Robert Easton Movies

Penelope Spheeris directed this compulsively faithful film adaptation of the popular 1960s television series. The familiar story 'bout a man named Jed Clampett (Jim Varney), a poor mountaineer who barely kept his family fed, continues to follow the TV show's format. Jed discovers oil on his Arkansas property and overnight becomes a multi-millionaire. He moves his family to Beverly Hills, wanting to turn his daughter Ellie May (Erika Eleniak) into a sophisticated woman. At his new Beverly Hills mansion, he meets Mr. Drysdale (Dabney Coleman), a kow-towing banker, and Drysdale's assistant, the repressed crone Miss Hathaway (Lily Tomlin). Jed announces that he would like to re-marry, and that leaves the door open for Drysdale's scheming lackey Woodrow Tyler (Rob Schneider) and his fortune-hunting partner Laura Jackson (Lea Thompson) to make the moves on Jed. ~ Paul Brenner, All Movie Guide

This follow-up to the sizable horror hit concerns a Maine teenager who discovers the eerie power of a legendary local haunt. Edward Furlong stars as Jeff Matthews, who, with his veterinarian father Chase (Anthony Edwards), moves to latter's small hometown of Ludlow, Maine, in order to escape unhappy memories. Jeff's divorced mother, low-budget horror movie actress Renee (Darlanne Fluegel), was recently electrocuted and killed in a freak accident -- the entire incident was witnessed by Jeff. In his new community, Jeff hears stories of an ancient Indian burial ground nearby where dead pets that are interred come back to life. Jeff also becomes friends with pudgy Drew (Jason McGuire), whose abusive, bullying dad Gus (Clancy Brown) is Ludlow's sheriff. When Gus kills his son's dog, Drew and Jeff bury the animal, which returns from the dead. When the vengeful dog kills Gus, Drew and Jeff bury the lawman in the cemetery and he comes back significantly the worse for wear, wreaking evil havoc that temporarily puts several of Ludlow's residents six feet under. The original Pet Sematary (1989) was based on a novel by Stephen King, who did not participate in the sequel. ~ Karl Williams, All Movie Guide

The plot involves a peace conference between the Federation of Planets and the troublesome Klingons. The Klingons are hoping to perform a little damage control after triggering a mining disaster on one of their moons; their spokesman is the seemingly contrite General Chang (Christopher Plummer). All negotiations abruptly cease when a Klingon vessel is attacked, and Capt. Kirk (William Shatner) and Dr. McCoy (DeForest Kelley) are accused of the crime. As they stand trial for murder, Mr. Spock (Leonard Nimoy) and Vulcanian trainee Lt. Valeris (Kim Cattrall) try to locate the real culprits. It turns out that Kirk and McCoy are victims of a conspiracy to foment further hostilities between the Good Guys and the Klingons. ~ Hal Erickson, All Movie Guide

Set during the 1950s, this made-for-cable serio-comedy stars William Petersen as the lovesick manager of a minor league baseball team whose team makes a pennant run. ~ Jason Ankeny, All Movie Guide

Wolfgang Petersen adapted Michael Ende's children's story for this charming fantasy film that spawned several sequels. Bastian (Barret Oliver) is dealing with his mother's recent death. His father (Gerald McRaney) is an imperious sort who continually lambastes Bastian for daydreaming and falling behind in school. On top of his father's badgering, he has to contend with a bunch of school bullies waiting for him in the schoolyard. One day he decides to play hooky and walks into a strange bookstore, where in the attic, he discovers a book called "The Neverending Story". As Bastian reads the book, he's enveloped in the unfolding tale. A sickly child-like empress (Tami Stronach) from a land called Fantasia is concerned about who will take over the land if she dies. She decides it is best for Fantasia if she remains alive, so she dispatches a young warrior named Atreju (Noah Hathaway) to find a cure for the empress's malady. It turns out the land is consumed with a plague called The Nothing, generated by blighted dreams and hopeless fantasies. As Atreju continues onward to search for a cure for The Nothing, he encounters an assortment of strange creatures. Bastian is so consumed with the tale that he finds himself catapulted into the land of Fantasia himself. Atreju realizes that the only way to save the land from its blight is with the help of this strange earth boy, Bastian. ~ Paul Brenner, All Movie Guide

Charleston is a brazen rip-off of Gone with the Wind which premiered over NBC on January 15, 1979--one month before CBS' planned telecast of Wind. Delta Burke, who was an unknown in 1979, very nearly remained that way in the role of post-Civil War Southern belle Stella. As Stella fiddle-dee-dees around in an effort to raise the tax money to maintain her mansion, her faithful ex-slave Minerva (Lynne Moody) runs the household with an iron hand (that must hurt). Also lurking about is Stella's cousin Valerie (Patricia Pearcy), who squanders her own savings in an effort to find her missing husband. This is the sort of film in which the aggressively urbanized actor Mandy Pantinkin plays a corn-fed character named Beaudine Croft. Martha Scott, the only "name" actor in Charleston, is wasted in a peripheral role as Stella's mom. ~ Hal Erickson, All Movie Guide

The longest (26-1/2 hours), most expensive ($25 million) and most complicated (four directors, five producers, five cinematographers, almost 100 speaking parts, several hundred extras) project made for television up to that time, Centennial was shown in two- and three-hour installments over a period of four months. An adaptation of James Michener's best-selling novel, it told the story of the settling of the American West by looking at the founding of the fictional town of Centennial, Colorado, from the settling of the area in the late 18th century to the present. Emmy-nominated for film editing and art direction, it boasts of sterling performances from Richard Chamberlain as frontiersman Alexander McKeag, Robert Conrad as the French-Canadian trapper Pasquinel, and a surprisingly powerful performance from former football star Alex Karras as compassionate but iron-willed immigrant farmer Hans Brumbaugh. ~ Brian Gusse, All Movie Guide

James Fenimore Cooper's frequently filmed 1826 novel The Last of the Mohicans was given the TV-movie treatment late in 1977. Steve Forrest stars as frontier-scout Hawkeye, with Ned Romero and Don Shanks as, respectively, his Indian companions Chingachgook and Uncas. At the height of the French and Indian war in Canada, Hawkeye and friends agree to escort a small group of British settlers-including Alice and Cora Munro (Jane Actman and Michele Marsh), daughters of the Fort William Henry commander, through unfriendly territory. Their hopes for a safe trip are thwarted by the treacherous Magua (Robert Tessier), who has cast his lot with the French. This fourth film version of the Cooper novel was originally telecast November 23, 1977. ~ Hal Erickson, All Movie Guide

Bill Rebane's backyard wonder is a hilariously hokey throwback to the giant-monster flicks of the 50s, while taking its only pseudo-scientific conceit from the mid-70s trend of popular "black hole" theories, combining these two elements to create pure bad-movie heaven. A tiny, decrepit town in rural Wisconsin is rocked by a mysterious explosion, after which a drunken farmer (Robert Easton) discovers dozens of crystal geodes strewn across his property. Cracking each one open reveals a diamond-like encrustation (which to the farmer's dismay proves nearly worthless), as well as a hairy but decidedly un-cosmic tarantula. Being permanently soused, he fails to notice the latter (his equally boozy wife accidentally purees one in her daiquiri!) until the rocks begin opening on their own, and the entire farm is overrun with eight-legged invaders. Despite the title, only one of the spiders would qualify for giant status, but it's definitely a keeper: the Big Daddy arachnid is quite clearly a Volkswagen Beetle covered with black fake fur, with legs operated by the car's passengers and taillights doubling for glowing red eyes. Unfortunately, it is merely glimpsed through much of the film, making its triumphant appearance in the final few minutes. ~ Cavett Binion, All Movie Guide

Heavy Traffic represents a follow-up to animator Ralph Bakshi's first feature film, Fritz the Cat (1972). The central character is Michael, the ingenuous son of an Italian father and Jewish mother. An aspiring cartoonist, Michael leaves home in a huff and outrages his family by conducting an affair with an African-American woman. Heavy Traffic was originally intended to be a cartoon adaptation of Hubert Selby's notorious novel Last Exit to Brooklyn, but negotiations fell through, and Bakshi was obliged to cook up a similar but not identical "mean streets" plotline. (Last Exit to Brooklyn was made as a live-action film in 1989.) ~ Hal Erickson, All Movie Guide

After a debut on Broadway in 1951, Paramount spent an estimated 17 to 20 million dollars in production costs for this Lerner and Loewe musical. With Loewe's permission, Lerner wrote five additional tunes for the film with Andre Previn. Ben Rumson (Lee Marvin) is the grizzled prospector trying his luck panning for gold in California. Pardner (Clint Eastwood) is his companion. When Ben buys a woman from a Mormon, Elizabeth (Jean Seberg) expects equal rights for her gender and chooses to live with both men. Ben and Pardner tunnel under the boomtown to gather the fallen gold dust that has filtered through the cracks of the saloon and other places. The musical comedy features 13 songs, the most recognizable being "They Call The Wind Maria". The Nitty Gritty Dirt Band helps out on the song "Hand Me Down That Can O' Beans". Both Clint Eastwood and Lee Marvin are given a chance to show their vocal ability (or lack of it) in several songs. The initial release fell far short of regaining the millions put into the production, and most critics dipped their pens in poison to pan the picture -- though the film plays better than the critics would lead anyone to believe. Many jumped on the Paint Your Wagon smear campaign after the film proved to be not nearly as successful as other musicals. ~ Dan Pavlides, All Movie Guide

One of Our Spies is Missing was cobbled together from a two-part episode of the American TV series Man From UNCLE, then shipped overseas as a feature film. Robert Vaughn and David McCallum head the cast as Napoleon Solo and Ilya Kuryakin, U.N.C.L.E's top agents. The original two-parter, "The Bridge of Lions Affair" (telecast February 4 and 11, 1966), concerns a biochemist who develops a rejuvenation process. The chemist disappears, so it's up to Solo and Kuryakin to recover or destroy the process before it falls into the hands of the enemy spy organization THRUSH. Padding out the proceedings in One of Our Spies is Missing is a newly-filmed subplot concerning the niece (Yvonne Craig) of U.N.C.L.E. head honcho Alexander Waverly (Leo G. Carroll). ~ Hal Erickson, All Movie Guide