Aimee Eccles Movies

In this pilot film for an unsuccessful TV series, a scientist and his android creation battle against nefarious government forces. ~ Jason Ankeny, All Movie Guide

The title character in this made-for-TV movie, played by Gary Kasper, is an artificial "superhuman," created at the behest of the U.S. government to be the ultimate soldier. Unfortunately for the Feds, J.O.E. has been imbued with the genes of idealistic scientist Michael Moran (Terence Knox), an avowed pacifist. J.O.E. also has a mind of his own, rendering him incapable of following orders in which he does not believe. The humanoid hero's convictions -- and incredible strength -- are put to the test when a group of terrorists try to destroy the U.S. defense system. Clearly the pilot for a proposed (and never sold) series, J.O.E. and the Colonel (released to video as Humanoid Defender) made its ABC network debut on September 11, 1985. ~ Hal Erickson, All Movie Guide

Having agreed to submit to a genetic research project headed by Dr. Paul Flynn (Lane Smith), cancer victim Cindy Oliver (Kate Linder) leaves Flynn's hospital--and promptly dies. Soon thereafter, several other people who'd come in contact with Cindy also turn up dead. Investigating, Quincy (Jack Klugman) comes to the sobering conclusion that Dr. Flynn's experimental cancer-cure serum has spawned a mutant respiratory virus--which is not only fatal, but may also be unstoppable. ~ Hal Erickson, All Movie Guide

Film auteur Sylvester Stallone wrote, directed, and stars in this re-working of Rocky to fit an old-fashioned Hollywood formula, depicting three brothers from New York's Hell's Kitchen of the 1940s who want to claw their way out of poverty. Lee Canalito is the muscle-brained iceman Victor, and Armand Assante is the embittered, crippled war veteran Lenny. But the smooth-talking con man brother Cosmo (Sylvester Stallone), sees beef-cake Victor's fists as their ticket out of the slums. Cosmo, ever the manipulator, convinces the dull-witted Victor to participate in a series of bone-crunching wrestling matches as Kid Salami. Cosmo and Lenny exploit Victor's brute strength to grab the fast money on the wrestling circuit. But their climb to success is halted when the local gangster Stitch (Kevin Conway) puts up his malicious and dangerous wrestler Frankie the Thumper (Terry Funk) to fight against Kid Salami in a 22-round meat-pounder. ~ Paul Brenner, All Movie Guide

Much to his dismay, Quincy (Jack Klugman) finds himself at odds with his friend and mentor Dr. Herbert Stone (Barry Sullivan) at a coroner's inquest. At stake is a huge insurance settlement, which will be decided only after the identity of a charred corpse is firmly established. Called in as an expert witness, Dr. Stone insists that the dead man is indeed a wealthy businessman, who has apparently died in a fire. But Quincy is unconvinced that the businessman was the victim, or even that he's actually dead--and worse, he suspects that Stone has "sold out" to the dead man's greedy family. ~ Hal Erickson, All Movie Guide

One of the best films by often-underrated director Robert Aldrich, this stark, brutal Western is also an effective allegory of America's involvement in the Vietnam War. Set in Arizona during the late 1880s, the film begins with experienced scout McIntosh (Burt Lancaster) and idealistic U.S. Cavalry Lieutenant DeBuin (Bruce Davison) setting out to catch a group of Apache renegades lead by their chieftain, Ulzana (Joaquin Martinez). The story focuses on the opposing views of the two men regarding Ulzana. McIntosh is cold and cynical while DeBuin is morally outraged by supposed Apache atrocities. The film, sharply written by Alan Sharp, poses a set of complex questions about the nature of heroism, racism, and American imperialism, while avoiding moralizing or oversimplification of the issues. Aldrich and Burt Lancaster, who made four films together over the course of their long careers (including this one), later collaborated on the excellent political thriller Twilight's Last Gleaming. ~ Linda Rasmussen, All Movie Guide

Ocean View High is an upscale suburban school in an otherwise unidentified community. It's 1971, the point when the sexual revolution started moving into full swing and even a lot of Middle America, at least on the two coasts, admitted the existence of same revolution. It seems like the guys and girls at Ocean View are all loving pretty freely, and that extends to the school's resident faculty hero, football coach/guidance counselor "Tiger" McDrew (Rock Hudson), who -- despite his being married, with a child -- has been bedding many of the prettiest girls at the school. The only kid seemingly not "getting any" is Ponce de Leon Harper (John David Carson), who is starting to get neurotic and suffer academically, so much so that he seeks advice from McDrew, especially where his new substitute teacher, Miss Smith (Angie Dickinson), is concerned. But then various girls start turning up at the school dead, in various states of undress, with cryptic notes pinned to intimate parts of their anatomy. The lunkhead county sheriff (Keenan Wynn) is forced to defer to a state police investigator (Telly Savalas), who starts nosing around the school and uncovers more than he bargained for in terms of libidinous students, among other problems. Meanwhile, Ponce finds his problem taken care of by Miss Smith, at McDrew's request. But there's still a killer stalking the school.

If the plot and ambience of this movie seems shocking today, that's because it would be. Made at the outset of the sexual revolution, this was MGM's desperate attempt to run with the times, in terms of depicting a high school where sexual relations between students are considered routine and even those between faculty and students are accepted as long as they're kept quiet. Anyone trying to make such a movie in 2006 would face threats of prosecution, investigation, etc., and probably find it impossible to get the movie booked into theaters; MGM didn't have that easy a time in 1971, though (amazingly) the movie has been shown on television. Precisely what director Roger Vadim brought to Gene Roddenberry's screenplay (based on a novel by Francis Pollini) is difficult to tell, though he at least makes the sleazy and tawdry, smirky sex scenes and leering camera shots flow smoothly -- screenplay, director, and cameraman alike are fixated on the female anatomy throughout, though not in as distinctive a manner as Russ Meyer and his attachment to breasts. The presence of a couple of Star Trek co-stars and supporting villains, James Doohan and William Campbell, also makes this especially weird to watch. ~ Bruce Eder, All Movie Guide

This New York underground film contains elements of the surreal and absurd. A Civil War soldier (Robert Downey) is shot in the posterior and finds himself wandering around New York in different time periods. He meets President James Garfield and his assassin. Documentary footage of the Vietnam War appears. A gangster turns out to be a priest, and his overweight female companion becomes a chimpanzee. Also, Allen Abel, president of the Society for Indecency to Naked Animals, gives a speech as to why the animals of the world should wear clothes. This offbeat film is a hilarious look at the lunatic fringe of society and was released in 55- and 52-minute versions. ~ Dan Pavlides, All Movie Guide