Dave Adams Movies

The Christmas season just got a lot less joyous in this very dark comedy. Willie T. Stokes (Billy Bob Thornton) is a con man and a thief who teams up with his friend Marcus (Tony Cox), a midget, for a very special scam each year during the holiday season. Willie gets a job as Santa Claus at a shopping mall, his pal tags along as an elf, and they use their employee status to crack mall security and rob stores blind just before Christmas. However, there's one flaw to this plan -- Willie is a bitter, foul-mouthed and perpetually grouchy alcoholic who doesn't care for kids, and it's all he can do to keep himself from getting fired while on the job. The mall's manager (John Ritter, in his last film appearance) is certain something's wrong with the Santa he's hired, so he asks the mall's chief of security (Bernie Mac) to do some research on Willie. Meanwhile, one of the kids Willie is forced to talk to becomes a regular customer; overweight, awkward, and the frequent target of bullies, the boy manages to arouse something like sympathy from Willie, who tries to give him some advice and develops something vaguely resembling Christmas sprit along the way. Bad Santa was directed by Terry Zwigoff, who enjoyed previous success with Crumb and Ghost World. ~ Mark Deming, Rovi

Originally made for cable television, Roswell is an entertaining mix of purported actual events and science fiction. The narrative unfolds primarily in flashbacks as retired Army officer Jesse Marcel (Kyle MacLachlan) attends a reunion of the 509th Bomber Group and tries to come to closure on events that had taken place 30 years earlier. Back in 1947, Major Marcel had been part of a military team that investigated a crash site on a ranch near Roswell, New Mexico. The debris recovered from the site had exhibited some remarkable properties such as being able to repair itself instantly after being cut, suggesting that it might have been of extraterrestrial origin. The military brass had ordered Marcel to go along with their phony story that the material was ordinary metal foil from a weather balloon, and he had reluctantly complied. By the time of the 1977 reunion, Marcel is suffering from a terminal illness, and he feels compelled to try to find out what had really happened at Roswell all those years ago. MacLachlan gives an effective performance, particularly when he portrays Marcel as an older man trying to understand his past. Evocative location shooting in the American Southwest adds cinematic impact. ~ Rovi

Frequent TV-movie costars Stephanie Zimbalist and Gregory Harrison are teamed once more in Breaking the Silence. Harrison plays a lawyer defending a teenager (Chris Young) accused of murdering his father. As the boy details a lengthy history of abuse at the hands of his father, Harrison flashes back to his own miserable childhood. Zimbalist costars as Harrison's law partner (and former lover), who must not only contend with mounting an adequate defense for their client, but also must come to grips with her bitter childhood memories. Breaking the Silence first aired January 14, 1992. ~ Hal Erickson, Rovi

Actress Susan Ruttan, who played the quietly efficient legal secretary on LA Law, does an artistic about-face in the TV movie Deadly Medicine. She plays a Texas pediatrics nurse who may have committed several "mercy killings" of her charges. 43 babies die under mysterious circumstances, with Ms. Ruttan seemingly always lurking in the corridor. When confronted by doctor Veronica Hamel, Susan threatens to accuse Ms. Hamel of the murders--and she does, with astonishing success. Though constructed like a network "mystery of the week", Deadly Medicine is founded on fact. ~ Hal Erickson, Rovi

In this romance, a widowed businesswoman, believing she has an incurable disease begins a series of romantic encounters only to discover that she has been misdiagnosed. ~ Sandra Brennan, Rovi

Based on a true story, the two-part TV movie I Know My First Name Is Steven tells the tragic story of Steven Stayner. At age seven, Steven was kidnapped by two men who held him captive in a tiny shed for seven years. One of the men, a habitual child abuser named Kenneth Parnell, sexually assaulted Steven on an almost daily basis during the boy's ordeal. At age 14, Steven finally was able to escape and return to his family. But we are shown that Steven's safe return was far from the happy ending it appeared to be. He's forced to adjust to a family he'd never really known, to convince himself that his parents had never forgotten him, and to put his seven-year hell behind him. While I Know My First Name Is Steven ends on an upbeat note, the real Stayner died in a motorcycle accident only a few months after this film was first telecast in May 1989. ~ Hal Erickson, Rovi

Consumed by grief when his father is felled by a heart attack, 11-year-old Obie (Ricky Busker) runs away from his white, upper-class surroundings. He ends up in a particularly dismal Chicago ghetto neighborhood where, after enduring a beating administered by gang members, he is befriended by streetwise black youth Jeremy "Scam" Henderson (Darius McCrary). The two become partners in crime, leading to a deadly situation involving a pair of professional hit men. Just when it seems things can't get any worse, they do. Robert Prosky co-stars as a slimy pawnbroker. ~ Hal Erickson, Rovi

Somewhere in the Deep South, young singer Matt Burns (Brian L. Green) has been arrested for the murder of local bully Ed Bonner (Jeffrey Osterhage), son of the town's most influential citizen (Stuart Whitman). Innocent bystanders to this developing drama are Jessica Fletcher (Angela Lansbury) and her friend and fellow writer Ames Caulfield (Craig Stevens), one of whose former students happened to be Matt's mother. At the request of Matt's girl friend (and the dead man's sister) Linda (Cindy Fisher), Jessica does her best to prove Matt's innocence--while an angry lynch mob begins to swarm around the town jail. ~ Hal Erickson, Rovi

Michael Apted directed and Lawrence Kasdan wrote the screenplay for this diverting romantic comedy -- a film that attempts to recapture the spirit of an old Spencer Tracy-Katharine Hepburn vehicle. A very subdued John Belushi plays a star columnist for the Chicago Sun-Times named Ernie Souchak (but loosely based on columnist Mike Royko), who uses his column as a direct line to report on the dirty dealings at Chicago City Hall. When his political reports on a local corrupt alderman get too hot, Ernie is sent to the Rocky Mountains to do a fluff piece on reclusive ornithologist Nell Porter (Blair Brown). Ernie arrives at her mountain hideaway, but Nell is hostile and orders him to leave. Ernie informs her that his guide won't return for a few weeks and she reluctantly permits him to stay. The two first learn to put up with each other and then their aversion slowly turns into love. ~ Paul Brenner, Rovi

Adapted from Dennis Potter's landmark British TV miniseries and relocated to the United States during the Depression, Pennies from Heaven dramatizes how popular songs both shaped and reflected the thoughts of people living through economic (and emotional) hardship. Arthur Parker (Steve Martin) is a sheet music salesman who believes that he can spot a hit a mile away and wants to open his own store. But he can't get a bank loan and his wife Joan (Jessica Harper), who has savings left to her by her father, refuses to give him the money. Also, while Arthur has a fierce sexual appetite, Joan generally refuses his advances. While on the road, Arthur meets Eileen (Bernadette Peters), a shy schoolteacher as desperate for affection as Arthur is hungry for sex. They begin an affair, which leads to tragedy for both. Punctuating the drama of Pennies from Heaven are elaborate musical numbers in which the characters lip-synch to popular songs of the day, which at once lift their hopes and reflect their fears. Arthur's buoyant tap number to "My Baby Said Yes" and Eileen's saucy rendition of "Love is Good for Anything That Ails You" are reflections of their needs for money and love, and their pas de deux on "Let's Face the Music and Dance" is at once an escape and an acknowledgement of their hopelessness. ~ Mark Deming, Rovi

The time is 1964, and the Beatles, already a hugely popular group, are about to go on the Ed Sullivan Show for the first time, an appearance that launched them into a worldwide phenomenon. Already, girls are fainting during their concerts from sheer excitement at being in the same theater with them. Pam Mitchell (Nancy Allen) is happy enough to be getting married but wants to bed one of the "Fab Four" before she does. Grace Corrigan (Theresa Saldana), a dedicated fan, is certain that if she can get some exclusive photos of the Beatles, her career as a photographer will be secured. And then there are two people who feel that the future of civilization as we know it depends on their efforts to ruin the Beatles' appearance on Ed Sullivan's show. In this madcap comedy, when these people (and others besides) descend on the New York hotel the Beatles are staying in, things begin hopping. This comedy was Robert Zemeckis' first feature. A protégé of Stephen Spielberg, he went on to direct Forrest Gump, Back to the Future, and Who Framed Roger Rabbit? among other popular features. ~ Clarke Fountain, Rovi