I.A.R. Wylie Movies

Ida Alexa Ross Wylie, better known as I.A.R. Wylie, was one of the most respected authors of her generation. She was an established poet and novelist honored by the journalistic and literary establishments of her time, and known around the world. Her dozen novels sold well enough to earn her a living, but Wylie's non-fiction (including her autobiographical work) was equally well-received, and she was unusual as an author in that she enjoyed both popular and critical success. Born in Melbourne, Australia, in 1885, she was taken by her parents to London in 1888, where her mother died soon after. She was raised by her father, Alexander Coghill Wylie, who utilized his own notions of bringing up children -- she was kept out of school and given large numbers of books to read, and she was taught to rely on her instincts until she was in her teens. She spent three years in finishing school in Belgium, and then studied in England, followed by years of studying in Germany, where she also taught and began writing. She became involved in the women's suffrage movement in England during the early teens, and made her first visit to America, which became her permanent home decades later in 1917.

Wylie's wide range of education turned her into a true citizen of the world, and an author and traveler. These elements became a central virtue in her stories, taking place in various locales. Wylie's writing career took off in the teens, and her novel, The Red Mirage, was brought to the screen in 1915 as The Unknown. Four more of her stories were turned into movies over the next five years, but she fully hit her stride in the decade that followed. In 1920, Wylie published her first major novel, Toward Morning, which dealt with life in Germany. One of her later books, To the Vanquished, was an account of the changes that took place in Germany during the Nazi occupation. She also traveled to the Soviet Union and later wrote Furious Young Man, which is the story of a British youth who is frustrated with the shortcomings of his homeland's society and embraces communism. Nine movies based on her work (including a fresh adaptation of The Red Mirage as The Foreign Legion) were filmed during the '20s, and 10 more in the '30s. The most memorable screen adaptation of a Wylie novel, however, was Keeper of the Flame (1942), with Spencer Tracy and Katharine Hepburn. The film is not a comedy, but one of the most sophisticated thrillers ever to come out of Hollywood -- a startling work issued from a major studio in wartime, dealing with the investigation of a deceased, wealthy and supposedly ultra-patriotic man whose unsavory secrets are revealed. The suspense elements in Keeper of the Flame rival the work of Alfred Hitchcock, and it contains political elements that seem almost subversive. It marked the peak of Wylie's influence as an author in Hollywood. Two more movies based on her work would follow in the '50s -- Phone Call From a Stranger (1952) and Torch Song (1953). She receded in prominence through the last years of her life.

Wylie was the kind of female public figure that Katharine Hepburn often played onscreen. In 1946, she was one of 11 women in public life cited for her achievements by the Women's National Press Club. She was something of a literary celebrity for more than three decades, and from 1935 onward, she resided in the United States in the area around Princeton, NJ, with the exception of a short stint in Hollywood. ~ Bruce Eder, All Movie Guide
1953  
 
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Joan Crawford's first Technicolor feature has come to be known as a textbook example of "high camp." Crawford stars as musical comedy luminary Jenny Stewart, who has been hardened by the worst life has to offer. Romance enters her life in the form of her new piano accompanist, blinded war-veteran Tye Graham (Michael Wilding). The fact that Graham refuses to kowtow to the temperamental Jenny's demands, coupled with the adversarial behavior of Graham's seeing-eye dog, makes the pianist all the more attractive to the lonely songstress. Torch Song is a favorite of bad-movie buffs and female impersonators the world over: Highlights include Crawford's blackface musical number, and the now-classic scene in which she simulates blindness to better understand the taciturn Graham. Director Charles Walters, a former choreographer, appears as Crawford's two-left-feet dancing partner in the opening scenes. ~ Hal Erickson, All Movie Guide

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Starring:
Joan CrawfordMichael Wilding, Sr., (more)
1952  
 
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David Trask (Gary Merrill), the sole survivor of an airplane crash, takes it upon himself to contact the families of the various victims. Though he's already formed preconceived notions of his deceased fellow passengers, he's in for quite a few surprises when he meets the relatives. His first visit is to the wife (Beatrice Straight) and son (Ted Donaldson) of a profoundly troubled doctor (Michael Rennie). His second stop is at a nightclub managed by the domineering mother-in-law (Evelyn Varden) of an aspiring actress (Shelley Winters). Finally, he meets the invalid wife (Bette Davis) of an outwardly obnoxious travelling salesman (Keenan Wynn). After his odyssey into other people's lives, Trask gains a new perspective on his own personal travails. Few studios could pull off the "multi-story film" format as well as 20th Century-Fox, and Phone Call From a Stranger is a grade-A example of that format. ~ Hal Erickson, All Movie Guide

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Starring:
Shelley WintersGary Merrill, (more)
1942  
 
If you're wondering what Citizen Kane might have looked like had it been produced by MGM, we submit for your approval Keeper of the Flame. War correspondent Spencer Tracy is assigned to write the life story of a recently deceased super-patriot. One would suppose that the much-beloved decedent's life would be an open book, yet his widow Katharine Hepburn refuses to release any details concerning her late husband. Tracy gains Hepburn's confidence, and she agrees to help him with his article. Several curious incidents lead Tracy to believe that Hepburn was in some way responsible for her husband's death. While this is not entirely the case, Tracy stumbles upon a truth that has been carefully hidden from the public by the dead man's "damage control" people. Adapted by Donald Ogden Stewart from a novel by I. A. R. Wylie, Keeper of the Flame is perhaps the most dour of the Tracy/Hepburn vehicles; those expecting the usual battle-of-the-sexes repartee between the two stars would be better off with Adam's Rib or Pat and Mike. ~ Hal Erickson, All Movie Guide

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Starring:
Spencer TracyKatharine Hepburn, (more)
1940  
 
This remake of John Ford's classic WW1 drama Four Sons has been updated to the Europe of the late 1930s. At the time of the Nazi invasion of Czechoslovakia, four sons of German-Czech parentage go off in separate ideological directions. Chris (Don Ameche) remains loyal to the concept of a free Czechoslovakia; Karl (Alan Curtis) embraces the Nazi cause; Joseph (Robert Lowery) heads to America; and the youngest, Fritz (George Ernest), is drafted in the German army and is killed during the Polish campaign. The impact of the original film is somewhat muted here, since the political ramifications of WW2 were far more complex than those of WW1, and also because Archie Mayo isn't as good a director as John Ford. By far the best performance of the film is delivered by the great Russian stage actress Eugene Leontovich, making a rare screen performance as the long-suffering mother of the Four Sons. ~ Hal Erickson, All Movie Guide

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Starring:
Don AmecheEugenie Leontovich, (more)
1939  
 
The Under-Pup served to introduce Universal's new preteen songstress--and potential Deanna Durbin replacement--Gloria Jean. Producer Joe Pasternak sagaciously based the leading character on Jean herself: A shy, self-effacing 11 year old girl, thrust into a glamorous lifestyle beyond her ken. She plays a small-town thrush who wins a music scholarship to a fancy Interlochen-style music camp. Her rich classmates snub Jean at first, but she wins them over with her indefatigable good spirits and her angelic singing voice. While The Under-Pup made Gloria Jean a star, she never did become the new Deanna Durbin as planned--partly because the old Deanna Durbin still had a decade's worth of movies left in her. ~ Hal Erickson, All Movie Guide

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Starring:
Gloria JeanRobert Cummings, (more)
1938  
 
In this lively musical western, a cowboy's wife heads for Reno for a quickie divorce. Meanwhile her husband finds himself in competition with a suave Easterner who has fallen in love with her. The cowboy is dismayed and embarrassed when the city-slicker easily out rides him during a bronc-riding exhibition. Fortunately, for the red-faced cowboy, his wife comes back and happiness ensues. Songs include: a snippet from "La Boheme", "I Gave My Heart Away", "Ridin' Home" and "Tonight Is The Night" (Jimmy McHugh, Harold Adamson). ~ Sandra Brennan, All Movie Guide

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Starring:
Randolph ScottHope Hampton, (more)
1938  
 
James Stewart and Ginger Rogers were "an item" when Vivacious Lady was filmed, and their obvious real-life affection for one another pours over onto the screen. Stewart plays Peter Morgan, a young botany professor who while on a visit to New York impulsively marries free-spirited nightclub singer Francey (Rogers). A few obstacles lie in the path of connubial bliss, however, including Peter's bitchy ex-fiancee Helen (Frances Mercer) and his stern college-dean father Peter Morgan Sr. (Charles Coburn). Hoping to break the news of his marriage gently to Helen and his father, Pete contrives to keep the union a secret, with the expected embarrassing results. Before the final fade-out, both Morgan Senior and Morgan Junior are on the outs with their respective wives, and it takes an uproariously tearful reunion on a passenger train to straighten things out. In his first outing as a producer, director George Stevens shows off his two-reel-comedy training with a number of hilarious comedy setpieces (the best is a slapsticky cat-fight between the two rivals for Pete's affections), though things tend to slow down towards the end. Stevens also finds room for several of his favorite character actors, including Grady Sutton, Franklin Pangborn and Willie Best, to do their time-honored specialties. Best of all is Beulah Bondi as James Stewart's mother (one of several such assignments), delivering a most unusual and touchingly funny performance. In short, Vivacious Lady was a guaranteed box-office smash even before the cameras began to turn. ~ Hal Erickson, All Movie Guide

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Starring:
Ginger RogersJames Stewart, (more)
1938  
NR  
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A comparatively little-known entry in the "screwball comedy" genre, David O. Selznick's The Young in Heart goes for quiet chuckles rather than bellylaughs. Adapted by Paul Osborn and Charles Bennett from a short story by I. R. Wylie, the film concentrates on a family of confidence tricksters. Paterfamilias Roland Young poses as a veteran of the Bengal Lancers in order to insinuate himself into high society; his birdbrained wife Billie Burke willingly goes along with any scheme her husband cooks up; and their work-resistant offspring Douglas Fairbanks Jr. and Janet Gaynor scheme to marry into weatlth. Right now, Janet's target is Scottish millionaire Richard Carlson (making his screen debut) to fill the family's coffers. The whole family teams up to fleece a wealthy old lady called Miss Fortune,played with showstopping relish by Broadway veteran Minnie Dupree. Through Miss Fortune's sweet, unassuming example, everyone in the family begins to reform. Douglas Fairbanks Jr. makes the supreme sacrifice of taking a job-which has the salutary effect of winning him the affections of poor-but-honest Paulette Goddard. Young in Heart originally ended with Miss Fortune passing away while surrounded by the repentant family; preview audiences hated this denouement, obliging Selznick to film a new ending, with Minnie Dupree joyously tooling about on a motorcyle! Our favorite scene: Roland Young and Douglas Fairbanks Jr. at a construction site, comparing the workers to insects. ~ Hal Erickson, All Movie Guide

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Starring:
Janet GaynorDouglas Fairbanks, Jr., (more)
1937  
 
"That Man" is Hugh (woo-woo) Herbert, here cast as lovable eccentric Thomas J. Jesse. Befriending apartment-house elevator operator Jimmy Whalen (Tom Brown), Jesse makes it his mission in life to smooth the course of true love for Jimmy and pretty Australian lass Nancy Lee (Mary Maguire). The plot contrives to drag in a cute little baby, whom Nancy is trying to extricate from an orphanage. The connection between heroine and baby is never explained; all that's important is that Jimmy agrees to adopt the kid by fade-out time. The principal set for That Man's Here Again, a lavish apartment hotel (complete with white telephones), seems too elaborate for a mere 60-minute programmer, suggesting that the set was borrowed from one of Warners' prestige productions. ~ Hal Erickson, All Movie Guide

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Starring:
Hugh HerbertMary Maguire, (more)
1935  
 
Legendary stage actress Pauline Lord made but a few films, but was always worth watching whenever she took command of the screen. In Feather in Her Hat, Lord plays cockney storekeeper Clarissa Phipps, who worries that her son Richard will grow up being ashamed of her humble vocation. Thus, she loftily pretends that she's not Richard's mother, and that the boy is actually the offspring of a prominent theatrical family. Upon reaching adulthood, Richard (Louis Hayward) becomes a prominent playwright, confident that the stage is in his blood, while Clarissa secretly sells her store at a loss to finance Richard's first production. Only on her deathbed does Clarissa reveal the truth -- and happily, Richard isn't ashamed of her in the least, and indeed is prouder of her than ever. Basil Rathbone contributes a fascinating characterization as a gin-swilling, unshaven remittance man. ~ Hal Erickson, All Movie Guide

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Starring:
Pauline LordBasil Rathbone, (more)
1935  
 
Based upon a book by I.A.R. Wylie that was previously filmed as Young Nowheres, Some Day is a simple romantic tale about love among the working class. In this case, that class is represented by Curley Blake (Esmond Knight) and Emily ( 19-year-old $Margaret Lockwood, later one of Britan's most popular film stars). Curley runs the elevator in an apartment house, while Emily is a cleaning girl, one of whose clients -- Mr. Canley (Henry Mollinson) -- lives in this building. They long to be married, but their pitifully low wages and dim hopes of improving their lots prevent them from tying the knot. Anxious to do something special for Emily, who has been to hospital, Curley decides to prepare a special dinner for her, using the flat of a tenant who is supposed to be away. Unfortunately, that tenant returns, irate at this unauthorized use of his apartment, and he and Curley fight. The elevator operator is charged with illegal entry, and things look black until Canley steps in and sets things right. The story was filmed again in 1937 as That Man's Here Again. ~ Craig Butler, All Movie Guide

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1933  
 
John Ford directed this emotional drama, which was a considerable change of pace from the westerns and war pictures for which he was best known. Hannah Jessop (Henrietta Crosman) fears being abandoned by her son Jim (Norman Foster), and she doesn't approve of his romance with Mary Saunders (Marian Nixon). When Hannah discovers that Jim and Mary plan to wed, she sends her son off to fight in WWI, unaware that Mary is carrying his child. Jim is killed in combat just as Mary is giving birth, and while Hannah is crushed by the loss of her son, she cannot forgive Mary or abide her grandson, Jim, Jr. (Jay Ward). Years later, Hannah is prodded into joining a group of women who lost their sons in the war on a visit to the battlefields of Europe; en route, she meets Mrs. Hatfield (Lucille La Verne), whose warmth and gracious acceptance of her misfortune forces Hannah to take a look at herself and her attitudes. ~ Mark Deming, All Movie Guide

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Starring:
Henrietta CrosmanHeather Angel, (more)
1932  
 
In this British romance, two brothers living in Devon fall in love with the same farm girl. One of the men has an accident and is crippled so the girl marries the other. The gimpy one learns to accept the situation with grace. Later he is very happy when he becomes an uncle. ~ Sandra Brennan, All Movie Guide

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1932  
 
In this romance, an impoverished Viennese aristocrat becomes a gigolo. While on the job, he encounters a Yankee widow who is terribly impressed by titled men. They get involved and she helps him start afresh. ~ Sandra Brennan, All Movie Guide

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Starring:
Herbert MarshallSara Maritza, (more)
1929  
 
In this drama, an elevator operator in a big hotel gets in big trouble after he and a chambermaid are found in a guest's suite. Though they had good reason to be in there, they are charged with breaking and entering. The story has an unexpected twist at the end. ~ Sandra Brennan, All Movie Guide

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Starring:
Richard BarthelmessMarian Nixon, (more)
1928  
 
Long though lost, Four Sons reemerged in the 1960s, proving anew that the silent films of director John Ford were every bit as accomplished as his talkies. More "Germanic" in tone and texture than later Ford films, Four Sons is the story of the Bernle family of Bavaria. Mother Bernle (Margaret Mann) dotes upon her four sons Joseph (James Hall), Johann (Charles Morton), Franz (Francis X. Bushman Jr.) and Andres (George Meeker), but is powerless in guiding their destinies. When WW I breaks out, her sons march off to the front: one of the boys fights for the AEF, the others for the Kaiser. The film's most poignant sequence takes place on the battlefield, when one of the sons stumbles upon his mortally wounded brother. Though the dying man's plaintive cries are heard on the Fox Movietone soundtrack, the scene itself is effectively played in pantomime. An updated version of Four Sons, wherein the locale was switched from Bavaria to Czechoslovakia, was filmed in 1940, starring Don Ameche, Alan Curtis, Robert Lowery and George Ernest. ~ Hal Erickson, All Movie Guide

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Starring:
Margaret MannJames Hall, (more)
1925  
 
When Geoffrey Farnell (Richard Dix) returns from the war, the only job he can find is as a reporter on a New York scandal sheet. The editor, Job Hardcastle (George Nash), becomes angry with Farnell, who isn't hard-hearted enough to write the kind of material the paper requires. Farnell is sent off to cover the story of a society divorcée who has become a cheap cabaret dancer. He finds "Mops" Collins (Jacqueline Logan), but instead of writing the story, he takes pity on her and takes her in. The chagrined Hardcastle is about to fire Farnell, who asks for one more chance. He gets his opportunity when he discovers Clive Ross-Fayne (Charles Beyer), his old war buddy, in a courtroom, charged with dealing drugs. Ross-Fayne was believed to be dead and had been posthumously recognized for valor, but he was actually shell-shocked and had lost his memory. Farnell believes that this is the story that will save his job, but then he discovers that Ross-Fayne is the brother of Eleanor (Edna Murphy), a girl he loves. He tries to stop the story from being published, but Hardcastle pushes it through. Farnell is furious and assaults the editor. Eleanor finally understands Farnell's desperation and forgives him, and a lawsuit makes him rich, so he never has to hunt down a scandalous story again. ~ Janiss Garza, All Movie Guide

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Starring:
Richard DixJacqueline Logan, (more)
1924  
 
Mary Philbin, whose performance in The Merry-Go-Round had earned her critical raves, stars in this rather lightweight Universal "Jewel." William Tudor (Joseph J. Dowling) is so overloaded with debt that he is forced to give up the family castle, Pencarreg. After selling it to John Kershaw (Dewitt Jennings), a war millionaire, he goes to London with his granddaughter, Irene (Philbin). Owen (William Haines), Tudor's nephew and Irene's sweetheart, travels to South Africa to oversee his father's mines. Irene finds work as a chorus girl at the Gaiety Theatre, and Christopher Kershaw (Freeman S. Wood), John's womanizing son, falls in love with her. She refuses to have anything to do with him, but then her grandfather falls ill and she hears that Owen has been killed in South Africa. Tudor's doctor suggests that a return to the family castle may prolong the old man's life, so Irene accepts Christopher's marriage proposal. Just after the wedding, Owen (who clearly wasn't dead after all) shows up at Pencarreg. The castle bears a curse, which falls upon Christopher when a huge chandelier crashes down on his head. He is killed, so Irene and Owen are able to reunite. Owen buys the castle back from John Kershaw, and Irene's grandfather returns home. This drama was based on the novel The Inheritors by L.A.R. Wylie. ~ Janiss Garza, All Movie Guide

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Starring:
Mary PhilbinJoseph J. Dowling, (more)

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