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Gyula Csortos Movies

 
1939  
 
Puszta Princess was reportedly inspired by the real-life romance between Austro-Hungarian archduke Albrecht and a "commoner" schoolmistress (who claimed to be descended from royalty). The film's heroine is Erzsi (Eve Szerenyi), schoolmarm sweetheart of "student prince" John (Sandor Szabo) from a mythical mittel-European nation. So as to remain close to Erzsi, John fakes a plane accident and contrives to have her nurse his wounds. Unable to marry because of their vastly different stations in life, Erszi and John sadly resigned themselves to a lifetime of misery. Happily, John is able to alter the rules of marital protocol once he assumes the throne of his postage-stamp kingdom. Leading man Sandor Szabo, a former Olympic swimmer, later became a prolific Hollywood character actor. ~ Hal Erickson, Rovi

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Starring:
Eva SzorenyiSandor Szabo, Sr., (more)
 
1938  
 
Fekete Gyemantok is based on a novel by Maurice Jokal. The title translates as Black Diamonds, a reference to the Hungarian coal-mining community where the story takes place. Amidst political, economic and labor-relations intrigue, a triangular romance develops involving Ivan (Paul Javor), Evila (Zita Szeleczky) and Felix (Eugene Torzs). Since Felix is the villain of the peace, the outcome of the "love stuff" is predetermined from the start. Director Ladislao Vajda does wonders with an obviously tight budget, especially during the elaborate stock-exchange sequences. ~ Hal Erickson, Rovi

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Starring:
Zita Szeleczky
 
1938  
 
One wonders sometimes if there were any Hungarian films of the 1930s not directed by the ubiquitous Ivan Szekely! Adapted from a play by Lajos Zilaby, Egy Lany Elindul (A Girl's Start) represents another felicitous collaboration between director Szekely and star Eva Szorenyi. She plays Janka, a proper young working girl who puts in extra hours at the office to support her ne'er-do-well family. With the help of her wealthy friend Dido (Marita Mezey), Janka is able to pass herself off as an heiress during a posh weekend party. Through various means, Janka secures responsible jobs for her family at her hosts' estate, and in so doing straightens out everyone's problems. As a bonus, Janka lands rich but lazy young Briggy (Antal Pager) as her husband, ultimately teaching him the pleasures and values of good, hard, honest work. ~ Hal Erickson, Rovi

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Starring:
Eva SzorenyiAntal Pager, (more)
 
1937  
 
Ket Fogoly (Two Prisoners) was adapted by Lajos Zihaly from his own novel. A scant few weeks after their marriage, Peter (Paul Javor) and Miette (Gizi Bahor) are separated when Peter is conscripted to fight in WW1. While serving in Siberia, Peter is taken prisoner, though he promises to escape and return to the arms of his wife. As Miette sits home in anguish and anticipation, Peter tries and fails several times to elude his captors. Emotionally shattered by the ordeal, Miette finds comfort with family friend Ivan (Gabor Rajnay); meanwhile, Peter, resigned to his fate, enters into an affair with Russian girl Zinaida (Irene Agay). Thus begins a snowballing series of misunderstandings and misteps that end in disaster for Peter but culminate in happiness (of sorts) for Miette. Director Istvan Szekeley left Hungary in 1938 to relocate in Hollywood, where he continued to work under the name of Steve Sekely. ~ Hal Erickson, Rovi

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Starring:
Gyula Csortos
 
1937  
 
Viki was adapted for the screen from the stage play by Adorjan Bonyi. Taking over from the stage version's Marika Roekk as the title character is Rozsi Barsony, an immensely popular Hungarian screen personality of the period. A headstrong, hoydenish young woman, Viki prefers to dress and act like a man. When she gets into an argument with the equally contentious Feri (Paul Javor), he fails to see through her disguise and challenges her to a duel, "man to man." Amazingly, the two antagonists go through with the duel -- whereupon Feri discovers Viki's true gender and instantly falls in love with her. Given Rozsi Barsony's voluptuous figure and omnipresent femininity, one can only assume that hero Feri is extraordinarily nearsighted. ~ Hal Erickson, Rovi

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Starring:
Rosie BarsonyGyula Csortos, (more)
 
1937  
 
Zita Szeleczky handles the title role in the Hungarian romantic comedy High-Born Lady (original title: Metlosagos Kiasasszony). The heroine is hardly a sympathetic character when introduced; in fact, she derives great pleasure out of tormenting and browbeating hero Lajos Basthy, her little brother's seemingly impoverished tutor. Zita changes her tune when she learns that Basthy is actually a nobleman who works as a teacher to pay his way through medical school in defiance of his father's wishes. Our hero not only wins the high-born lady but develops a miracle serum which saves his father's life. Only in the movies! ~ Hal Erickson, Rovi

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Starring:
Zita Szeleczky
 
1937  
 
A Megfagyott Gyermik was released outside of Hungary as The Frozen Child and Tomi. Child actor Gizi Percy stars as Tomi, who in the beginning of the film must stand by helplessly as his parents are persecuted by a rich relative. Running away from home after the death of his mother, Tomi nearly freezes to death but is rescued from this and subsequent perils when a building designed by his late father wins a huge cash prize at an architectural contest. Meanwhile, the nasty relative gets his comeuppance when his daughter Sutyi (Klari Adam), Toni's cousin, marries the man of her choice rather than the husband selected by her domineering daddy. The film ends with a few process-screen images of New York, as Tomi travels to America to triumphantly claim his father's prize. ~ Hal Erickson, Rovi

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Starring:
Annie Dobos
 
1937  
 
Son of the Pusta is the English-language title of the intense Hungarian drama Sarga Csiko. Ferenc Kiss plays an unfortunate soul who spends 15 years in jail for a crime he didn't commit. Finally released from prison, he tries to make a new life for himself, only to have his trail dogged by a pair of scuzzy blackmailers. Kiss in finally freed from his emotional bondage when the actual murderer is uncovered. The oddest part of film is that the killer is not punished, but merely forgiven. Perhaps it's just as well, since the guilty party happens to be the father of the young heroine who is in love with Kiss's son. ~ Hal Erickson, Rovi

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Starring:
Gyula CsortosJulia Komar, (more)
 
1937  
 
The sentimental Hungarian drama Tommy owes quite a bit to Chaplin's The Kid. The principal character is an orphan boy, who spends the first few reels suffering under the tyranny of an evil grandfather. Tommy is rescued by a spinster aunt who, after landing a husband, is at last able to adopt the child. The film's most heart-wrenching scene finds young Tommy mourning by his mother's grave on a cold and windy night. Nodding off, he dreams he is reunited with her in Heaven -- which, considering the weather and his flimsy clothing, may very well happen. Tommy boasts excellent performances from two astonishingly gifted juvenile performers, Gizy Peczy and Klari Adam. ~ Hal Erickson, Rovi

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Starring:
Annie DobosSerena Sziklay, (more)
 
1937  
 
Az Ember Neha Teved (Mistakes Will Happen) is a cookie-cutter Hungarian comedy about a poor heroine and a rich hero. Anna Tokes plays Anna, the daughter of near-bankrupt radio manufacturer Illes (Julius Gozon). Gross, greedy lawyer Papp (Julius Csortos) agrees to bail out Illes financially, but only if Anna will marry him. He gives her a diamond brooch to bind the bargain, whereupon the bauble is stolen by a pickpocket (Gero Maly). He passes the brooch on to streetwalker Zizus (Margit Dayka), who in turn loses it in the home of wealthy, bibulous young wastrel Andreas Pakay (Antal Pager). When he sobers up the next morning, Pakay can't remember any of the events of the night before. He does know that there was a girl in the house, and that the girl left her brooch behind. Now there's nothing for it but to trace the brooch to its owner, and guess what happens next? ~ Hal Erickson, Rovi

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Starring:
Anna TokesAntal Pager, (more)
 
1937  
 
You Will Be My Husband is the rather emphatic English-language title of this Hungarian romantic comedy. Irene Agal stars as Margit Balos, who arrives at the conclusion that married women are more attractive to men than bachelorettes. Thus, Margit pretends to be married, going so far as to claim that stuffy Dr. Dobokay (Paul Javor) is her husband. Though displeased by Margit's deception, Dobokay agrees to play along with her, and, waddya know, he actually falls in love with her! Maga Lesz a Ferjem certainly proved that Hollywood had no monopoly on cliches. ~ Hal Erickson, Rovi

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1937  
 
Maria Lazar essays a dual role in the Hungarian mystery melodrama Number 111. Lazar number one is Olga, the stage assistant of sinister vaudeville hypnotist Joe Selfridge (Jeno Torzas). Lazar number two is Olga's sister Vera, a previous victim of Selfridge's sadistic ways. The plot involves the efforts by Selfridge to pass off Olga as Vera, thereby separating an impressionable young aristocrat (Paul Javor) from his money. The villain's schemes are foiled when True Love rears its pretty head. Number 111 looks a lot like the sort of low-budget "B" melodramas in which director Steve Szekely specialized when he moved to Hollywood in the 1940s. ~ Hal Erickson, Rovi

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Starring:
Jeno TorzsMaria Lazar, (more)
 
1936  
 
En Voltam (I Did It) was based on Confession, a play by Rose Meller. Elma Bulla repeats her stage role as a young woman who takes the blame for a theft which she believes was committed by her lover. The ungrateful jerk assumes that she did commit the crime, and further supposes that she did it on behalf of his romantic rival. Throughout the rest of the film, Bulla tries to revoke her confession, only to find that no one will believe her. Only when the genuine culprit is revealed is Bulla cleared and reunited with her sweetheart -- though if ever there was a man unworthy of her devotion, it is surely this one! Devotees of newcomer Elma Bulla were thoroughly satisfied with this screen version of her theatrical triumph. ~ Hal Erickson, Rovi

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Starring:
Elma BullaTheodore Uray, (more)
 
1936  
 
Ember a Hid Alatt (The Man Under the Bridge) was the last of three 1936 releases directed by Lazslo (Ladislao) Vajda. It was also one of the few Hungarian films of the era which was neither a romantic comedy nor an escapist musical. The protagonist, an unemployed doctor named Andrew, contemplates suicide when his money runs out. He is saved from a watery grave by Smirgil, a likable burglar. Making it his mission in life to restore Andrew's will to live, Smirgil does his job so well that Andrew offers his services as a partner in crime. Their first joint burglary attempt at a medical clinic ends circuitously, with Andrew at last finding a job in his chosen profession. At this point, Smirgil drops his friendly facade and turns blackmailer, threatening to blow the whistle on Andrew's brief life of crime. Incredibly, this bit of extortion leads to an even happier ending than anyone in the audience could have imagined! ~ Hal Erickson, Rovi

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Starring:
Maria LazarGyula Csortos, (more)
 
1936  
 
Rakoczi Indulo (Rakoczy March) is based on The Daughter of the Nabob of Dolova, a novel by Ferenc Herceg. Gable-like leading man Paul Javor stars as First Lieutenant Tarjan, who falls in love with the vixenish Vilma (Margaret Dayka). Since Vilma is the sister of Tarjan's superior officer and the daughter of a nobleman, our hero has to work overtime to be worthy of her love. When Vilma's father announces that the girl will marry another, Tarjan reluctantly walks out of the relationship -- and walks into a duel with Vilma's brother, who feels that his sister's honor has been impugned. All is forgiven when Tarjan makes a self-sacrificial gesture that allows everyone to save face. ~ Hal Erickson, Rovi

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Starring:
Gyula CsortosMargit Dayka, (more)
 
1936  
 
Set in a battle-scarred Galician town during WWI, Café Moscow begins as the Russian citizens evacuate in anticipation of an Austro-Hungarian invasion. Hoping to avoid capture, Verjusha (Anna Tokes), the wife of a Russian general, poses as a singer at the Café Moscow. She manages to convince a handsome young Hungarian lieutenant (Lajos Vertes) to help her escape, but he considers her a woman of loose morals and refuses. Circumstances change radically towards the end of the film, when Verjusha finds herself in a position to save the lieutenant's life. Director Istvan Szekely later enjoyed a long Hollywood career as "Steve Sekely." ~ Hal Erickson, Rovi

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Starring:
Anna TokesGyula Csortos, (more)
 
1936  
 
Dunaparti Randevu (Romance At the Danube) offers yet another pair of ardent young lovers who pursue their romance despite her papa's objections. Once again, the hero (Imre Raday) is an impoverished writer, while the heroine (Zita Perczel) is the daughter of a rich man. And once again, the girl's father (Julius Kabos) refuses to bless the union until the boy "makes something" of himself. At the last moment, the hero manages to win over the father by writing a best-seller -- still another familiar plot device. And as expected, the acting honors are won by the father, played by ace Hungarian comic Julius Kabos. ~ Hal Erickson, Rovi

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Starring:
Zita PerczelGyula Csortos, (more)
 
1936  
 
Legy Jo Mindhalalig (Be Good Unto Death) is based on the Hungarian stage play by Zsigmond Moricz. The story is set at the legendary Dehreczen boys' grammar school in 1894. Eleven-year-old Laci Devenyi plays Mike, an enterprising schoolboy who pays for his education by tutoring one of his classmates and by serving as a "reader" for a wealthy sightless gentlemen. When the blind man is robbed, Mike immediately falls under suspicion but refuses to clear himself lest he implicate his older sister's fiance. A series of convenient coincidences solves Mike's problems without forcing him to betray his family. ~ Hal Erickson, Rovi

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Starring:
Gyula CsortosElla Gombaszogi, (more)
 
1936  
 
Az Uj Foldesur (The New Squire) was based on a novel by popular Hungarian author Maurice Jokal, whose many works had previously been largely ignored. After the wars of 1848, a retired Austrian army officer "returns to the soil" as a gentleman farmer in Hungary in the 1850s. The old campaigner is the father of two daughters: One of the girls comes to a sad end thanks to the malfeasances of a handsome spy, but the other has a happier fate when she falls in love with a Hungarian POW. The underlying theme is brotherhood, as the formerly warring Austrians and Hungarians at last find a common ground. Az Uj Foldesur was nearly twice as expensive as the average Hungarian film -- but at $40,000, its budget was a drop in the bucket compared to a typical Hollywood production. ~ Hal Erickson, Rovi

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Starring:
Kalman RozsahegyiTheodore Uray, (more)
 
1932  
 
Hippolyt, the Lackey was the second production to emanate from the Budapest studios of young-and-hungry Hunnia Studios. Former expressman Mattias Schneider may have recently come into a fortune, but he remains the same simple, down-to-earth soul he always was. But Mrs. Schneider is a social-climbing type, and she insists that their daughter Terka seek out a wealthy husband, even though the girl is in love with Schneider's employee Benedeck. To teach her husband and daughter the proper social attitudes and graces, Mrs. S. hires a butler named Hippolyt (portrayed by celebrated National Theatre of Budapest leading man Gyula Csortos) who has spent his life in service to the rich and famous. Hippolyt advices Schneider to join the "right" clubs, and as an added fillip, to take a young mistress, like any proper Hungarian gentlemen. Schneider takes Hippolyt's advice and invites a saucy showgirl named Mimi to his home, thoroughly destroying Mrs. Schneider's dreams of entering the aristocracy but somehow paving the way to a happy ending for Terka and Benedeck. Hippolyt, the Lackey was also lensed in a German-language version. ~ Hal Erickson, Rovi

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Starring:
Gyula CsortosGyula Kabos, (more)