Gilbert B. Combs Movies

The second part of a crossover with Buffy the Vampire Slayer (see Buffy, "The Harsh Light of Day"), this episode of Angel guest-stars Seth Green as Oz, the werewolf rocker, and James Marsters as Spike, one of Angel's vampire nemeses. On tour with his band, Dingoes Ate My Baby, Oz comes to L.A. bearing a gift from Buffy to Angel -- the Gem of Amarra, a magical ring that makes any vampire who wears it truly invulnerable. Thinking the talisman too dangerous to use, Angel (David Boreanaz) hides it in the sewers underneath the city. Spike soon arrives and retains the services of Marcus (Kevin West), a fearsome, child-eating vampire, to torture and kidnap Angel. Although Angel keeps his mouth shut despite unimaginable agony, Doyle (Glenn Quinn) and Cordelia (Charisma Carpenter) find the ring, and, in an attempt to save their boss, inadvertently allow it to fall into Marcus' hands. Angel must chase the fiend to a crowded beach in full sunlight to prevent him for exercising his bloodlust on the amassed kiddies. Afterward, Angel uses the ring's powers to enjoy one day unharmed in the sunlight before pulverizing it to prevent it from falling into the wrong hands. Originally broadcast October 19, 1999, on the WB network, "In the Dark" marked season one, episode three of the supernatural comedy drama. It was also the first of many crossovers with the show's parent series. ~ Brian J. Dillard, All Movie Guide

Pittsburgh Penguins owner Howard Baldwin was the producer of Sudden Death, and the action is set in his hockey arena, in which the Penguins are playing the Chicago Blackhawks. Pittsburgh fire inspector Darren McCord (Jean-Claude Van Damme) is attending the game with his two children. He's quit fighting fires because of a tragedy a few years earlier involving a child he couldn't save. Also at the game is the vice-president of the United States (Raymond Barry), who is the target of a terrorist plot. The terrorist leader, an insane ex-CIA agent named Joshua Foss (Powers Boothe), has masterminded a scheme to hold the vice-president hostage in his luxury suite while demanding that payments be transferred to his account electronically at the end of each period of the game. If he doesn't get his money, he will kill one member of the vice-president's party at the end of each period, and at game's end he will order ten bombs hidden in the arena to be detonated with all 17,000 fans present. McCord discovers the plot while his daughter Emily (Whittni Wright) is kidnapped by the terrorists too. McCord must dispatch the villains and find the bombs, while saving all the hostages. Luckily, he is adept at martial arts. He fights one henchman dressed in a Penguins mascot outfit in the arena's kitchen, and another terrorist on the arena's retracting dome. At one point, McCord switches identities with a player, is sent into the game, and scores a goal. Director Peter Hyams also directed Van Damme in the blockbuster Timecop. ~ Michael Betzold, All Movie Guide

After the phenomenal box-office and critical success of David Cronenberg's 1986 remake of The Fly, a series of big-budget remakes of '50s horror favorites rode in on its coattails in the late 1980s -- though none managed to rise above mere camp clones of their elders, albeit garnished with modern makeup effects in an attempt to draw modern teen horror-junkies. One remake that managed to live up to its cheesy inspiration was Chuck Russell's version of The Blob, in which the title goo crashes to earth and promptly begins digesting the residents of a small California town while growing to gargantuan proportions. The clean-cut teen hero originally portrayed by Steve McQueen (his first starring role) is replaced here with a rebellious outsider (Kevin Dillon) whose preppie rival (Donovan Leitch) for the affections of the cute heroine (Shawnee Smith) is quickly eliminated by the all-consuming space-gelatin. No sooner has the plasma menace set up house in the town sewers when a shadowy government Blob Squad shows up under the direction of the grandfatherly Dr. Meddows (Joe Seneca), to clean up the mess... or not. This high-spirited remake replaces the '50s "Daddy-O" conventions of the original with '80s cynicism -- not even likeable characters are spared from the slaughter -- and anti-government sentiment. It also pushes the gore envelope in ways unavailable to its low-budget parent -- e.g. the scene in which one victim is sucked through a sink drain was only hinted at in the 1958 film, but here viewers are treated to the entire bone-crunching ordeal. Though the quality of blob effects seems inversely proportional to the creature's size (some of the climactic "wall-of-blob" footage is painfully cheap-looking), the end result is more blob for the monster-movie fan's dollar. ~ Cavett Binion, All Movie Guide

Director Bob Fosse's fact-based tale of Playboy centerfold Dorothy Stratten's short life and gruesome death focuses less on Stratten (played by Mariel Hemingway) than on her husband/manager, sleazoid pornographer and all-around failure Paul Snider (Eric Roberts, ideally cast). He sees the young beauty as his meal ticket and sets out to pimp her in the adult entertainment business. He marries her and appoints himself her career manager; soon after, she attracts the attention of Playboy executives and wins a spot in the magazine. As her success increases however, so does Snider's alienation as he finds himself left out in the cold. His jealousy begins to consume him; she spurns him on the advice of her new friends; he goes berserk and confronts her. The same murder-suicide inspired the made-for-television Death of a Centerfold. This was choreographer/filmmaker Bob Fosse's final film. ~ Jeremy Beday, All Movie Guide

The real Belle Starr was a homely, ill-tempered woman whose career as a western bandit was blown out of proportion by the "dime novels" of the era. Previous media Belle Starrs have included such attractive performers as Gene Tierney, Isabel Jewell and Abby Dalton, all of whom appeared to have included a cosmetician amongst their bandit cohorts. To her credit, Elizabeth Montgomery tries hard to deglamorize Belle in this 1980 TV movie, but she's still Elizabeth Montgomery. The script, by James Lee Barrett, attempts to stick closer to the facts than the earlier versions of Belle's exploits. ~ Hal Erickson, All Movie Guide