Ferenc Molnar Movies

In his last starring film (it was supposed to be his last film, but Ragtime came along in 1981), James Cagney plays Coca-Cola executive C.R. MacNamara. Assigned to manage Coke's West Berlin office, MacNamara dreams of being transferred to London, and to do this he must curry favor with his Atlanta-based boss, Hazeltine (Howard St. John). Thus, MacNamara agrees to look after Hazeltine's dizzy, impulsive daughter, Scarlett (Pamela Tiffin), during her visit to Germany. Weeks pass, and on the eve of Hazeltine's visit to West Berlin, Scarlett announces that she's gotten married. Even worse, her husband is a hygienically challenged East Berlin Communist named Otto Piffl (Horst Buchholz). The crafty MacNamara arranges for Piffl to be arrested by the East Berlin police and to have the marriage annulled, only to discover that Scarlett is pregnant. In rapid-fire "one, two, three" fashion, MacNamara must arrange for Piffl to be released by the Communists and successfully pass off the scrungy, doggedly anti-capitalist Piffl as an acceptable husband for Scarlett. MacNamara must accomplish this in less than 12 hours, all the while trying to mollify his wife (Arlene Francis), who has learned of his affair with busty secretary Ingeborg (Lilo Pulver).

Seldom pausing for breath, Billy Wilder's film is a crackling, mile-a-minute farce, taking satiric scattershots at Coca-Cola, the Cold War (the film is set in the months just before the erection of the Berlin Wall), Russian red tape, Communist and capitalist hypocrisy, Southern bigotry, the German "war guilt," rock music, and even Cagney's own movie image. Not all the gags are in the best of taste, and most of the one-liners have dated rather badly, but Cagney's mesmerizing performance holds the whole affair together. Billy Wilder and I.A.L. Diamond adapted their screenplay from an obscure play by Ferenc Molnár. Watch for Red Buttons in an unbilled cameo as a military policeman, and listen for the voice of Sig Rumann, emanating from the mouth of actor Hubert Von Meyerinck (the Count von Droste-Schattenburg). ~ Hal Erickson, All Movie Guide

Carousel was adapted from the 1945 Rodgers and Hammerstein Broadway musical of the same name--which, in turn, was based on Liliom, a play by Ferenc Molnar. Gordon MacRae stars as carnival barker Billy Bigelow, who much against his will falls in love with Maine factory girl Julie Jordan (Shirley Jones). Billy proves an improvident and unreliable husband, but Julie stands by him. Upon discovering that Julie is pregnant, the unemployed Billy sees an opportunity for some quick money by joining his unsavory pal Jigger (Cameron Mitchell). The scheme goes awry, and Billy dies. Standing before the Pearly Gates, Billy is given a chance to redeem himself by the kindly Starkeeper (Gene Lockhart). He is allowed to return to Earth to try to brighten the life of his unhappy 15-year-old daughter Louise (Susan Luckey). Billy offers Louise a star that he has stolen from the sky; when Louise backs off in fear, Billy slaps her. He feels like a failure until he and his Heavenly Friend (William LeManessa) attend Louise's school graduation ceremony. There the invisible Billy watches as the principal (Gene Lockhart again) inspires Louise (and, by extension, Julie) by assuring her that so long as she has hope in her heart, she'll never walk alone. Frank Sinatra, the film's original Billy Bigelow, dropped out of the production due to laryngitis. ~ Hal Erickson, All Movie Guide

In this musical comedy, Louise Ginglebusher (Deanna Durbin) is a girl from a small town who comes top New York City with dreams of making it in show business. She gets her foot in the door in a roundabout way when she gets a job as an usherette at a prestigious movie palace run by tycoon J. Conrad Nelson (Adolphe Menjou). It soon becomes obvious that Nelson has eyes for his new hire, while Louise is more interested George Prescott (Tom Drake), a young lawyer looking to establish himself. Hoping to discourage Nelson while helping Prescott at the same time, Louise fibs and tells Nelson that Prescott is her husband, and could use a job within his organization. However, Louise's white lie turns out to have unexpected repercussions. Like any Deanna Durbin vehicle, I'll Be Yours features the star singing several tunes, including "Sari Waltz and "Granada"; two years after making this film, she would retire from the screen. ~ Mark Deming, All Movie Guide

Tales of Manhattan is a sumptuous multipart film centered around a formal tailcoat. The coat is specially designed for stage actor Charles Boyer, who wears it during a rendezvous with his lady friend (Rita Hayworth). The lady's husband (Thomas Mitchell) shoots Boyer, thus the tailcoat is damaged merchandise and sold at a discount to a bridegroom (Cesar Romero). When the groom's peccadillos catch up to him, the bride (Ginger Rogers) chooses to marry the best man (Henry Fonda) instead, and the coat is shipped off to a second hand store. It is purchased by a would-be composer (Charles Laughton), who wears it the night that he is to conduct his first symphony; alas, the coat is too tight and tears apart, nearly ruining the conductor's debut. Stitched back together, the coat is donated to a skid row mission, wherein the kindly proprietor gives the coat to a down and out drunkard (Edward G. Robinson) so that the shabby gentleman can attend his 25th college reunion. Later on, the coat is stolen by a crook (J. Carroll Naish) in order to gain entrance to a fancy charity ball. The crook holds up the ball and stuffs the loot in the pockets of the coat, but while escaping in an airplane he loses the outer garment. The coat floats down to an impoverished African American shanty community; a farmer (Paul Robeson) decides to distribute the "money from heaven" amongst his needy neighbors. At the end, the tattered coat adorns the shoulders of a scarecrow. Tales of Manhattan is one of the best "portmanteau" dramas turned out by Hollywood; it was directed by French expatriate Julien Duvivier, a past master of the multi-story technique. ~ Hal Erickson, All Movie Guide

Richard Thorpe's comedy Double Wedding (1937) marked the seventh screen pairing of William Powell and Myrna Loy, known for their popular appearances together in the Thin Man series. Powell is Charlie Lodge, a bohemian artist who lives in a trailer, camped in an auto parking space in a busy city. Lodge believes that work is meaningless - that life should be full of entertainment and relaxation and nothing else. Loy is Margit Agnew, a stylish dress-shop proprietor who constantly works herself into the ground. Margit has picked a suitable husband for her younger sister Irene (Florence Rice), a rather dull and ineffectual young man named Waldo Beaver (John Beal). While together, Irene and Waldo happen upon the improvident Lodge. Charlie subsequently encourages the girl to break free of the oppressive constraints of her fiance and sister, and to pursue her dreams of heading out to Hollywood and becoming an actress; Irene immediately fancies herself in love with Charlie. Loy intervenes by confronting Powell --and anyone who can't guess who's going to fall in love at this point should be drummed out of the theater. This amusing and affable by-the-numbers MGM comedy was based on a play by Ferenc Molnar. ~ Hal Erickson, All Movie Guide

Margaret Sullavan graduates from a girl's orphanage to an usherette's job at a Budapest movie theatre. Bibulous millionaire Frank Morgan makes a play for Margaret, but she keeps him at arm's length by picking a name from the phone book and insists that that's the name of her husband. The man chosen at random is attorney Herbert Marshall, who can't understand why Morgan has taken a sudden interest in him. Morgan offers Marshall a huge contract in hopes that Margaret will be "exchanged", but the truth comes out to everyone's satisfaction. Adapted from a Ferenc Molnar play by Preston Sturges (who added a hilarious movie-within-a-movie in which the "stars" emote by speaking in one-syllable sentences), Good Fairy was remade as the Deanna Durbin vehicle I'll Be Yours (47). ~ Hal Erickson, All Movie Guide

Liliom, Ferenc Molnar's bittersweet fantasy play, was first filmed in Hollywood in 1930, with Charles Farrell as ne'er-do-well carnival barker Liliom and Rose Hobart as his long-suffering wife Julie. While that version is not available for public viewing, the 1935 French-language version directed by Fritz Lang and starring Charles Boyer is currently being offered by several home-video warehouses--albeit in an undubbed, unsubtitled print. Boyer plays Liliom, who runs the carousel at a Budapest amusement park. He impulsively quits his job when he falls in love with mill-worker Julie (Madeleine Ozeray). A terrible husband and provider, Liliom panics when he discovers he's about to become a father. He enters into a get-rich-quick robbery scheme with his unsavory pal Alfred (Alcover), but the plan goes awry. Rather than allow himself to be arrested, Liliom kills himself, whereupon his soul is transported via an art-deco express train to the waiting room of Heaven. A celestial judge determines that Liliom will not get his wings until he returns to earth to do one good deed. Liliom materializes before his now-teenaged daughter, and tries to give her a star that he's stolen from heaven; when she panics, he impulsively slaps her. Considering himself a failure, Liliom wearily heads for Purgatory, but a coda shows that his visit has done a world of good for both his widow and his daughter. Liliom was later musicalized by Rodgers & Hammerstein as Carousel. ~ Hal Erickson, All Movie Guide

His Glorious Night, the first talkie version of Ferenc Molnar's Olympia, is remembered today as the film that ruined John Gilbert. Legend has it that silent-screen-idol Gilbert's voice recorded so badly that audiences laughed out loud when he declared his love for Catherine Dale Owen, though this derision had more to do with his awful dialogue than his (minimal) vocal inadequacies. At any rate, the Molnar original was simultaneously filmed in a Spanish, German, and French-language version; the first two retained the title Olympia, while the French adaptation was titled Si L'Empereur Savait Ca (If The Emperor Only Knew). Andre Luguet steps into the John Gilbert role as Captain Kovacs, a dashing military officer in love with the beautiful daughter (Tania Fedor) of a high-born general (she was a Princess in the original, and she was played by Catherine Dale Owen). The girl's mother, who has slated her daughter to marry a Prince, breaks up the romance, whereupon Kovacs threatens to publicly impugn the heroine's reputation if he isn't permitted a night alone with her before the wedding. He gets what he wants, only to prove that he's really an honorable man after all. Both the French and German versions of Olympia were directed by Jacques Feyder; the property was remade in 1960 as A Breath of Scandal. ~ Hal Erickson, All Movie Guide

Although His Glorious Night, MGM's 1929 talkie adaptation of Ferenc Molnar's Olympia, proved to be a box-office disaster (a failure chalked up by the studio to the vocal inadequacies of leading man John Gilbert, though this wasn't entirely the case), the studio was still committed to refilming the property in French, Spanish and German-language versions. The French version, Si L'Empereur Savait Ca, starred Andre Luguet, while the Spanish adaptation, Olympia, top-billed José Crespo. Olympia was also the name of the German-language version, which like the French adaptation was directed by Jacques Feyder. This time, Theodor Shall is cast as handsome Lieutenant Kovacs, the sweetheart of the lovely Princess Olympia (Nora Gregor). When the princess' snooty mother breaks up the romance, the embittered Kovacs threatens to tell the world that he has "ruined" the girl (not true!), making her unfit for marriage. To ensure his silence, the Lieutenant is promised a night alone with Olympia, just before the wedding. It is at this point that Kovacs proves he's a gentleman after all by marrying the Princess, which is what he intended to do all along. Olympia was remade in 1960 as A Breath of Scandal. ~ Hal Erickson, All Movie Guide

In this early talkie that contains very little talking, an Austrian showgirl working in a cabaret moonlights as a thief. When she is caught in the act, a young lawyer offers to defend her. Unfortunately, he isn't very good and loses the case, causing her to spend several months in jail. Fortunately, the two have fallen in love, and he promises to wait for her. ~ Sandra Brennan, All Movie Guide