Donald Dilloway Movies
Cimarron was the first Western to win the Oscar for Best Picture--and, until Dances with Wolves in 1990, the only one. The film begins on April 22, 1889, the opening day of the great Oklahoma Land Rush on the Cherokee Strip. Boisterous Yancey Cravat (Richard Dix) is cheated out of his land claim by the devious Dixie Lee (Estelle Taylor). Instead of becoming a homesteader, Cravat establishes a muckraking newspaper, and with pistols in hand he becomes a widely respected (and widely feared) peacekeeper. He also displays a compassionate streak by coming to the defense of Dixie Lee, who is about to be arrested for prostitution. Cravat's insistence on sticking his nose into everyone's affairs drives a wedge between him and his young wife Sabra (Irene Dunne), but she stands by him--until he deserts her and her children, ever in pursuit of new adventures. Sabra takes over the newspaper herself, and with the moral support of her best friend, Mrs. Wyatt (Edna May Oliver), she creates a powerful publishing empire. Cimarron makes the mistake of placing most of the action early in the film, so that everything that follows the spectacular opening land-rush sequence may feel anti-climactic. While it's always enjoyable to watch Irene Dunne persevering through the years, it's rather wearing to sit through the overblown performance of Richard Dix, who seems to think that he can't make a point unless it's at the top of his lungs. Cimarron creaks badly when seen today, but it still outclasses the plodding 1960 remake. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Dix, Irene Dunne, (more)
- 1932
This droll, sophisticated comedy stars Constance Bennett as Venice Muir, a shy young lady with no "past" of any kind -- and very little romance in her life. Hoping to overcome her bashfulness during a trip to Europe, she invents a lurid history for herself, then engages the services of paid escort Guy Bryson (Ben Lyon) to accompany her to all the continent's hot spots. Through word of mouth, Venice gains the reputation of being a sexual adventuress (though she's still nothing of the kind), and soon she is headline fodder for all the Parisian newspapers. Her fabricated randy reputation catches the eye of wealthy Donnie Wainright (David Manners), but it is Guy Bryson who ultimately makes an "honest woman" out of her. Lady With a Past was adapted from the equally delightful novel by Harriet Henry. ~ Hal Erickson, All Movie Guide
- Starring:
- Constance Bennett, Ben Lyon, (more)
- 1933
A remarried war widow's attempts to raise her son to be a pacifist are thwarted when a second world war (this film was made well before the real WWII) erupts. Up until then, her new husband, the Secretary of State, supported his wife's crusade, but with a war on, he becomes a strong supporter in the fight that culminates in the exciting bombing of the Empire State Building. ~ Sandra Brennan, All Movie Guide
- Starring:
- Diana Wynyard, Phillips Holmes, (more)
A rather bleak comedy-drama from Frank Capra, Platinum Blonde basically starts where Capra's later and much more buoyant It Happened One Night (1934) ends: the marriage between a brash newspaperman and a society dame. But where the latter comedy was enhanced by the director's patented optimism, Platinum Blonde, produced at the height of the Great Depression, expresses no faith in a common ground between the classes. Star reporter Stew Smith (Robert Williams) falls in love with the sister (Jean Harlow) of his latest victim (Donald Dillaway). They marry despite the misgivings of Ann Schuyler's blue-nosed mother (Louise Closser Hale) and Stew's cynical colleagues ("Ann Schuyler's in the blue book. You're not even in the phone book!"). Unable to stand life in a gilded cage for long, Stew upsets the Schuyler mansion by inviting his friends to a wild and woolly party. Returning home unexpected in the middle of the drunken revelry, Ann lays down the law and Stew bolts -- right into the arms of girl reporter Gallagher (Loretta Young), whom he has loved all along without realizing it. Jean Harlow is surprisingly realistic as the callous society girl but Robert Williams' wisecracking reporter comes across as rather grating. An up-and-coming comic lead, Williams died after an operation for appendicitis on November 3, 1931, less than a month after Platinum Blonde had premiered to mostly positive reviews. Ironically, Loretta Young, who received top billing, had demanded to star in this film when it was still known as "Gallagher," the name of her character. Harlow, needless to stay, stole the limelight completely and Capra changed the title much to Young's chagrin. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Loretta Young, Robert Williams, (more)
- 1932
The first film version of Philip Barry's Broadway play The Animal Kingdom stars Ann Harding, Leslie Howard and Myrna Loy. Howard plays a wealthy publisher who decides to marry the socially prominent Loy, leaving his mistress Harding in the lurch. In comically convoluted fashion, Loy behaves like a callous libertine, while Harding is the soul of love and fidelity. The frustrated Howard declares at the end that he is going back to his "wife"--meaning, of course, the faithful Harding. Animal Kingdom was long withdrawn from public view due to the 1946 remake One More Tomorrow; a pristine 35-millimeter print was discovered in the Warner Bros. vaults in the mid-1980s. ~ Hal Erickson, All Movie Guide
- Starring:
- Ann Harding, Leslie Howard, (more)
- 1934
Joe E. Brown plays a dual role in Circus Clown, as would-be circus entertainer Happy Howard and his rustic old father. When dad, a former circus man himself, disapproves of Happy hitting the sawdust trail, the boy does so anyway, smitten by a beautiful female bareback rider. So naïve is our hero that he doesn't realize that the "girl" is actually female impersonator Jack (Don Dillaway), who strings Happy along just for laughs. Once this plotline is straightened out, Happy becomes the hero of the day by substituting for a drunken aerialist -- and there is no more proud or enthusiast spectator than Happy's happy dad. If Joe E. Brown looks genuinely frightened in his scene in the lion's cage, he should; the lion affectionately pawed Brown during one take, resulting in six stitches in the comedian's arm. More serious than most Brown vehicles, Circus Clown is distinguished by the star's spectacular acrobatics (the real thing -- no doubles), and by some excellent split-screen work during the "father/son" scenes. ~ Hal Erickson, All Movie Guide
- Starring:
- Joe E. Brown, Patricia Ellis, (more)
- 1932
In this strange, convoluted tale, a hotel clerk ends up pregnant and alone after she has a brief fling with a wealthy playboy. Shortly after her daughter's birth, she hooks up with a criminal. She does not realize that the good-hearted bellboy with whom she works secretly loves her. When the criminal inadvertently involves her in a murder, an eager-beaver reporter, who also grows to lover her, hatches a clever scheme to save her and win her hand. ~ Sandra Brennan, All Movie Guide
- Starring:
- Ann Dvorak, Lee Tracy, (more)
