Leo Tolstoy Movies

Love turns a woman's life upside down in this contemporary adaptation of Leo Tolstoy's Anna Karenina. Chouga (Ainour Tourganbaeva) is a woman in her mid-thirties who lives in Astana, the capitol of Kazakhstan. When Chouga learns that her brother has fallen into a deep depression due to his failing marriage, she returns to her hometown of Almaty to help him deal with his troubles. In Almaty, Chouga meets Ablai (Aidos Sagatov), a handsome man several years her junior. Ablai becomes deeply infatuated with Chouga, even though she's married and he's engaged to marry Altynai (Ainour Sapargali). Ablai lures Chouga into an affair, but in time he tires of her while Chouga finds she can't go back to the life she once lived. ~ Mark Deming, Rovi

Paolo Taviani and his brother Vittorio Taviani wrote and directed this made-for-TV adaptation of Leo Tolstoy's final novel. Wealthy and privileged Prince Dmitri Nekhludov (Timothy Peach) is called to serve on the jury of a woman accused of prostitution and murder. When the accused is brought forward, Nekhludov discovers to his surprise that the streetwalker is Katusha Maslova (Stefania Rocca), a peasant woman he led into a brief affair many years ago. Maslova has been charged with the poisoning of a local merchant, but she firmly declares her innocence. Nekhludov and his fellow members of the jury find in Maslova's favor, but the judge overturns their verdict on a technicality, and she is sentenced to life at hard labor. Agonized that his seduction of a once-innocent girl led her down a path of such grim consequences, Nekhludov sets out to change his life in a bid to somehow right the wrong he's done to Maslova. Risurrezione was originally screened in a three-hour version designed for television broadcast in Europe, though it was reported that a shorter cut was being prepared for theatrical exhibition. ~ Mark Deming, Rovi

Bernard Rose directed this look at the sordid underside of the film business and one man's attempts to come to terms with his mortality in this fallen world, in a story loosely based on Leo Tolstoy's The Death of Ivan Ilyich. Ivan Beckman (Danny Huston), a hot-shot talent agent at the powerful Media Talent Agency, unexpectedly dies, and soon his colleagues are scrambling among themselves over the shards of Ivan's leftover business, with Barry Oaks (Adam Krentzman) eager to take over representation of Don West (Peter Weller), a major star Ivan signed shortly before his death. Everyone assumes that Ivan died of a drug overdose, but as viewers watch his last few days in flashback, they learn that Ivan was diagnosed with a severe case of lung cancer as he was trying to put together a deal with firebrand director Danny McTeague (James Merendino), actress Constanza Vero (Valeria Golino), and West. As the dynamic businessman is forced to confront his mortality, he is dragged into a binge of booze, drugs, and women with West, while he also tries to decide how to confront his family and his girlfriend Charlotte (Lisa Enos) with the grim news about his health. Ivansxtc. (To Live and Die in Hollywood) was shot using digital video equipment and a skeleton crew -- according to Rose, a reaction in part to studio interference over his 1997 adaptation of another Tolstoy work, Anna Karenina. ~ Mark Deming, Rovi

Leo Tolstoy's classic novel is brought to the screen once again in what was the first American-based production of this story to be filmed on location in Russia. Anna (Sophie Marceau) is married to Alexei (James Fox), but while their relationship is not outwardly unhappy, it's clear that neither has much enthusiasm for either their spouse or their marriage. While visiting her bother Stiva (Danny Huston), who is having marital problems of his own, Anna meets Count Vronsky (Sean Bean). An immediate mutual attraction arises between them, and soon Vronsky has left behind his mistress Kitty (Mia Kirshner) to pursue Anna. Anna is initially uncertain about her feelings, but she soon throws caution to the wind and embarks on a passionate affair with Vronsky. However, Anna's love for the Count is strong enough that Alexei becomes keenly aware of her indiscretion, and when she discovers that she is carrying Vronsky's child, Alexei offers her two options -- she can leave Vronsky, resume her marriage, and keep the baby, or stay with Vronsky and give up her unborn child. This was at least the tenth feature-length production of Anna Karenina to reach the screen, though one of the best known appeared under a different title -- Love, starring Gretta Garbo. ~ Mark Deming, Rovi

In this film, Tolsoy's classic story Father Sergius is translated from 19th century Russia to 19th century Italy. As in the original story, Sergio (Julian Sands) is a nobleman and a military cadet who is posted in a position close to the (in this case Neapolitan) throne. He is about go through with an arranged marriage linking him with a higher-ranking noblewoman (Natassja Kinski) when he discovers that she has been the King's mistress. Disgusted, he renounces the world and becomes a churchman and a hermit. At his hermitage, he encounters a woman who considers any priest, especially an ascetic one, fair game. She attempts to seduce him and he nearly succumbs, narrowly avoiding that fate by chopping off a finger, in a scene harking back directly to the 1918 Russian silent classic Otets Sergey. Soon after that, he begins to acquire a reputation as a miracle worker. However, by now he has succumbed to his ever-present demon of sexual temptation in the form of a conniving young girl, and he knows he is not worthy of the adulation he is receiving. Devastated by his lapse, he leaves the hermitage and wanders around Italy as a homeless beggar. ~ Clarke Fountain, Rovi

Based on a story of a husband's obsession by Leo Tolstoy, director Gabriela Rosaleva has transformed Tolstoy's misogynist tract into an inflammatory though indirect condemnation of the husband's behavior. The husband's problem is that he is convinced his wife is having an affair with the violinist who accompanies her in their musical performances. In reality, the wife uses the music of great composers like Beethoven as an escape from her husband's oppressive behavior. She is the sensible yet weakly victim, unable to stand up to him, and he is the horse's arse that cannot see his own aberration for what it is. Tolstoy notwithstanding, the film remains a somewhat uneven drama.
~ Eleanor Mannikka, Rovi

The last film by veteran writer/director Robert Bresson, the French crime drama L'Argent (Money) was based on a short story by Russian novelist Leo Tolstoy. Looking for some quick cash, young man Norbert (Marc Ernest Fourneau) gets a phony 500 franc note from his friend Matrial (Bruno Lapeyre). After he spends it at a photography shop, the unscrupulous shop owner (Didier Baussy) decides to pass it on to someone else. The unfortunate victim is honest delivery man Yvon Targe (Christian Patey), who doesn't realize the bill is a fake. When he tries to buy some food with it, he is arrested. He tries to sue the photographer, but shop assistant Lucien (Vincent Risterucci) has been bribed to stay quiet about the transaction. The scandal causes Yvon to lose his job. In order to support his family, he tries driving a getaway car for some criminals. Unfortunately, their heist doesn't go so well, and he is sent to prison for three years. While incarcerated, his child dies of diphtheria and his wife (Caroline Lang) leaves him. Crazed, Yvon turns to theft, violent crime, and eventually cold-blooded murder. L'Argent earned (Bresson) the Director's Prize at the 1983 Cannes Film Festival. ~ Andrea LeVasseur, Rovi

This ten-hour BBC adaptation of the famous novel Anna Karenina features Nicola Pagett as the title character and Eric Porter and Stuart Wilson as the other two points of the love triangle that constitutes that main thrust of the plot. Anna's scandalous affair brings about devastating consequences for herself and almost everyone she cares about. ~ Perry Seibert, Rovi

Directed by Russian cinematographer Margarita Pilikhina, this is a filmed performance of Anna Karenina by the legendary Bolshoi Ballet. Adapted from Leo Tolstoy's classic novel, the ballet tells the story of Anna Karenina (Maya Plisetskaya), a young woman in 19th century Russia who falls in love with the dashing Count Vronsky (Alexander Godunov), unbeknownst to her husband. Eventually, the secret bond between Anna and the count is revealed under tragic circumstances. Natalya Sorokina and Vladimir Tikhonov are among the other dancers who perform. ~ Matthew Tobey, Rovi

Of the many stage, screen, and television adaptations of Leo Tolstoy's mammoth novel War and Peace, this multi-episode British TV version is widely regarded as one of the most thorough and entertaining. The grim days of Napoleonic wars and the "Little Corporal's" ill-fated invasion of Russia were shown through the eyes of a large, interwoven group of protagonists, including the sensitive intellectual Pierre (played by a young Anthony Hopkins, who won the BAFTA Best Actor award) and the ethereally lovely Natasha (Morag Hood). Of the supporting cast, Alan Dobie as Prince Bolkonsky and David Swift as Napoleon were standouts. The 20 45-minute episodes of War and Peace first aired in the U.K. from September 28, 1972 through February 8, 1973. The series was syndicated in the U.S. courtesy of PBS beginning November 20, 1973. ~ Hal Erickson, Rovi

A Teutonic lecher on vacation has a wager with some local peasants that he can't make a walking circle from sunrise to sunset to secure some coveted land. The middle-aged businessman embarks on his journey only to be slowed down by the beautiful reporter Scarabea. With thoughts of drunkenness and sex on his warped mind, the man tries to circumnavigate the parcel of property. The story is a retelling of an ancient folk tale told by Tolstoy where the initial victim bets his soul to Satan against the land he desires. ~ Dan Pavlides, Rovi