Rand Brooks Movies

Today's shift finds mobile officers Pete Malloy (Martin Milner) and Jim Reed (Kent McCord) chasing after a man suspected of kidnapping a child. The two cops also deal with an escaped prisoner, and with a vicious gang of armored-car hijackers. Featured in the supporting cast is venerable character actor Burt Mustin (84 years old when this episode was filmed) and former Western sidekick Rand Brooks, who in 1970 was the owner of an ambulance service which provided a number of vehicles for Jack Webb's various police shows. ~ Hal Erickson, All Movie Guide

On December 6, 1941, a squadron of nine B-17 bombers takes off for Hickam Field, HI. The crew of the Mary Ann, including two new men, assistant radio man Private Chester (Ray Montgomery) and gunner Sergeant Joe Winocki (John Garfield), assembles for the flight, and in the first 20 minutes, the movie reveals certain things about the crew: the shadowy past of one, the mother of another, and the wife of a third; two of them are good friends with the sister of McMartin (Arthur Kennedy), the bombardier, who lives in Honolulu; the son of the senior member of the crew, Sgt. White (Harry Carey Sr.), is a pilot stationed at Clark Field in the Philippines. Then more characters make entrances: the aircraft commander Quincannon (John Ridgely); Weinberg (George Tobias), a Jewish mechanic from New York; and a man from a farm in the upper Midwest -- they all represent a broad cross-section of America as it saw itself, and the "regular guys" in the Army Air Force as it existed in 1941. The flight proceeds without incident. Winocki, an embittered, washed-out flight school candidate who accidentally killed another pilot, is about to leave the service when the weather report from Hickam Field is interrupted, and the radio man begins picking up transmissions in Japanese. The Mary Ann and the rest of the squadron fly right into the middle of the Japanese attack on Pearl Harbor unarmed and out of gas, and nearly crack up landing on an emergency field; no sooner do they make repairs than the crew comes under attack, and the plane takes off and makes for Hickam Field, which they find a flaming shambles. They fly on to the Philippines, stopping at Wake Island just long enough to meet a few members of the doomed Marine garrison, taking their company mascot, a dog, with them. At Clark Field, the Mary Ann and her crew finally go into action against the enemy, flying in alone against a Japanese invasion force; Quincannon is mortally wounded in the brief action, which leaves the plane damaged seemingly beyond repair. The remaining crew won't give up the plane, however, even when ordered to abandon and destroy her; they get the bomber off just ahead of the advancing Japanese, and survive to help bring retribution to the invading fleet and the Japanese empire. ~ Bruce Eder, All Movie Guide

This fun-filled spin-off of the Rodgers & Hart Broadway musical by the same name, features Judy Garland and Mickey Rooney as two young children of vaudevillian parents who aren't included in their parents travels, so they set out to produce a show of their own. Rooney's the driver here and he's up against the administrators of a fogy state-run trade school, who think the whole show idea is nonsense. A listening judge gives them 30 days to put on the show and prove they don't belong in the jail-like school. The rest of the action involves the highly talented kids successful efforts to not only stage the show, but to bring the whole troupe to Broadway. ~ All Movie Guide

Black Midnight was the fourth of six Monogram films co-produced by actor Roddy McDowall. The film stars McDowall as Scott Jordan, whose mission in life is to train a wild stallion named Black Midnight. Subplots include a romance between Jordan and pretty Cindy Baxter (Lynn Thomas), and the apparently crooked activities of Scott's wastrel cousin Daniel (Rand Brooks). Future Sky King star Kirby Grant is most effective in the supporting role of the local sheriff. Black Midnight was directed by Oscar Boetticher, who as "Budd" Boetticher went on to movie-cultist fame as the helmsman of several above-average Randolph Scott westerns of the 1950s. ~ Hal Erickson, All Movie Guide

"This town ain't big enough to hold both of us," saloon owner Dink Davis (Cliff Clark) tells his new rival Steve Mawson (John Phillips) in the opening of this lighthearted Hopalong Cassidy Western. Schoolmarm Lucy Abbott (Anne O'Neal) couldn't agree more; in fact, the spinsterish teacher is outraged that Mawson is establishing his den of inequity more or less in her own backyard and decides to take matters into her own hands. But before she can do much more than hurl a couple of apples through the barroom window, Miss Abbott finds herself the victim of a gang of kidnapping thugs. "I'll box your ears," the aggrieved school mistress promises her abductors, all of whom used to be her pupils. Back in town, Mawson appears the most likely suspect of this newest outrage, but Hoppy (William Boyd) has his doubts. With California Carlson (Andy Clyde) left behind as a substitute teacher, Cassidy and sidekick Lucky Jenkins (Rand Brooks) do a little digging and come up with a most surprising result. ~ Hans J. Wollstein, All Movie Guide

The last of the Randolph Scott/ Budd Boetticher collaborations, Comanche Station stars Scott as another "lone rider" who takes on a highly dangerous job. Scott must rescue Nancy Gates from her Comanche captors and return the woman to her husband. He is assisted by a trio of criminals, who are out for the reward money and who plan to divide the spoils with as few partners as possible. As his ranks diminish in the face of Indian resistance, Scott must finish his mission alone. Comanche Station was scripted by Burt Kennedy, later a top western director is his own right. ~ Hal Erickson, All Movie Guide

A group of archeologists is sent to the American Southwest to investigate a tribe's claims that they are descendants of the ancient Aztecs. However, a gang of crooks are trying to discredit the claim by dressing up as Indians to commit crimes. Hopalong Cassidy (William Boyd) must rescue the archeologist and catch the criminals. ~ John Bush, All Movie Guide

In this drama two children return from their separate boarding schools to a nasty surprise. The father of one is romantically involved with the other's aunt. The two immediately try to destroy the love affair. They all get involved with chasing some thieves and end up in jail. There the judge marries the lovers and the children are finally able to accept it. ~ Sandra Brennan, All Movie Guide

Viennese-born Luise Rainer plays a young Parisian girl who attends an exclusive drama school, working nights at a factory to pay the tuition. Despite the jealousies of her fellow students, Luise allows nothing to discourage her from her goal to become as great an actress as her idol (Gale Sondergaard). The girl wins the coveted role of Joan of Arc in an upcoming play, but the victory has a bitter taste when she realizes she's beaten out her idol for the part. At the end, Luise manages to have both a happy career and a successful marriage, even though her friends (and enemies) insist that such a combination is impossible. Dramatic School is a film buff's banquet; virtually every bit player in the cast (Ann Rutherford, Lana Turner, Dick Haymes, Hans Conried, etc.) later graduated to show-biz prominence. ~ Hal Erickson, All Movie Guide

Winfield Sheehan, former head of Fox studios, owned the only Austrian Lippizan horses in the U.S. In 1940, MGM bought the rights to the Felix Salten novel Florian, all about the Lippanzers. When the film was made, the producer was Winfield Sheehan. Coincidence? We don't think so. At any rate, the story, set in the 1880s, tells of how hero (Robert Young) and heroine (Helen Gilbert) are brought together through their love of horses. Just so we don't forget that Florian is set in Austria, Reginald Owen shows up as emperor Franz Josef. For another filmic treatment of the fabulous Lippanzer show horses, we refer you to Disney's The Miracle of the White Stallions (63). ~ Hal Erickson, All Movie Guide

Gone With the Wind boils down to a story about a spoiled Southern girl's hopeless love for a married man. Producer David O. Selznick managed to expand this concept, and Margaret Mitchell's best-selling novel, into nearly four hours' worth of screen time, on a then-astronomical 3.7-million-dollar budget, creating what would become one of the most beloved movies of all time. Gone With the Wind opens in April of 1861, at the palatial Southern estate of Tara, where Scarlett O'Hara (Vivien Leigh) hears that her casual beau Ashley Wilkes (Leslie Howard) plans to marry "mealy mouthed" Melanie Hamilton (Olivia de Havilland). Despite warnings from her father (Thomas Mitchell) and her faithful servant Mammy (Hattie McDaniel), Scarlett intends to throw herself at Ashley at an upcoming barbecue at Twelve Oaks. Alone with Ashley, she goes into a fit of histrionics, all of which is witnessed by roguish Rhett Butler (Clark Gable), the black sheep of a wealthy Charleston family, who is instantly fascinated by the feisty, thoroughly self-centered Scarlett: "We're bad lots, both of us." The movie's famous action continues from the burning of Atlanta (actually the destruction of a huge wall left over from King Kong) through the now-classic closing line, "Frankly, my dear, I don't give a damn." Holding its own against stiff competition (many consider 1939 to be the greatest year of the classical Hollywood studios), Gone With the Wind won ten Academy Awards, including Best Picture, Best Director, Best Screenplay, Best Actress (Vivien Leigh), and Best Supporting Actress (Hattie McDaniel, the first African-American to win an Oscar). The film grossed nearly 192 million dollars, assuring that, just as he predicted, Selznick's epitaph would be "The Man Who Made Gone With the Wind." ~ Hal Erickson, All Movie Guide

High Explosive is a Hollywood "B" precursor to the later, more critically lionized The Wages of Fear. Chester Morris plays a two-fisted trucker who takes on a deadly assignment: Transporting nitroglycerin over bumpy terrain. As half the supporting cast is blown to smithereens, Morris persists in his white-knuckle mission. His diligence is motivated by guilt; Morris had been responsible for the training death of his girl friend's (Jean Parker) brother. High Explosive was a lucrative entry produced by Paramount's "Two Dollar Bills," William Pine and William Thomas. ~ Hal Erickson, All Movie Guide