Luigi Pirandello Movies

One of the masters of Italian cinema, Marco Bellocchio, who has made his name with political films, has been continuing his work with mostly adaptations from literature. La Balia, inspired by a novella of Luigi Pirandello, continues this tradition. The period costume drama takes place during a very turbulent period in Italian history. Neuropsychiatrist Moori and his young wife have just had a little boy who refuses his mother's milk. Mori chooses young Annetta as the nanny after having spotted her at the train station among handcuffed soon-to-be-deported subversives. The illiterate country girl seems to be in good health and suitable for the job. Mori makes a contract with her to abandon her own newborn son and instead feed and care for his child. It turns out that Annetta is not just an ordinary nanny, but a woman with a personality and history. Her presence, particularly her loving relationship with the child, threatens the stability of the family to the point that the natural mother, Vittoria, who has been depressed since the birth, leaves the house in desperation thinking this is the best thing for her child. Bellocchio has no pretensions about bringing a new narrative language to cinema with this film. He tells his story simply and convincingly. Particularly noteworthy is the way he juxtaposes the personal conflicts of the characters with the class conflict that forms the background. Cinematography, décor, lighting, all display distinct professional qualities. Acting by Valeria Bruni Tedeschi and newcomer Maya Sansa is worthy of mention. In competition at the 52nd Cannes Film Festival, 1999. ~ Gönül Dönmez-Colin, All Movie Guide

The Two Lives of Mattia Pascal is based on Le Deux Vite di Mattia Pascal, one of Luigi Pirandello's many stories concerning the transitory nature of the intangibles "Truth" and "Identity" Marcello Mastrioanni is a downtrodden average man, treated like trash by his fiancee, scorned by his associates, and cheated out of his inheritance by contemptuous relatives. The dispirited Mastrioanni heads to Monte Carlo, where he accrues a fortune. He also assumes the identity of a less fortunate gambler who has committed suicide. The "new" Mastrioanni is treated with a dignity and respect that overwhelms him--and nearly kills him. ~ Hal Erickson, All Movie Guide

Italy's fraternal filmmaking team of Paolo and Vittorio Taviani whip up another multistoried slice of life in Kaos. "Life," in this case, is seen from the peculiar perspective of author Luigi Pirandello, four of whose pieces are herein adapted. "The Other Son" finds Margarita Lozano making the best of her rocky relationship with her son, who was the product of a rape. "Moonstruck" (no relation to the Cher vehicle of the same name) deals with a newlywed woman who is adversely affected by the full moon. The comedy team of Franco and Ciccio star in "The Jar," a fable concerning a feudal landlord and a merry-prankster jar manufacturer. And in "Conversing with Mother," the Tavianis go their usual route of forcing their characters to face the present by confronting the past by having Pirandello himself (Omero Antonutti) converse with the ghost of his long-departed mother (Regina Bianchi). ~ Hal Erickson, All Movie Guide

In turn-of-the-century Sicily, aristocratic scions Adriana (Sophia Loren) and Cesar (Richard Burton) have loved one another for years, but Adriana accedes to the wishes of Cesar's father and marries his foolish younger brother Antonio (Ian Bannen). When Antonio dies, much to the relief of everyone, it looks as though the coast is now clear for Cesar to marry Adriana after a suitable mourning period. Alas, she has a fatal illness and it is not to be. This romantic melodrama is chiefly distinguished by the fact that it is the last film directed by the legendary Vittorio de Sica, who died shortly afterward. ~ Clarke Fountain, All Movie Guide

This emotional drama concerns a WWII medic who marries a German woman but leaves her in a jealous rage, taking their baby with him. They lose touch after she is arrested behind the Iron Curtain after the war. Eight years later, she sees him in a Chicago cafe, rushes across the street to see him, and is hit by a truck. He operates on her and saves her life, and they get back together. Eventually, the daughter accepts her mother, and the whole family is reunited. ~ Steve Huey, All Movie Guide

Doctor Charles Korvin walks out on his musician wife Merle Oberon when he suspects her of infidelity. Twelve years later their paths cross again; Oberon is now saddled with an abusive husband. Possessed of a protective instinct that he hadn't evinced in the first part of the film, Korvin rescues his ex-wife from her miserable marriage, and the two fall in love all over again. Based on a play by Luigi Pirandello (no, it wasn't called Two Characters in Search of a Movie, This Love is Ours is worth watching only when supporting player Claude Rains is on the scene. The 1956 remake Never Say Goodbye was no improvement, not even with Rock Hudson taking over from the stolid Charles Korvin. ~ Hal Erickson, All Movie Guide

Having been showered with critical adulation for his 1935 adaptation of Crime and Punishment, writer-director Pierre Chenal was further honored for his film adaptation of Luigi Pirandello's Il Fu Mattia Pascal (The Late Mathias Pascal). Fed up with his present existence as a henpecked husband, Mattia Pascal (played by Chenal himself) disappears from view to start a new life in Monte Carlo. Winning a fortune at the gaming tables, he returns home in triumph, only to discover that everyone assumes that he's dead. This gives our hero the rare opportunity of attending his own funeral, where he learns quite a few unpleasant truths. Realizing that both he and his family will be better off if he remains "dead," Pascal heads to Rome, where as "Adriano Meis" he meets a whole new group of friends -- not to mention the true love of his life. Il Fu Mattia Pascal remains faithful to the spirit if not the letter of Pirandello until about five minutes before the end. Il Fu Mattia Pascal would be remade several times, but few of the later versions came close to the excellence of the original. ~ Hal Erickson, All Movie Guide

This complex '30s film is based upon a play by Pirandello which involved a hapless amnesiac. In As You Desire Me, the legendary Greta Garbo plays a down-in-the-dumps amnesiac (she can't recall who her husband is) who ends up singing in a low-life nightclub and putting up with the advances of a cruel and crude novelist (Eric von Stroheim). She'd have remained in this miserable state were it not for the fact that she's recognized and returned to her true husband, who's a nobleman loyally in love with her. Her former suitor von Stroheim shows up trying to expose her as a fraud and regain her as his captive. ~ All Movie Guide

La Derniere Berceuse is the French-language version of the Italian drama Song of Love. Based on Silence, a novel by Luigi Pirandello, this is the story of a woman who saves her mother from disgrace by raising her deceased mother's illegitimate baby as her own. So devoted is the heroine to her responsibility that she tells her fiance she no longer has time for him. Ultimately, both the fiance and the child's father re-enter her life, offering to marry her, but she turns them both down. A German-language version, Liebesleid, was filmed simultaneously with the French and Italian adaptations. ~ Hal Erickson, All Movie Guide