Allison Caine

This spoof of the Airport series of disaster movies relies on ridiculous sight gags, groan-inducing dialogue, and deadpan acting -- a comedy style that would be imitated for the next 20 years. Airplane! pulls out all the clichés as alcoholic pilot Ted Striker (Robert Hays), who's developed a fear of flying due to wartime trauma, boards a jumbo jet in an attempt to woo back his stewardess girlfriend (Julie Hagerty). Food poisoning decimates the passengers and crew, leaving it up to Striker to land the plane, with the help of a glue-sniffing air traffic controller (Lloyd Bridges) and Striker's vengeful former captain (Robert Stack), who must both talk him down. Along the way, we meet a clutch of stock disaster movie passengers like the guitar-strumming nun, a sick little girl, a frightened old lady, and two African-American travelers whose "jive" has to be subtitled. Leslie Nielsen portrays the plane's doctor, launching a new phase of the actor's career that carried him through the next two decades in several similarly comedic roles. The trio of directors Jim Abrahams, Jerry Zucker, and David Zucker responsible for the film would eventually go on to solo careers, but not before making Top Secret! and Ruthless People. ~ Perry Seibert, All Movie Guide

The smash success Caddyshack became a prototype for countless other wacky T&A-tinged teen comedies of the early 1980s. At an exclusive country club for WASPish snobs, an ambitious young caddy (Michael O'Keefe) from an overpopulated home eagerly pursues a caddy scholarship in hopes of attending college and, in turn, avoiding a job at the lumber yard. In order to succeed, he must first win the favor of the elitist Judge Smails (Ted Knight), then the caddy golf tournament which the good judge sponsors. Of course, there are love interests as well -- one good, one naughty -- not to mention several foes he must vanquish along the way. The story itself serves to string along a series of slapstick scenes involving an obnoxious nouveau riche land developer (Rodney Dangerfield) who wants to turn the site into a condominium community; an oddball, Zen-quoting, millionaire slacker/golf ace (Chevy Chase); and a psychotic groundskeeper (Bill Murray) with a gopher-fixation. Caddyshack was a bona fide hit; throughout the '80s and '90s, director Harold Ramis would continue to create such hits as Ghostbusters, Groundhog Day, and Analyze This. ~ Jeremy Beday, All Movie Guide

Dudley Moore stars as Emory Lesson, an advertising genius whose finds himself committed to an insane asylum in Tony Bill's Crazy People. Emory becomes tired with creating phony ad campaigns and decides to create his own campaigns that tell the brutal truth. Since sex sells, Emory designs an explicit ad campaign consisting of unadorned sexuality. The campaign is so offensive that his colleagues have Emory put in a mental institution. At first Emory resists, but under the tutelage of a concerned psychiatrist, Dr. Liz Baylor (Mercedes Ruehl) and the tender love of Kathy (Daryl Hannah) a beautiful patient, Emory begins to like it in the mental home. Befriending the cute and lovable patients in the mental ward, Emory discovers that the crazy people are natural-born advertising geniuses and Emory utilizes their genius for a new ad campaign. ~ Paul Brenner, All Movie Guide

Opting for light entertainment after the critical satire of Shampoo (1975), producer-director-writer-star Warren Beatty remade the 1941 comic fantasy Here Comes Mr. Jordan. Dimly amiable L.A. Rams quarterback Joe Pendleton (Beatty) is prematurely called to Heaven by an over-eager escort (Buck Henry, who co-directed) after a traffic accident. When archangel Mr. Jordan (James Mason) discovers the error, he offers to return Joe to his body, only to find that it has been cremated. On the verge of playing in the Super Bowl, Joe demands a fit body rather than the old about-to-be-murdered industrialist Farnsworth he has been offered, but he reconsiders when he sees environmentalist Betty Logan (Julie Christie) in Farnsworth's house. Assuming Farnsworth's body while keeping his sweet self, Joe hires his beloved coach Max Corkle (Jack Warden) to get him in shape (after convincing Max who he really is), sets Farnsworth's business on an eco-friendly path, and romances Betty. Farnsworth's homicidal wife (Dyan Cannon) and secretary (Charles Grodin), however, are still determined to succeed in their plan to kill him. When Mr. Jordan finally finds the Super Bowl body Joe wanted, Joe has to trade his old self for the new life -- but will he remember his love for Betty? Heaven Can Wait offered contemporary yet old-fashioned escapism and tapped into the late-1970s vogue for nostalgic fun, becoming one of 1978's most popular summer movies after Grease. Updating the original while following its blueprint, Beatty and co-writer Elaine May switched Joe's sport and turned Joe into a man of his '70s moment, adoring Betty for her convictions and favoring "green" policies over corporate greed. Gently breathing life into a classic form, Heaven Can Wait found romantic innocence in a jaded time, and it went on to receive nine Oscar nominations, including Best Picture. ~ Lucia Bozzola, All Movie Guide

LA cop Martin Riggs (Mel Gibson), whose wife has recently died, is a loose cannon with a seeming death wish. This makes him indispensable in collaring dangerous criminals, but a liability to any potential partners. Roger Murtaugh (Danny Glover), a conservative family man who wants to stay alive for his upcoming 50th birthday, is partnered with Riggs. As Riggs gets to know Murtaugh and his family, he begins to mellow, though his insistence on using guerilla tactics to catch criminals is still (put mildly) above and beyond the call of duty. The main villain is The General (Mitchell Ryan), a drug dealer responsible for the death of the daughter of one of Murtaugh's oldest friends. The General is also in charge of a deadly, militia-like gang of smugglers. Adding fuel to the fire is The General's chief henchman, played with all stops out by Gary Busey. Moviegoers familiar only with the relatively tongue-in-cheek Lethal Weapon sequels may be amazed to find out how dangerous and unpredictable Riggs is in the first Lethal Weapon -- and how likely it seems that Murtaugh might not survive until fade-out time. ~ Hal Erickson, All Movie Guide

Jack Lemmon stars in Mass Appeal as a popular Los Angeles parish priest, who has retained the good will of his parishioners by cracking jokes and never taking a stand on crucial matters. Enter young seminarian Zeljko Ivanek, whose rebellious reputation threatens to earn him an expulsion. Lemmon is expected to bring Ivanek around to the Church's "party line," but the younger man resists the older man's advice--quite loudly at times. The audience is fully aware that, by film's end, Ivanek will have converted Lemmon instead of the other way around, but the sheer joy of watching two superb actors at work transcends the story's predictability. Mass Appeal was based on a play by Bill C. Davis, and produced by none other than the widow of McDonalds mogul Ray Kroc. ~ Hal Erickson, All Movie Guide

Martin Scorsese combined the splashy atmosphere of the old studio musical with an unromanticized marriage story in his valentine to Hollywood and the Big Band era. On V-J Day 1945, newly minted civilian saxophonist Jimmy Doyle (Robert De Niro) meets USO singer Francine Evans (Liza Minnelli) at a dance, but she rebuffs every advance that he makes. A day and a hotel lobby meeting later, Jimmy finally wins Francine over after she uses her pop instincts to save his too-jazzy audition at a nightclub. When she goes on tour with Frankie Harte (Georgie Auld) and his Orchestra, Jimmy tracks her down, taking a job with the orchestra to be with her. Together on stage, they make beautiful music; off stage they marry, but the struggle between two artists begins to take its toll. Unable to understand that Francine's needs and talents are just as important as his, and unwilling to compromise his music for security, Jimmy abandons Francine after their baby is born. Separately, the two succeed even more, as Francine becomes a music and movie star, while Jimmy has a top hit and opens a jazz club. When they are reunited several years later, the pair must decide if their relationship is worth another try. ~ Lucia Bozzola, All Movie Guide

Robert Redford's directorial debut ended up the 1980 Oscar winner for Best Picture. It is a simple but painfully emotional story of the disintegration of a "perfect" family. Teenager Conrad (Timothy Hutton) lives under a cloud of guilt after his brother drowns after their boat capsizes in Lake Michigan. Despite intensive therapy sessions with his psychiatrist (Judd Hirsch), Conrad can't shake the belief that he should have died instead of his brother; nor do his preoccupied parents (Donald Sutherland and Mary Tyler Moore) offer much in the way of solace. The boy is brought out of his doldrums through his romance with Jeannine (Elizabeth McGovern). A winner in every respect, Ordinary People (adapted from the novel by Judith Guest) scores highest in the scenes with Mary Tyler Moore, who superbly and perceptively portrays a blinkered, ever-smiling suburban wife and mother for whom outward appearance is all that matters. ~ Hal Erickson, All Movie Guide

Devastated when her brand-new husband Albert Brooks) drops dead on their wedding night, Jewish American princess Judy Benjamin (Goldie Hawn) is receptive to the pitch delivered by a duplicitous recruiter for the Women's Army Corps. Quickly adivsed by topkick Captain Lewis (Eileen Brennan) that she should not look forward to the private room, fancy clothes and sauna bath that she'd been promised, Judy is forced to go through basic training like any other "grunt". This turns out to be a real growth experience for the pampered Private Benjamin, who for the first time in her life has to work for her privileges. A brief misadventure with a lascivious paratroop officer (Robert Webber) nearly sours Judy on army life, but she turns out to be a darned good soldier-and a woman with a highly developed sense of self-esteem, which enables her to weather a further disappointing romantic fling with French phsycian Henri Tremont (Armand Assante). Private Benjamin turned out to be one of Goldie Hawn's most profitable vehicles. The 1981-82 TV sitcom spinoff starred Lorna Patterson in Goldie's role, with Eileen Brennan repeating her film characterization of the long-suffering Captain Lewis. ~ Hal Erickson, All Movie Guide

By concentrating on character development with this first of several sequels to his Oscar-winning smash Rocky (1976), writer/director Sylvester Stallone earned critical praise that would desert him with the boxing saga's shallower subsequent chapters. Stallone returns as Rocky Balboa, a Philadelphia prize fighter enjoying his brief fame after nearly defeating world heavyweight champion Apollo Creed (Carl Weathers). When Rocky is offered lucrative product endorsement opportunities, his limited education and lack of sophistication quickly become an impediment to his future success, causing him embarrassment and his pregnant wife, Adrian (Talia Shire), a great deal of financial concern. Meanwhile, Creed is brooding over his near loss to a fighter he considers an amateur far beneath him and decides to goad a reluctant Rocky into a high-profile rematch. With the family resources dwindling and his pride wounded, Rocky decides that fighting is all he knows and makes the fateful decision to climb back into the ring once more with Creed to vie for the championship belt, despite assurances from all concerned that he will blind himself irreparably. ~ Karl Williams, All Movie Guide

Paul Newman plays Reggie Dunlop, the coach of a pathetic minor-league American hockey team. His career at a standstill and his marriage in tatters, Dunlop has nothing to lose by taking on a new group of players who are one evolutionary step above Neanderthals. Only when the team begins winning does he decide to get behind these players, and to encourage the rest of the team to play as down-and-dirty as the newcomers. Straight-arrow team member Ned Braden (Michael Ontkean) resents this influx of gonzo talent, preferring to play clean. As the film's multitude of subplots play themselves out, Dunlop does his best to keep the outraged Braden on the team. Slap Shot is the sort of film for which the "R" rating was invented: Its nonstop barrage of profanity and its raunchy action sequences are of such intensity that the film will probably never be shown intact on commercial television. ~ Hal Erickson, All Movie Guide

The Indian Runner, Sean Penn's debut film as director (he also wrote the script, based on the Bruce Springsteen song "Highway Patrolman") is a brooding tale of two brothers -- one peaceful and sedate, the other violent and aggressive -- whose natures, left unchecked since they were children, are set to the boiling point as they head toward middle-age. David Morse is the quiet brother, Joe Roberts, who is a deputy sheriff in a small town. His older brother Frank (Viggo Mortensen) shows up on Joe's doorsteps, after a recent run-in with the police. Frank tells Joe that he is coming back home to stay and that he has given up his criminal life. His wife Maria (Valeria Golino) is skeptical, but Joe tells her that he is prepared to help Frank get his life back together. Frank has almost convinced himself that his future holds real promise and he's ready to start a new life with his pregnant girlfriend Dorothy (Patricia Arquette). But, once again, Frank's violent temper explodes, and everyone's plans for Frank's future crumble into rubble. ~ Paul Brenner, All Movie Guide