Marilyn Eastman Movies
Sinbad offers some unusual advice on how to make friends in this wacky comedy. Kevin Frankin (Sinbad) is a guy who dreams of starting his own business. However, getting it off the ground is another matter altogether, and soon Kevin discovers that the two loan sharks who fronted him money want to be paid, and paid promptly, otherwise Kevin will be spending some time in the hospital. On the run through an airport, Kevin is trying to find a way out when he overhears Gary Young (Phil Hartman) wondering where his friend is. It seems that Gary has arranged a reunion with an old friend from childhood, but since he hasn't seen him in 25 years, he has no idea what he looks like today, beyond the fact that he's black. Kevin fits the bill that far and claims to be Gary's long lost buddy, which Gary buys hook, line, and sinker. Gary seems to enjoy bonding with his old friend, and Kevin likes staying at Gary's fine home (and raiding his large icebox), but Kevin discovers that impersonating a stranger is a lot more complicated than he expected after he's forced to perform oral surgery and give a speech at a grade school "Career Day" presentation. However, this is all small potatoes on the "oh, no" scale when the loan sharks track Kevin back to Gary's home in the suburbs. ~ Mark Deming, All Movie Guide
- Starring:
- Sinbad, Phil Hartman, (more)
When unexpected radiation raises the dead, a microcosm of Average America has to battle flesh-eating zombies in George A. Romero's landmark cheapie horror film. Siblings Johnny (Russ Streiner) and Barbara (Judith O'Dea) whine and pout their way through a graveside visit in a small Pennsylvania town, but it all takes a turn for the worse when a zombie kills Johnny. Barbara flees to an isolated farmhouse where a group of people are already holed up. Bickering and panic ensue as the group tries to figure out how best to escape, while hoards of undead converge on the house; news reports reveal that fire wards them off, while a local sheriff-led posse discovers that if you "kill the brain, you kill the ghoul." After a night of immolation and parricide, one survivor is left in the house.... Romero's grainy black-and-white cinematography and casting of locals emphasize the terror lurking in ordinary life; as in Alfred Hitchcock's The Birds (1963), Romero's victims are not attacked because they did anything wrong, and the randomness makes the attacks all the more horrifying. Nothing holds the key to salvation, either, whether it's family, love, or law. Topping off the existential dread is Romero's then-extreme use of gore, as zombies nibble on limbs and viscera. Initially distributed by a Manhattan theater chain owner, Night, made for about 100,000 dollars, was dismissed as exploitation, but after a 1969 re-release, it began to attract favorable attention for scarily tapping into Vietnam-era uncertainty and nihilistic anxiety. By 1979, it had grossed over 12 million, inspired a cycle of apocalyptic splatter films like The Texas Chainsaw Massacre (1974), and set the standard for finding horror in the mundane. However cheesy the film may look, few horror movies reach a conclusion as desolately unsettling. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Judith O'Dea, Russ Streiner, (more)
