Christine Vachon Movies

Screen starlet Julia Stiles assumes the role of ambitious reporter Ester Greenwood in this screen adaptation of the critically acclaimed, semi-autobiographical novel by celebrated author Sylvia Plath. When a bid to seek out fame in New York City proves too much strain for the young writer to bear, she sinks into a deep depression and moves back to her hometown of Boston. Later, after undergoing electroshock therapy, the troubled Greenwood becomes increasingly suicidal. ~ Jason Buchanan, All Movie Guide

A teacher who prides herself on being different meets a student who matches her non-conformist nature in this period drama. It's 1934, and Miss G (Eva Green) is a teacher at a private school for girls near the Eastern coastline of England. While most of the teachers at the school are severe and straight-laced women who reinforce its reputation as a repressive environment, Miss G is more youthful and glamorous than her colleagues, and enjoys dropping hints of a free-spirited past to her young charges. Miss G encourages her students to challenge conventional norms of the day, and organizes a diving team at the school that she oversees with great interest. Miss G also sees a danger in the cliques that dominate the school, and she tries to undermine them, much to the annoyance of Di (Juno Temple), who hold a high place in the school's pecking order. But things change for both Miss G and her students when Fiamma (Maria Valverde) enrolls at the school. Fiamma is from Spain and has a strong independent streak; she doesn't look to her peers for approval and insists on doing things her own way, which makes her all the more exotic and appealing to the other students. Fiamma also earns the approval of Miss G, but before long rumors begin to spread that the teacher's interest in her new student is more than academic. Cracks was the first feature film from director Jordan Scott, whose father is the noted filmmaker Ridley Scott. ~ Mark Deming, All Movie Guide

With This American Life, Ira Glass brings his popular NPR radio series to the small screen, providing a unique a forum for Americans of all backgrounds and lifestyles to tell their stories. Allowing the individuals to recount their varied and compelling tales in the first person, Glass interjects each segment with his own narrative to help create a rich picture for each unrepeatable experience that's recounted. The stories told are sometimes heart breaking and sometimes humorous but most frequently, they're both. ~ Cammila Albertson, All Movie Guide

After profiling Monica Lewinsky, Billy Haynes, and Tammy Faye Bakker, documentarians Fenton Bailey and Randy Barbato make their feature debut with this true-life tale of the rapid climb and lurid demise of a flamboyant young club promoter in late-'80s/early-'90s Manhattan. Based on James St. James' nonfiction account Disco Bloodbath as well as on the writer/directors' own 1998 documentary, Party Monster features former child star Macaulay Culkin as Michael Alig, a Midwestern teen determined to forget his past amidst the bright lights and throbbing house music of New York City's nightlife. Introduced to the club scene by St. James (Seth Green), Alig quickly becomes an event promoter himself, dreaming up bizarrely themed dance parties in such unlikely venues as fast-food restaurants and subway cars. But this archetypical "club kid" orchestrates his own downfall when, stoned on designer drugs, he and accomplice Freez (Justin Hagan) brutally murder their small-time dealer friend Angel Menendez (Wilson Cruz). Party Monster had its world premiere in the Dramatic Competition at the 2003 Sundance Film Festival. ~ Michael Hastings, All Movie Guide

Eric Roberts appears in this coming-of-age drama about a young lass coming to terms with her parents' radical past. Raised without a mom, Cally (Clea DuVall just happens to stumble across Sabine (Daryl Hannah), a hippy-dippy artist with a passion for gauzy fabrics, driftwood sculptures, and potent psychotropics. Of course, this aging, drug-fried woman is Cally's mom, and soon Calley is obsessed with her, even to the point of having sex with her lover (Eric Roberts). ~ Jonathan Crow, All Movie Guide

This avant garde film is based on two angry autobiographical books by David Wojnarowicz: Close to the Knives and Memories That Smell Like Gasoline. Wojnarowicz, a noted performance artist, died of AIDS . The film examines three sides of his life. The first looks at his suburban childhood and the abuse he suffered at his alcoholic father's violent hand. The second chronicles his experiences as an teen-age street hustler and criminal in New York, and the third section, which is highly abstract, follows the adult Dave as he wanders through a dangerous desert. Once these identities are established, chronology is scattered to the winds, and the three ages of David play up to and comment on each other. The work of Wojnarowicz is also represented in Knud Vesterkov's film, By The Dawn's Early Light. ~ Sandra Brennan, All Movie Guide

There Will Be Blood's Paul Dano stars as Brian, an unhappy mattress salesman whose infatuation with Happy (Zooey Deschanel), one of his attractive customers, temporarily pushes aside his obsession with adopting a Chinese baby in this unconventional romantic comedy from director Matt Aselton. John Goodman, Ed Asner, and Jane Alexander co-star in the Killer Films production. ~ Jeremy Wheeler, All Movie Guide

Director Todd Haynes' unconventional biopic of the legendary singer/songwriter Bob Dylan features different actors playing the part of the Minnesota native at various stages of his remarkable career. Among the actors playing the singer are Cate Blanchett, who portrays the man during his Don't Look Back era incarnation; Heath Ledger, as an actor playing one of the fictional Dylans in a movie within the movie; Christian Bale, as the Dylan beginning to chafe at being associated so strongly with political causes; Richard Gere, portraying the post-motorcycle accident period; and Marcus Carl Franklin as the young Dylan who passed himself off as the second coming of Woody Guthrie. Each section of the film not only has a different lead actor, but offers different looks that reflect various aspects of popular culture at the time. ~ Perry Seibert, All Movie Guide

Douglas McGrath's Infamous represents the second major biopic about the avant-garde belletrist Truman Capote to be released within a year. It thus tells roughly the same story as Bennett Miller's earlier Capote, recounting the events that belied the writer's six-year authorship of the seminal "nonfiction novel" In Cold Blood. The story opens with Capote (Toby Jones) visiting the site of the 1959 Clutter family homicide, on a Kansas research trip, accompanied by his close friend and colleague, author Harper Lee (Sandra Bullock). As Capote settles into the community, McGrath uses the preponderance of screen time to explore the emotional tapestry of Capote's increasingly risky emotional attachment to one of the two murderers, Perry Edward Smith (Daniel Craig), with whom he senses more than a few common bonds. McGrath weaves a decidedly bittersweet tale, contrasting the optimism and devil-may-care, "conquer all" attitude of Capote in his early years with a seemingly endless string of poor choices in the writer's later years, from addictions to drink and pills, to a failure to maintain healthy output as a writer, to poorly chosen romantic and sexual entanglements. Most significantly, however, McGrath reveals how the relationship with Smith virtually destroyed Capote as an artist and a human being, by inducing him to sell out on all levels to satisfy his lust for accomplishment and notoriety. ~ Nathan Southern, All Movie Guide

Directed by Michael Mayer and based on The Hours author Michael Cunningham's novel of the same name, A Home at the End of the World chronicles the 1980s reunion of childhood best friends Bobby (Colin Farrell) and Jonathan (Dallas Roberts). Where they were once best pals -- and teenage lovers -- in the suburbs of Cleveland, Bobby has become a charismatic but go-nowhere heterosexual slacker, and Jonathan is now living as an openly gay man in New York City, hoping to serve as father to his eccentric roommate Clare's (Robin Wright Penn) child. When Bobby impulsively moves to the city to be closer to his former friend, their bonds are tested sooner than anyone would have thought. Bobby falls for Clare, and in doing so, effectively eliminates what would have been Jonathan's position in the baby's life. Jonathan temporarily takes off; when his father dies, and he attends the Arizona funeral, Bobby and Clare unexpectedly turn up with the news that she's expecting. Despite the still-existent tensions, the trio becomes a family unit among themselves, ultimately buying a house in Woodstock, Upstate New York, where they all move together, challenging traditional notions of family, commitment, love, and devotion. ~ Tracie Cooper, All Movie Guide

From the controversial director of Happiness comes another dark look at New Jersey, this time broken into two separate stories. The first is a 26-minute segment entitled "Fiction," which highlights the life of Marcus (Leo Fitzpatrick), an aspiring writer who was born with deformities due to cerebral palsy. He unsuccessfully tries to read a new short story to his girlfriend Vi (Selma Blair), and leaves her after the story is similarly dismissed by his fellow students and teacher, Mr. Scott (Robert Wisdom), a black Pulitzer Prize winner. Vi approaches Mr. Scott in a bar one night and agrees to go home with him, recalling a "fictional" account of their experience in the next class. The second segment, titled "Nonfiction," follows Toby Oxman (Paul Giamatti), a thirtysomething sad sack who gets the idea to make a documentary of contemporary suburban teenage life. Looking for subjects, he runs into Scooby (Mark Webber), a disaffected, dim young man who dreams of being a TV star. Scooby's home life is highly dysfunctional, with a strict father (John Goodman), a prim and proper mother (Julie Hagerty), a football player brother (Noah Fleiss), and a younger brother Mikey (Jonathan Osser), who continually chats up the family's put-upon maid Consuelo (Lupe Ontiveros). Consuelo is soon banished from the household due to her involvement with Mikey, becoming an outcast just like Scooby. ~ Jason Clark, All Movie Guide

The "reality TV" craze is taken to its final, logical extreme as six people hunt each other down in a small town for the benefit of network TV cameras in this darkly comic satire. "The Contenders" is a top-rated television game show in which six contestants are set loose in the same Connecticut community, with orders to kill or be killed; the last of the six who is still alive is declared the winner. As "The Contenders" goes into its seventh season, Dawn (Brooke Smith) is a two-time champion who is hoping to hold on to her title, despite the fact that she's due to have a baby in a month. Dawn's rivals this time out are Tony (Michael Kaycheck), an unemployed blue-collar worker with a taste for violence; Connie (Marylouise Burke), a middle-aged nurse who doesn't like to hurt people but is an experienced hand with a syringe; Lindsay (Merritt Wever), an 18-year-old dance student whose parents are eager to see her compete; Franklin (Richard Venture), an elderly conspiracy theorist with a tenuous hold on reality; and Jeff (Glenn Fitzgerald), who is dying of testicular cancer -- and was Dawn's boyfriend years ago. Series 7: The Contenders marked the directorial debut for Daniel Minahan, who previously employed pop culture and America's obsession with violence as themes in his screenplay for I Shot Andy Warhol. ~ Mark Deming, All Movie Guide