Geoffrey Bateman Movies

The politics of slavery and the follies of nation-building highlight Danish director Lars von Trier's thought-provoking follow-up to the director's 2003 drama Dogville, featuring The Village's Bryce Dallas Howard in the role originally played by Nicole Kidman, and shot in the same stage-bound style as its predecessor. Shortly after leaving Dogville, Grace (Howard) and her father (Willem Dafoe) wander into a gated Alabama community still operating under the tenets of slavery. Appalled to stumble across a brutal scene in which a white master is viciously lashing his slave (Isaach de Bankolé), Grace hastily intercedes and pleads with the abusive man to treat his workers with respect and dignity. When merciless matriarchal plantation owner Mam (Lauren Bacall) dies shortly thereafter, the remaining slaves, who have never tasted freedom and only known life under "Mam's Law," implore the sympathetic Grace to help ease their turbulent transition toward democratic rule, with disastrous results. ~ Jason Buchanan, All Movie Guide

As visually stylish as it is graphically violent, this thriller directed by Luc Besson concerns Mathilda (Natalie Portman), a 12-year-old girl living in New York City who has been exposed to the sordid side of life from an early age: her family lives in a slum and her abusive father works for drug dealers, cutting and storing dope. Mathilda doesn't much care for her parents, but she has a close bond with her four-year-old brother. One day, she returns from running an errand to discover that most of her family, including her brother, have been killed in a raid by corrupt DEA agents, led by the psychotic Stansfield (Gary Oldman). Mathilda takes refuge in the apartment of her secretive neighbor, Leon (Jean Reno), who takes her in with a certain reluctance. She discovers that Leon is a professional assassin, working for Tony (Danny Aiello), a mob kingpin based in Little Italy. Wanting to avenge the death of her brother, Mathilda makes a deal with Leon to become his protégée in exchange for work as a domestic servant, hoping to learn the hitman's trade and take out the men who took her brother's life. However, an affection develops between Leon and Mathilda that changes his outlook on his life and career. Besson's first American film boasted a strong performance from Jean Reno, a striking debut by Natalie Portman, and a love-it-or-hate-it, over-the-top turn by Gary Oldman. Léon was originally released in the U.S. in 1994 as The Professional, with 26 minutes cut in response to audience preview tests. Those 26 minutes were restored in the director's preferred cut, released in 1996 in France as Léon: Version Intégrale and in the U.S. on DVD as Léon: The Professional in 2000. ~ Mark Deming, All Movie Guide

A pair of British lads, one gay and one socialist, chafe at the restrictions of boarding school life in this period piece, which was adapted from Julian Mitchell's novel and play of the same name and loosely based on the Burgess-Maclean spy scandal of the 1950s. In the 1930s, upper-class scions Tommy Judd (Colin Firth) and Guy Bennett (Rupert Everett) are both nearing the end of their careers at an unnamed public school that bears a striking resemblance to Eton. Tommy, a Marxist intellectual, refuses to participate actively in the school's rigid social hierarchy. But Guy, when not mooning after pretty boys, angles for a position next term as one of the "gods," or master prefects, of his house. When a faculty member stumbles onto the homosexual fumblings of a pair of students, one boy commits suicide and a scandal erupts. The administration and senior students do their best to ensure nothing of this sort ever sullies their reputation again. Considering that homosexual experimentation is rampant and that Guy has slept with most of the prefects in his house, the strict new rules leave a bad taste in his mouth. They also put a damper on his Wildean lifestyle, especially after he falls hopelessly in love with James Harcourt (Cary Elwes), a dreamy boy from one of the other houses. Things come to a head when autocratic prefect Fowler (Tristan Oliver) intercepts a letter from Guy to James and sentences Guy to a savage beating. By film's end, Guy's complicity in the power games of the British class system has been challenged, and his friend Tommy's communist dogma has made a lasting impression; a framing device portrays Guy as an elderly former spy living in exile in Soviet Moscow. Another Country was shot at Cambridge, Oxford, and Althorp Hall (Princess Diana's childhood home) after the producers were denied permission to shoot at Eton. Everett and Firth both appeared in the original London theater production alongside Kenneth Branagh and Daniel Day-Lewis; on-stage, it was actually Firth who played Guy. For a more factual account of the Burgess-Maclean affair, see the TV movie An Englishman Abroad. ~ Brian J. Dillard, All Movie Guide

In the third episode of the four-part story "Nightmare of Eden," the Doctor (Tom Baker) and Romana (Lalla Ward) brave the horrors of Eden, a hyperspace "virtual reality" world created by the fusion of two space cruisers. It is hard to determine which is the greater threat: the rampaging Mandrels, animals which have escaped from an electronic menagerie, or two warring gangs of drug smugglers -- one of whom was indirectly responsible for causing the fusion in the first place. Originally telecast December 8, 1979, "Nightmare of Eden, Episode 3" was written by Bob Baker and codirected by Alan Bromly and (uncredited) Graham Williams. ~ Hal Erickson, All Movie Guide

Following a collision in hyperspace, two spaceships, the Empress and the Hecate, fuse together. The Doctor (Tom Baker) is called in to handle the consequences of this fusion, the escape of dozens of animals from an electronic zoo. This four-part Doctor Who adventure bears traces of the early story arc "Carnival of Monsters." Originally telecast November 24, 1979, "Nightmare of Eden, Episode 1" was written by Bob Baker and codirected by Alan Bromly and (uncredited) Graham Williams ~ Hal Erickson, All Movie Guide