Bram Stoker Movies
- 1995
This softcore exploitation effort from the Roger Corman stable is a peculiar attempt to reinvent Bram Stoker's story as a T&A film featuring marauding babes in rat-pelt bikinis. The story posits an Amazonian group of Victorian-era lesbians who have formed a colony under Queen Adrienne Barbeau. Barbeau is sort of a Pied Piper to a group of vicious rats used in the women's murderous raids on men who have wronged them. In one such attack, the women capture writer Bram Stoker (Kevin Alber), who is recruited to chronicle the women's activities. But the plot is really secondary here. The main point of this film is to show scantily-clad women running around in bikinis, having swordfights and performing topless veil-dances. Barbeau is particularly over-the-top, saying things like "I am the Queen of the vermin!" and sporting hairdos which get progressively bigger and sillier as the film goes on. An amusing second-rate attempt at a Hammer-style historical horror film, this is a fun, trashy timekiller for genre fans. ~ Robert Firsching, All Movie Guide
Based on Bram Stoker's classic 1897 novel, this film from Francis Ford Coppola and screenwriter James Victor Hart offers a full-blooded portrait of the immortal Transylvanian vampire. The major departure from Stoker is one of motivation as Count Dracula (Gary Oldman) is motivated more by romance than by bloodlust. He punctures the necks as a means of avenging the death of his wife in the 15th century, and when he comes to London, it is specifically to meet heroine Mina Harker (Winona Ryder), the living image of his late wife (Ryder plays a dual role, as do several of her costars). Anthony Hopkins is obsessed vampire hunter Van Helsing, while Keanu Reeves takes on the role of Jonathan Harker, and Tom Waits plays bug-eating Renfield. Bram Stoker's Dracula was the winner of three Academy Awards. ~ Hal Erickson, All Movie Guide
- Starring:
- Gary Oldman, Winona Ryder, (more)
Ken Russell's Lair of the White Worm uses Dracula author Bram Stoker's final novel as the basic springboard into a surreal and dark-humored tale concerning a bizarre cult and a series of sacrificial murders in honor of an ancient pagan god. When archeologist Angus Flint (Peter Capaladi) discovers the mysterious scull of an undiscovered beast, further investigation reveals a bizarre myth concerning a medieval knight slaying a fearsome dragon. Soon making the acquaintance of Lord James D'Ampton (Hugh Grant), the conquering knight's descendant, Flint begins to learn of local lore surrounding the creature and soon discovers that, throughout the years, many unexplained disappearances have haunted the local populace. With all trails leading back to the elegant mansion of mysterious recluse Lady Sylvia Marsh (Amanda Donohoe), Lord D'Ampton makes Marsh's acquaintance amidst growing speculation that the strangely seductive siren may have something to do with a rash of recent disappearances. As Flint and D'Ampton's stories begin to strangely intersect, a surreal and horrific journey into the lair of an ancient god may hold they key to an age-old mystery. ~ Jason Buchanan, All Movie Guide
- Starring:
- Amanda Donohoe, Hugh Grant, (more)
- 1986
This low-budget, supernatural, tongue-in-cheek story is about an ancient Egyptian princess out to maintain her immortality. Nefratis (Michelle Bauer) has two problems: her tomb has been desecrated, and she needs some special amulets (now in California) that are used in the rituals of human sacrifice to keep herself alive. After she kills the professor responsible for the sacrilege committed against her tomb, the professor's son David Manners (Richard Alan Hench) and his friend Helen (Susan Stokey) set out to solve the mystery behind the murder. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Cameron Mitchell, John Carradine, (more)
- 1984
This animated version of Bram Stoker's Dracula comes to us by way of Northstar Productions. The basic storyline is adhered to with commendable fidelity: Dracula's journey to England, his "enslavement" of such female victims as Mina Harker and Lucy Westenra, the arrival of vampire-hunting Professor Van Helsing, and Dracula's ultimate Waterloo by way of a wooden stake. The gorier elements of the story are downpedaled, while the character design tries to avoid the purely grotesque. The scripters do a nice job distilling Stoker's rambling, seemingly endless novel into 90 minutes. The animation tends towards the herky-jerky technique of TV's "cartoons by the yard", but at least the background design is attractive. ~ Hal Erickson, All Movie Guide
- 1980
English archaeologist Matthew Corbeck (played by the emphatically-American Charlton Heston) undertakes an expedition to find the tomb of the Egyptian princess Kara, despite his awareness of a nefarious curse that is said to befall anyone who disturbs the tomb. Eighteen years after Corbeck's discovery of the burial site, his teenage daughter (who was born at the very moment of the tomb's violation) begins to behave strangely. Turns out she's been possessed by Kara's malevolent spirit, carrying out the princess's revenge by causing several deaths and developing a less-than-healthy obsession with Daddy. Based very loosely on Bram Stoker's novel The Jewel of Seven Stars (itself the inspiration for Hammer's superior Blood from the Mummy's Tomb), this is basically Warner Brothers' attempt to jump on the big-budget horror bandwagon in the wake of The Omen's staggering success. The result is a good-looking but artistically hollow film -- with elaborate sets, lush cinematography and a sweeping musical score, but little in the way of logic or suspense. ~ Cavett Binion, All Movie Guide
- Starring:
- Charlton Heston, Susannah York, (more)
- 1980
In this eerie, atmospheric tale, a young woman is on a train when she sees some people she thinks she knows from her childhood. On arriving home, her husband tells her that a certain countess has died. At that point, the film cuts to a scene of the countess singing in a mausoleum while the visual image of the graveyard's many tombstones passes before one's eyes. Back home, the husband -- also a "father-figure" -- is looking over his collection of wooden angels. Some time elapses, and he surreptitiously sees a thief come down through the chimney, steal some things, and then leave. To combat any recurrence, he builds an iron, escape-proof cage around the fireplace, and then goes away on a trip. When he comes back, he finds the thief dead in the cage. Thus far, the camera has only shown the husband in profile or from the back. Then there is another story about a young girl, with a spiteful, nasty mother, who is trying to cope with her own attraction to a man. When she grows up, she either commits suicide or manages to leave the past behind her. Is this little girl the same married woman on the train at the beginning of the film? In the final, dramatic scenes, the viewers see the husband full-face for the first time, as he confronts his wife. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Michel Lonsdale, Carol Kane, (more)
In the late '70s, Frank Langella starred in the hit Broadway play Dracula, written by Hamilton Deane and John L. Balderston. Langella's charisma and the surreal, black-and-white sets designed by cartoonist Edward Gorey were the chief outstanding features of the play, which was otherwise undistinguished. While this film production of the play boasts performances by stage veterans Lord Laurence Olivier and Donald Pleasance, as well as Frank Langella as the suavest of counts, it was neither a critical nor a box-office success, doubtlessly because expectations ran too high. One highlight of this production is its skillful use of special effects. The standard story of Bram Stoker's original novel is re-created here: the undead count arranges to move from his home in Transylvania to Whitby, and once there, a reign of terror begins. He is opposed by the canny Doctor Van Helsing (Laurence Olivier), who eventually triumphs. ~ Clarke Fountain, All Movie Guide
- Starring:
- Frank Langella, Laurence Olivier, (more)
For Werner Herzog's 1979 remake of F.W. Murnau's classic 1922 silent horror-fest Nosferatu, star Klaus Kinski adopts the same makeup style used by Murnau's leading man Max Schreck. Yet in the Herzog version, the crucial difference is that Nosferatu becomes more and more decayed and desiccated as the film progresses. Essentially a retelling of Bram Stoker's Dracula, Nosferatu the Vampyre traces the blood-sucking progress of the count as he takes over a small German village, then attempts to spread his influence and activities to the rest of the world. All that prevents Dracula from continuing his demonic practices is the self-sacrifice of Lucy Harker, played by Isabelle Adjani. Director Werner Herzog used the story to parallel the rise of Nazism. The film was lensed in the Dutch towns of Delft and Scheiberg. Nosferatu the Vampyre was filmed in both an English and a German-speaking version; the latter runs 11 minutes longer. ~ Hal Erickson, All Movie Guide
- Starring:
- Klaus Kinski, Isabelle Adjani, (more)
Count Dracula is a three-part British television adaptation of Bram Stoker's novel. Louis Jourdan plays the count not as villain or pathetic victim of circumstance, but a charismatic charmer, who doesn't need to suck the blood of his lady victims to make them faint. Part One takes place in Transylvania, with British attorney Jonathan Harker (Bosco Hogan) arriving at Dracula's castle to close a real estate deal--and to nearly lose his life and soul to his sinister host. Part Two finds Dracula at large in England, beckoning the unfortunate Lucy (Susan Penhaligon) into the world of the Undead. The story grows more intense in Part Three, with vampire hunter Professor Van Helsing (Frank Finlay) rallying the forces of Good against the elusive Dracula. Count Dracula was first telecast in the US on PBS' Great Performances series in March of 1978. ~ Hal Erickson, All Movie Guide
This TV-movie adaptation of Bram Stoker's novel of the "undead" was adapted by Richard Matheson and photographed by Oswald Morris. As the titular count, Jack Palance is a reluctant victim of an unwelcome fate, rather than a grinning bloodsucker. Nigel Davenport co-stars as Van Helsing, vampire-hunter deluxe, who pursues the count with his bagful of hammers and stakes. Much of the Stoker novel that had been eliminated in earlier versions has been restored by Matheson. Originally slated for telecast in October of 1973, Dracula was reshuffled to February 8, 1974, due to the late-breaking vice-presidential nomination of Gerald Ford. ~ Hal Erickson, All Movie Guide
- 1973
Daring for its time, this speculative German movie uses vampirism as a metaphor for European fascism. Somehow rendered impervious to sunlight, members of the vampire aristocracy -- led by an evil Count (Paul Albert Krumm) -- swiftly rise to power and subjugate the peasant populace as slave labor and surplus blood supply. Enter humanity's last hope, an unlikely hero named Jonathan (Jürgen Jung), who launches a crusade against the Count's powerful armies of the undead. Loosely based on Dracula, this film makes a few stylistic nods to F.W. Murnau's Nosferatu, as well as to Hammer's Dracula series, but manages a few original twists of its own. Several nude scenes were added for the film's wider European release. ~ Cavett Binion, All Movie Guide
The swan song for director Seth Holt (who died shortly before filming was completed), this stylish Hammer production transcends its low budget thanks to lush photography, a stylish look, and fine performances from the leads. The plot, adapted from Bram Stoker's novel The Jewel of the Seven Stars, involves an expedition led by Professor Fuchs (Andrew Keir) to find the cursed tomb of an evil Egyptian princess. Upon discovery of her sarcophagus, Fuchs finds her perfectly preserved, still-bleeding severed hand -- which also sports a dazzling ruby ring. Several years later, Fuchs gives the pilfered ring to his voluptuous young daughter Margaret (Valerie Leon), whereupon she slowly begins to take on the malevolent traits of its original wearer, seeking revenge for the defilement of her tomb. Though Christopher Wicking's adaptation of Stoker's obscure novel is a bit uneven, it still provides ample suspense and the production has an overall richness that captures the flavor of Hammer's other mummy projects. Remade eight years later (with less effective results) as The Awakening; traces of the same story can also be found in Universal's 1999 mega-budget version The Mummy. ~ Cavett Binion, All Movie Guide
- Starring:
- Andrew Keir, Valerie Leon, (more)
This doggedly faithful adaptation of Bram Stoker's novel about a vampiric nobleman was helmed by cult director Jesus Franco. Despite its textual loyalty and atmospheric photography by Manuel Merino, the film -- a co-production from Spain, Italy, Germany, and Liechtenstein -- is plodding and dull. Even Christopher Lee (in an uncharacteristically weak performance as Dracula), Klaus Kinski (as the mad Renfield), and seven credited screenwriters cannot make this confused, distant film worthwhile. Cult filmmaker Bruno Mattei edited the Italian version, and scenes were later used in Calvin Floyd's In Search of Dracula. Among several different versions are prints running 100, 98, and 86 minutes. Franco appears as a servant to Professor Van Helsing (Herbert Lom), and though certainly literate, the film nevertheless fails as both horror and drama. ~ Robert Firsching, All Movie Guide
- Starring:
- Christopher Lee, Klaus Kinski, (more)
This Hammer Studios classic is far closer to the letter (and spirit) of the Bram Stoker novel than the Bela Lugosi version of Dracula. The premise finds the infamous count journeying from his native Transylvania to England, where he takes a headfirst plunge into the London nightlife, and begins to rack up victim after victim. In the process, Dracula also runs into his arch-nemesis, Van Helsing (Peter Cushing), which ignites a battle of wills between the two. Heavily censored in Britain when released (with the goriest moments truncated), this outing was restored by the BFI in the mid-late 2000s. It put Lee and Cushing on the map and paved the way for many sequels starring the two, and for many non-Dracula follow-ups with these actors as well. ~ Hal Erickson, All Movie Guide
- Starring:
- Peter Cushing, Christopher Lee, (more)
- 1931
Filmed simultaneously (and on the same sets) as the Bela Lugosi version of Dracula, this Spanish-language version is in many ways an improvement upon the original. Whereas the English-language version (directed by Tod Browning), is stylish and atmospheric only in its first two reels, the Spanish Dracula sustains its eeriness throughout. The latter version is also more effective in emphasizing the eroticism inherent in the Stoker novel; the leading ladies, notably Lupita Tovar, are dressed (or undressed) far more provocatively than their American counterparts, while their facial expressions upon making contact with the charismatic Dracula betray a carnal yearning that the American actresses only hinted at. Moreover, the Spanish Dracula fills in several continuity gaps in the American film, especially in its detailing of the Count's journey from Transylvania to England. ~ Hal Erickson, All Movie Guide
- Starring:
- Carlos Villarias, Lupita Tovar, (more)
- 1931
"I am....Drac-u-la. I bid you velcome." Thus does Bela Lugosi declare his presence in the 1931 screen version of Bram Stoker's Dracula. Director Tod Browning invests most of his mood and atmosphere in the first two reels, which were based on the original Stoker novel; the rest of the film is a more stagebound translation of the popular stage play by John Balderston and Hamilton Deane. Even so, the electric tension between the elegant Dracula and the vampire hunter Professor Van Helsing (Edward Van Sloan) works as well on the screen as it did on the stage. And it's hard to forget such moments as the lustful gleam in the eyes of Mina Harker (Helen Chandler) as she succumbs to the will of Dracula, or the omnipresent insane giggle of the fly-eating Renfield (Dwight Frye). Despite the static nature of the final scenes, Dracula is a classic among horror films, with Bela Lugosi giving the performance of a lifetime as the erudite Count (both Lugosi and co-star Frye would forever after be typecast as a result of this film, which had unfortunate consequences for both men's careers). Compare this Dracula to the simultaneously filmed Spanish-language version, which makes up for the absence of Lugosi with a stronger sense of visual dynamics in the lengthy dialogue sequences. In 1999, a special rerelease of Dracula was prepared featuring a new musical score written by Philip Glass and performed by The Kronos Quartet. ~ Hal Erickson, All Movie Guide
- Starring:
- Bela Lugosi, Helen Chandler, (more)
F. W. Murnau's landmark vampire film Nosferatu isn't merely a variation on Bram Stoker's Dracula: it's a direct steal, so much so that Stoker's widow went to court, demanding in vain that the Murnau film be suppressed and destroyed. The character names have been changed to protect the guilty (in the original German prints, at least), but devotees of Stoker will have little trouble recognizing their Dracula counterparts. The film begins in the Carpathian mountains, where real estate agent Hutter (Gustav von Wagenheim) has arrived to close a sale with the reclusive Herr Orlok (Max Schreck). Despite the feverish warnings of the local peasants, Hutter insists upon completing his journey to Orlok's sinister castle. While enjoying his host's hospitality, Hutter accidently cuts his finger-whereupon Orlok tips his hand by staring intently at the bloody digit, licking his lips. Hutter catches on that Orlok is no ordinary mortal when he witnesses the vampiric nobleman loading himself into a coffin in preparation for his journey to Bremen. By the time the ship bearing Orlok arrives at its destination, the captain and crew have all been killed-and partially devoured. There follows a wave of mysterious deaths in Bremen, which the local authorities attribute to a plague of some sort. But Ellen, Hutter's wife, knows better. Armed with the knowledge that a vampire will perish upon exposure to the rays of the sun, Ellen offers herself to Orlok, deliberately keeping him "entertained" until sunrise. At the cost of her own life, Ellen ends Orlok's reign of terror once and for all. Rumors still persist that Max Schreck, the actor playing Nosferatu, was actually another, better-known performer in disguise. Whatever the case, Schreck's natural countenance was buried under one of the most repulsive facial makeups in cinema history-one that was copied to even greater effect by Klaus Kinski in Werner Herzog's 1979 remake - Nosferatu the Vampyre. ~ Hal Erickson, All Movie Guide
- Starring:
- Max Schreck, Alexander Granach, (more)
Marc Warren, David Suchet, and Sophia Myles star in a lavish retelling of author Bram Stoker's gothic classic concerning an English aristocrat drawn into a hypnotizing web of seduction and bloodlust. Upon seeking to escape death by turning to the charismatic Count Dracula, engaged aristocrat Jonathan Harker inadvertently unleashes a deadly force that sweeps through the countryside consuming everyone and everything in its path. ~ Jason Buchanan, All Movie Guide
