rabbeted into the action of this superior Charlie Chan entry. Assigned by the U.S. Navy to track down a gang of international spies, Charlie Chan (Warner Oland) heads to Berlin, where as luck would have it his son Lee (Keye Luke) is representing the United States as a member of the Olympic swimming team. Among Lee's teammates is Richard Masters (Allan Lane), who has unfortunately fallen under the spell of the alluring Yvonne Roland (Katherine De Mille), much to the dismay of his sweetheart Betty Adams (Pauline Moore). What no one knows (but Chan suspects) is that Yvonne is one of the spies, in league with the mysterious Arthur Hughes (C. Henry Gordon). Yvonne hides a stolen secret weapon in Betty's luggage, leading to a not-so-merry chase through Berlin, and the ultimate kidnapping of Lee Chan by the villains. Plus, there's a murder to be solved, and Berlin police chief Strasset (Fredrick Vogeding) isn't about to let Charlie Chan get the credit. Ironically, Charlie travels from New York to Berlin via the dirigible Hindenburg -- which crashed into flames the same week that Charlie Chan at the Olympics was released (PS: The Nazi swastika on the tail of the airship was matted out by the special-effects crew). ~ Hal Erickson, All Movie Guide

Hollywood Boulevard is a trenchant look at the underside of Tinseltown. Though the nominal hero is a disillusioned screenwriter played by Robert Cummings (whose dialogue anticipates the lines spoken by William Holden in 1950's Sunset Boulevard), the focus of the story is John Halliday as a washed-up film star. Desperately, Halliday accepts the offer from a sleazy "tell all" magazine to write his memoirs. The actor's estranged family is devastated by the resultant scandal, and out love for his daughter (Marsha Hunt), Halliday tries to break his contract. But the publisher (C. Henry Gordon) threatens to ruin Halliday's comeback attempt if he refuses to write the rest of his memoirs. In a scuffle, the publisher kills Halliday, and the blame falls on the actor's daughter. But wise guy screenwriter Cummings gets to the truth of the mystery. A slick B-plus crime melodrama, Hollywood Boulevard has the added bonus of several well-known silent film personalities (Charles Ray, Francis X. Bushman, Maurice Costello, Mae Marsh etc.) in cameo roles, as well as a guest appearance by Gary Cooper. ~ Hal Erickson, All Movie Guide

Based on a novel by Cortland Fitzsimmons, the storyline of this "gimmick" mystery follows the St. Louis Cardinals during a championship season. The arrival of hotshot pitcher Larry Kelly (Robert Young) coincides with an apparent plot to sabotage the Cards' chances of making it to the World Series. A failed attempt to poison all the pitcher's mitts is followed by a series of murders: catcher Dunk Spencer (Joe Sauers) is shot while sprinting to third base, pitcher Frank Higgins (Robert Livingston) is strangled in the locker room, and lovable catcher Truck Hogan (Nat Pendleton) is killed with an arsenic-laden hot dog. Finding himself one of the many suspects, Kelly nearly becomes a victim as well when he is slipped a booby-trapped baseball. With the help of sportscaster Jimmy Downey (Paul Kelly), Kelly exposes the murderer, surviving to win the pennant and the heroine, team secretary daughter Frances Clark (Madge Evans). Partly filmed on location at Los Angeles' Wrigley Field (home of the Chicago Cubs' minor-league LA farm team), Death on the Diamond offers a fresh slant to the standard whodunit format, with some particularly good work by Ted Healy as an exasperated umpire. That MGM produced the film is tipped off by two of the studio's trademarks: The killer's last-minute confession, wherein the guilty party transforms from a mild-mannered soul into a raving lunatic, and the shoddy process-screen work in the ballgame scenes. Future stars Mickey Rooney, Walter Brennan and Bruce Bennett show up in bit roles. ~ Hal Erickson, All Movie Guide

Though it's also a "bus" picture, MGM's Fugitive Lovers is as different from Columbia's It Happened One Night as oil and water. Escaping from her gangster boyfriend Legs (Nat Pendleton), chorus girl Letty (Madge Evans) boards a Greyhound bus bound for California. Likewise a passenger -- albeit a non-paying one -- is Porter (Robert Montgomery), a fugitive from justice. As the bus rolls ever onward, hero and heroine are inexorably drawn together, despite the looming twin threats of arrest and/or extermination. The already incredible plotline takes an even more bizarre turn when Porter is obliged to rescue a group of children who've been trapped in a snowbound school bus somewhere in the Rockies. Fugitive Lovers is fascinating on two levels: as a showcase for the directorial excesses of Richard Boleslawski (this picture has more offbeat camera angles than Citizen Kane) and for the comedy relief of Ted Healy and his Stooges (Curly, Larry and Moe -- with Curly as the unofficial leader of the group!) The scene in which Moe Howard tries to make time with Madge Evans is worth the admission price in itself. ~ Hal Erickson, All Movie Guide

A splashy journalist finds herself embroiled in international intrigue when she hooks up with a sneaky Russian correspondent who curries favor by saving a Secret Police official. ~ Sandra Brennan, All Movie Guide

The French Foreign Legion is the setting for this episodic adventure yarn. Victor Jory plays a Legion doctor falsely accused of murdering his commander over the love of Loretta Young. Jory escapes prosecution by heading for parts unknown, but when a deadly illness strikes his old fort, he returns to aid his comrades. He is arrested, but clears himself of the murder charge and ends up with Young. Devil's in Love is distinguished by the surprise appearance of Bela Lugosi, who shows up unbilled as a relentless prosecuting attorney in the courtroom scenes. ~ Hal Erickson, All Movie Guide