Edward Earle Movies

Sonja Henie, the Norwegian skating star, reportedly played second fiddle to no one at Fox in the late '30s, and this backstage musical extravaganza is all Henie. Taking a leaf from producer David O. Selznick, Consolidated Pictures send public relation expert Tyrone Power in search of an unknown to star in the studio's upcoming production of Girl of the North. Power returns to Hollywood with Minnesota schoolmarm (and figure skating expert) Trudy Hovland in tow, and then manufactures a romance between the girl and stolid leading man Roger Maxwell (Rudy Vallee). The ensuing complications are quickly solved and the new star is able to perform a flashy finale to Irving Berlin's "The Song of the Metronome." ~ Hans J. Wollstein, All Movie Guide

In this crime drama, a gangster uses an innocent newsboy to manipulate the jury just prior to his manslaughter trial. The 10-year-old newsboy idolizes the gangster. Eventually the lad's admiration comes to deeply affect the gangster who begins to soften up. Meanwhile his moll plans to rob him. The newsboy intervenes and stops her. ~ Sandra Brennan, All Movie Guide

Following up their successful film Love Affair, Charles Boyer and Irene Dunne team up again for the romantic melodrama When Tomorrow Comes, based on a story by James M. Cain. Philip (Boyer) is a concert pianist who stops into a restaurant for lunch and meets waitress Helen Lawrence (Dunne). He follows her to a rally where she is planning a strike. The two fall in love despite the fact that Philip is married to Madeline (Barbara O'Neil), who suffers from psychotic spells after a miscarriage has brought her to madness. Helen goes on strike and Philip wants to take her to Long Island on his sailboat, but they are stranded by a hurricane. Taking refuge in a destroyed church, Helen learns about his wife and is forced to make a difficult decision. When Tomorrow Comes won an Academy award in 1939 for Best Sound, mostly due to the novel hurricane scene. This is one of three films by director John M. Stahl to be remade by Douglas Sirk in the late '50s and early '60s. ~ Andrea LeVasseur, All Movie Guide

A man is wrongfully convicted of a crime and sent to prison. Realizing that he is the victim of political shenanigans, he dutifully does his time. Eventually he comes up for parole, but the crooked official behind his incarceration, fearing that the prisoner will expose him, makes sure that parole is denied. The innocent inmate has only one consolation-- the prison nurse believes him. ~ Sandra Brennan, All Movie Guide

The popular Lee Falk-Phil Davis comic strip Mandrake the Magician first came to the screen by way of a 12-chapter Columbia serial. Warren Hull stars as the top-hatted, splendidly caparisoned Mandrake, who "gestures hypnotically" to thwart his various enemies. The head villain is a mystery man known as "The Wasp," who'll stop at nothing to steal the radium-energy machine invented by kindly Professor Houston (Forbes Murray). But no matter how hard he tries, The Wasp is always one step behind the resourceful Mandrake and his hulking assistant Lothar (Al Kikume). After facing numerous perils alone and in the company of Houston's daughter Betty (Doris Weston), Mandrake ascertains the true identity of The Wasp. ~ Hal Erickson, All Movie Guide

More burdened with leaden production numbers than plot, Rosalie took Sigmund Romberg and George Gershwin's 1928 Broadway hit, threw out most of the songs, including "How Long Has This Been Going On?," but retained the spindly story of the incognito Princess Rosalie of Romanza (Eleanor Powell), who falls head-over-heels in love with All-American Dick Thorpe (Nelson Eddy), although she finds him conceited at first. But Dick gallantly flies to Romanza where the crooning Charles Lindbergh lands in the middle of yet another comic opera revolution. Rosalie, of course, is engaged to someone else, but after a series of misadventures and a colossal closing number, the star-crossed lovers decide to settle down together in democratic America. Cole Porter was hired to write a new score and Eleanor Powell, Nelson Eddy, and newcomer Ilona Massey perform "I've Got a Strange New Rhythm in My Heart," "Why Should I Care?," "Spring Love is in the Air," "It's all Over but the Shouting," "Who Knows?," "To Love and Not to Love," and, most memorably, "In the Still of the Night." ~ Hans J. Wollstein, All Movie Guide

Brash and vigorous director William Wellman always had a place in his filmography for movies glorifying the early years of aviation -- from the start of his career (Wings), until the end (Lafayette Escadrille). But, perhaps, never has his devotion to aviation been made more vivid than in his 1938 drama Men With Wings. Wellman, in this film, attempts to dramatize the history of aviation from the early days of the Wright Brothers until the 1930s, when airline transportation first became viable. The story centers upon two contrasting aviation types: the barnstormer, Pat Falconer (Fred MacMurray), and the methodical scientist of flight, Scott Barnes (Ray Milland). Through these two archetypes, Wellman follows Pat and Scott from childhood to adulthood. Pat marries childhood sweetheart Peggy Ransom (Louise Campbell) and they have a child. Scott, who had always loved Peggy, remains in the background, not wanting to break up his solid friendship with Pat. But Pat is clearly doomed by his recklessness and breakneck individuality. After fighting in the skies during World War I, he refuses to sit back and do the methodical work of flight research like Scott. Always searching for another war to fight, Falconer leaves Scott and Peggy behind, taking off for China to help the Chinese fight Japanese invaders. ~ Paul Brenner, All Movie Guide

The Marines are Here exhumes the old bromide about the reckless young sprout who learns how to be an all-around good fellow by joining the "Semper Fidelis"boys. This time, Gordon Oliver plays the lead, a self-centered character named Jonesy who comes to respect the Corps and everything it stands for under the less-than-gentle tutelage of Sergeant Gibbons (Guinn Williams). Jonesy proves he's truly one of the "few good men" during a battle between the marines and a gang of south-of-the-border bandidos. The already simplistic plotline lapses into silliness during the final scenes, but one can't fault the film for a lack of energy. Also appearing in The Marines are Here is June Travis as everybody's love interest. ~ Hal Erickson, All Movie Guide

In this mystery programmer, a prizefighter dies in the midst of a match, but evidence suggests that it was a dose of poison that killed him rather than the violence of the bout. Mr. Moto (Peter Lorre), a detective who also teaches sleuthing to others, is called in to find out who killed the boxer and why. Assisting Mr. Moto is Lee Chan (Keye Luke), the "number one son" from the Charlie Chan series. Mr. Moto's Gamble began as Charlie Chan at Ringside, but after Warner Oland became seriously ill during filming, it was rewritten for the screen's other well-known Asian detective in order to make use of the footage that had already been shot. ~ Mark Deming, All Movie Guide

The blue grass of Kentucky was seen in three-strip Technicolor for the first time in this rambling racetrack drama. Sally Goodwin (Loretta Young) falls in love with Jack Dillon (Richard Greene), but the arrangement is complicated by a decades-old feud. Sally's uncle Peter (Walter Brennan, who won his second Academy Award for this appearance) has hated Jack's family ever since sides were chosen up in the Civil War. Jack secretly trains Peter's horse for the Kentucky Derby, causing the old man to nearly withdraw from the event out of pique. All is forgiven when the horse wins, but Brennan dies of the excitement, and his eulogy is read by a member of the family with whom he'd been feuding for nearly 70 years. ~ Hal Erickson, All Movie Guide

Louis Hayward plays an arrogant Cambridge student who emigrates to America and enrolls at the West Point. Hayward's superior attitude earns him the enmity of his fellow students and the derisive nickname "the Duke". Those viewers familiar with college pictures will know as early as the opening titles that Hayward is down deep a swell guy. He proves this by helping impoverished plebe Richard Carlson pay his college costs and winning a crucial hockey game against a Canadian team. While Hayward and his student companions all look a bit long in tooth to be West Pointers, 20-year-old leading lady Joan Fontaine fits right in to the predictable proceedings. Like most of producer Edward Small's films, Duke of West Point was a perennial attraction on TV's "Late Late Shows" in the 1950s. ~ Hal Erickson, All Movie Guide

Starving artist Robert Montgomery could care less if his paintings sell, so long as he's happy. Montgomery falls in love with Rosalind Russell, an heiress who's gone "slumming" in Greenwich Village. Russell becomes Montgomery's patroness as well as his wife, urging him to make his paintings more commercial. He becomes a success following her advice, but popularity goes to his head and soon Russell realizes she's created a monster. She walks out, he gets his act together, she comes back, and they return to their blissful hand-to-mouth existence. Live, Love and Learn scores its biggest laughs unintentionally with MGM's prettified concept of what a "run down" Greenwich village apartment looks like. ~ Hal Erickson, All Movie Guide

The Frame-Up is a timely and typically tacky crime meller from the Columbia film factory. There's dirty work at the racetrack, with an honest fellow being framed for the misbehavior of crooked gambler Larry Mann (Robert Emmet O'Connor). Detective Mark MacArthur (Paul Kelly) would like to snap the cuffs on Mann and his minions but is prevented from doing so when the bad guys kidnap Mark's girlfriend Betty (Jacqueline Wells). Forced to cooperate with the crooks, Mark finally figures out a way to save Betty and serve justice in one fell swoop. Some of the racing scenes in Frame-Up would continue to resurface in Columbia's serials and 2-reel comedies for years to come. ~ Hal Erickson, All Movie Guide