Christine Vachon

Johnny Knoxville and Parker Posey star in John Waters' new comedy Fruitcake, a This Is That and Killer Films production about a runaway boy's adventures during the holidays. ~ Jeremy Wheeler, All Movie Guide

There Will Be Blood's Paul Dano stars as Brian, an unhappy mattress salesman whose infatuation with Happy (Zooey Deschanel), one of his attractive customers, temporarily pushes aside his obsession with adopting a Chinese baby in this unconventional romantic comedy from director Matt Aselton. John Goodman, Ed Asner, and Jane Alexander co-star in the Killer Films production. ~ Jeremy Wheeler, All Movie Guide

Academy Award-winning actress Helen Hunt makes her feature directorial debut with this adaptation of Elinor Lipman's best-selling novel about a Philadelphia schoolteacher (Hunt) whose long-lost birth mother (Bette Midler) reappears at the very moment her daughter is careening into a midlife crisis. Abandoned by her husband (Matthew Broderick) and still grieving the death of her adoptive mother, the emotionally fragile teacher enters into a relationship with the father of one of her students just as her biological mother, an eccentric talk-show host, appears on her doorstep attempting a reconciliation. ~ Jason Buchanan, All Movie Guide

Adapted from the nonfiction book by Natalie Robins and Steven M.L. Aronson, Tom Kalin's Savage Grace recounts the true crime tale of the death of Barbara Baekeland. Stephen Dillane stars as Brooks Baekeland, the son of the man who invented Bakelite, one of the early forms of plastic. As the family fortune begins to decrease after years of wealth, Brooks marries Barbara (Julianne Moore), who desires to mingle in the highest social circles. They have a child, Antony, who is homosexual. Antony grows up to kill Barbara, in part because Barbara takes a personal interest in "curing" her son of his orientation. This was Kalin's first film since 1991's Swoon, a film about the infamous Leopold and Loeb murders. ~ Perry Seibert, All Movie Guide

With This American Life, Ira Glass brings his popular NPR radio series to the small screen, providing a unique a forum for Americans of all backgrounds and lifestyles to tell their stories. Allowing the individuals to recount their varied and compelling tales in the first person, Glass interjects each segment with his own narrative to help create a rich picture for each unrepeatable experience that's recounted. The stories told are sometimes heart breaking and sometimes humorous but most frequently, they're both. ~ Cammila Albertson, All Movie Guide

Celebrated and vilified in equal measure, the pinup goddess Bettie Page inspired a legion of followers -- and an indecency scandal -- by appearing in a series of nude, sado-masochistic, and/or revealing magazine spreads in the 1950s. An era later, writer/director Mary Harron casts a knowing eye upon the woman who indirectly gave birth to modern pornography in the biopic The Notorious Bettie Page. As a teen, Page (Gretchen Mol) is a smart, plucky girl with ambitions beyond her Tennessee roots. Suffering varying degrees of abuse from her father, her first husband, and suitors of dubious virtue, Page makes her way to New York City, where an amateur photographer discovers her lounging on the beach. It isn't long before images of the shapely brunette reach Irving and Paula Klaw (Chris Bauer and Lili Taylor), brother-and-sister entrepreneurs who publish illicit magazines dedicated primarily to men's fetishes. The casual nudist Page eventually finds herself acquiescing to their requests to don thigh-high boots, whips, and chains, which raise the ire of the smut-fearing senator Estes Kefauver (David Strathairn). The Notorious Bettie Page had its North American premiere at the 2005 Toronto International Film Festival. ~ Michael Hastings, All Movie Guide

Directed by Michael Mayer and based on The Hours author Michael Cunningham's novel of the same name, A Home at the End of the World chronicles the 1980s reunion of childhood best friends Bobby (Colin Farrell) and Jonathan (Dallas Roberts). Where they were once best pals -- and teenage lovers -- in the suburbs of Cleveland, Bobby has become a charismatic but go-nowhere heterosexual slacker, and Jonathan is now living as an openly gay man in New York City, hoping to serve as father to his eccentric roommate Clare's (Robin Wright Penn) child. When Bobby impulsively moves to the city to be closer to his former friend, their bonds are tested sooner than anyone would have thought. Bobby falls for Clare, and in doing so, effectively eliminates what would have been Jonathan's position in the baby's life. Jonathan temporarily takes off; when his father dies, and he attends the Arizona funeral, Bobby and Clare unexpectedly turn up with the news that she's expecting. Despite the still-existent tensions, the trio becomes a family unit among themselves, ultimately buying a house in Woodstock, Upstate New York, where they all move together, challenging traditional notions of family, commitment, love, and devotion. ~ Tracie Cooper, All Movie Guide

After profiling Monica Lewinsky, Billy Haynes, and Tammy Faye Bakker, documentarians Fenton Bailey and Randy Barbato make their feature debut with this true-life tale of the rapid climb and lurid demise of a flamboyant young club promoter in late-'80s/early-'90s Manhattan. Based on James St. James' nonfiction account Disco Bloodbath as well as on the writer/directors' own 1998 documentary, Party Monster features former child star Macaulay Culkin as Michael Alig, a Midwestern teen determined to forget his past amidst the bright lights and throbbing house music of New York City's nightlife. Introduced to the club scene by St. James (Seth Green), Alig quickly becomes an event promoter himself, dreaming up bizarrely themed dance parties in such unlikely venues as fast-food restaurants and subway cars. But this archetypical "club kid" orchestrates his own downfall when, stoned on designer drugs, he and accomplice Freez (Justin Hagan) brutally murder their small-time dealer friend Angel Menendez (Wilson Cruz). Party Monster had its world premiere in the Dramatic Competition at the 2003 Sundance Film Festival. ~ Michael Hastings, All Movie Guide

Robert Altman directs the musical drama The Company from an original story by actress Neve Campbell, based on her own experiences with The National Ballet of Canada. At the center of the ensemble cast is the young dancer Ry (Campbell), a rising star with the Joffrey Ballet of Chicago. She struggles with the demands of being a dancer while supporting herself as a waitress and starting up a romance with Josh (James Franco). Meanwhile, the ballet company director, Alberto Antonelli (Malcolm McDowell), manages to balance his own administrative and artistic duties. Campbell does her own dancing in the film and the rest of the company is played by the actual members of the Joffrey Ballet. The Company was shown at the 2003 Toronto Film Festival. ~ Andrea LeVasseur, All Movie Guide

Maverick director Todd Haynes embraces the look and feel of classic Hollywood melodramas of the 1950s in this period drama. Cathy Whitaker (Julianne Moore) and her husband, Frank (Dennis Quaid), are a seemingly perfect couple; living in a handsome suburban neighborhood in Hartford, CT, in 1957, Cathy and Frank have a beautiful home and two happy, healthy children, while Frank pursues a successful career in sales and Cathy cares for the home. But Cathy has begun to sense something isn't quite right in her marriage, as Frank begins working late, spending less time with her, and seems cold and distant. One day, Cathy visits Frank's work and discovers something she never expected -- her husband is kissing a man. At Cathy's urging, Frank undergoes psychotherapy, but as she tries to keep up a brave face, the emotional trauma takes a great toll on her, and she finds there are very few people she can talk with. Cathy strikes up a friendship with Raymond Deagan (Dennis Haysbert), an African-American gardener who works for the Whitakers, and as she discovers how intelligent and compassionate Raymond is, she finds herself drawn to him. However, Hartford is in many ways still a small town, and when Mona (Celia Weston) sees Cathy and Raymond alone together, it sets off a wave of vicious gossip that threatens to make the Whitakers' many secrets public knowledge. Far from Heaven premiered at the 2002 Venice Film Festival, where Julianne Moore's performance won the prize for Best Actress. ~ Mark Deming, All Movie Guide

Actor, writer, and director Tim Blake Nelson adapts this grim look at the Holocaust from his own play, based on Miklós Nyiszli's book, Auschwitz: A Doctor's Eyewitness Account. The film centers on the Sonderkommando: Jewish concentration camp prisoners whose job was to herd their fellow Jews into the gas chamber, and to dispose of the bodies following the execution. In return, these prisoners received food and a little more time before their own executions. As the members of the sonderkommando struggle to orchestrate what would be the only armed insurrection in Auschwitz, a group of them discover a 14-year-old girl who somehow survived the gas chamber. The girl becomes a symbol for their own spiritual salvation and they become obsessed with keeping the girl alive, even if it endangers the uprising that could save thousands. This film was screened at the 2001 Toronto Film Festival. ~ Jonathan Crow, All Movie Guide

Adapted from the hit off-Broadway musical of the same name is this tale of an "internationally ignored" rock & roll singer who hails from Communist Berlin and who dreams of becoming an American sensation. Hedwig (John Cameron Mitchell), born a boy named Hansel, is raised by a single mother (Alberta Watson) who wishes to see her son do better than his poverty-stricken family. Some years later, Hansel is attracted to a good-looking American G.I, who promises a better life overseas for young Hansel, under one condition: that he undergo a sex-change operation to become a fully functional female who he can then marry. The operation is seriously botched, leaving the now-renamed Hedwig with an "angry inch" only to be stranded in a dingy Kansas trailer park on the day the Berlin Wall comes tumbling down. Hedwig then supports herself through a series of ill-fated lounge gigs and side jobs, meeting up with 16-year old Tommy Gnosis (Michael Pitt), a religious type who befriends her and later steals her songs and becomes the rock star Hedwig always dreamed of being. Undeterred, Hedwig continues to perform in the shadow of Tommy's sold-out stadium tour, attempting to make herself whole in spirit, if not physically. The film features several songs by composer Stephen Trask, who also appears as a member of Hedwig's disinterested rock band; Miriam Shor portrays Hedwig's newfound love and back-up singer. ~ Jason Clark, All Movie Guide

Following up on her 1998 opus Bedrooms and Hallways, Rose Troche directs this ensemble film about suburbia and its discontents. Once an up-and-coming singer/songwriter, Paul Gold (Joshua Jackson) now lies in a coma, attentively nursed by his mother Esther (Glenn Close), who dotes on her son to the exclusion of her husband and her daughter Julie (Jessica Campbell). Meanwhile, Jim Train (Dermot Mulroney) is a workaholic lawyer who is closer to his tortes than to his spouse Susan (Moira Kelly). Their son Jake has taken a morbid fascination with his sister's foot-high girl doll. At the same time, Paul's former lover Annette Jennings (Patricia Clarkson) is trying to pull her life and her family back together after a particularly brutal divorce. This film was screened at the 2001 Toronto Film Festival. ~ Jonathan Crow, All Movie Guide