Francois Dyrek Movies

The grim post-World War I era in Europe is grist for director Bertrand Tavernier's mill in Life and Nothing But. Philipe Noiret portrays a French major who is supervising the gruesome task of counting and identifying the corpses still strewn over the battlefield. Noiret is obsessed with the notion that, by doing his job above and beyond the call of duty, he can somehow make up for the carnage in which he participated a few years earlier. The major's mission is intercut with short vignettes involving the families and loved ones of the dead, and with the efforts by another officer to find a suitable candidate for an Unknown Soldier testimonial. ~ Hal Erickson, All Movie Guide

Also known as A Certain Desire, this French murder melodrama stars Sam Waterston and Marisa Berenson. Waterston plays Gerry Morrison, an Interpol agent assigned to solve the murder of a Bordeaux wine heiress. Jeanne Barnac Berenson is one of the suspects, who in the course of the investigation is revealed to be a lesbian, in love with the widowed Marlene Bell-Ferguson (Lauren Hutton). Pretty soon, Morrison has exposed virtually all the secrets of those closest to the murder victim. Indeed, with so much else going on, the solution of the mystery is almost an afterthought. ~ Hal Erickson, All Movie Guide

The 20th century not only produced the modern woes of super-highway crashes and interminable traffic jams, but also movies that center around the same theme. In this drama about life and death in the fast, middle, and slow lanes, Juliette (Carole Laure) finds herself stranded on a busy highway leading from Paris south to cities like Lyon. She was supposed to meet her lover, and is driving his car when she stops at their appointed roadside rendezvous. Instead, their deception has been discovered by her lover's wife, who is waiting for her, and drives the car away in a huff. Juliette is left to thumb it back to Paris. She soon hooks up with Arthur Colonna (Jean Yanne), who gives her a ride, and the two begin to wend their way northward along the highway. Interspersed with their journey is a series of cinematic "asides" that delve into tragic mishaps, such as the aftermath of a crash in which a woman was killed, her husband stumbling along the highway, still in shock -- and the brief story of a surgeon named Kalendarian (Georges Wilson) who struggles to find the needed transfusions for the crash victims on this busy weekend. The relationship between Juliette and Arthur begins to turn from casual to interested when they suffer a bad accident from which they both manage to come out unscathed -- leaving an indelible effect on their growing relationship. ~ Eleanor Mannikka, All Movie Guide

The humanistic actions of Philippe D'Orleans, the cultured gentle regent to young Louis the XV in pre-revolutionary France (1719) are chronicled in this French costumer. Though the regent endeavors to keep his subjects cultured and happy to stop the peasants from rising up, he knows he has no real royal authority. To assist, D'Orleans enlisted the aid of a priest, who unfortunately cared nothing for his God, nor anyone but himself. The regent becomes distraught after his daughter, with whom he has been accused of committing incest, dies. His natural idealism is also shaken when he must execute a band of revolutionaries. True joy will only be found when the peasants successfully overthrow the aristocrats who held them down so long. The film's soundtrack features the music of the real Phillippe D'Orleans. ~ Sandra Brennan, All Movie Guide

Proof of the success of French filmmaker Edouard Molinaro is the fact that several of his home-grown hits have been remade as American films. The most recent example of this is 1996's The Birdcage, a highly profitable reworking of Molinaro's La Cage aux Folles (1978). The director's 1973 comedy A Pain in the A... also went the Cage aux Folles route of enjoying worldwide popularity, then undergoing an Americanization process. In the Molinaro original, Lino Ventura plays a friendless hit man who holes up in an Italian hotel room, awaiting the opportunity to knock off his target, a mob witness. No sooner has Ventura drawn a bead on his would-be victim than he is interrupted by the comically suicidal Jacques Brel, who wants to jump from the open window in the assassin's room. The banter and byplay between Ventura and Brel is priceless, especially when veering towards the "sick" humor that Molinaro handles so well. Based on a play by Francis Veber, Pain in the A... was remade by Billy Wilder as Buddy Buddy (1978), with Walter Matthau as the hit man and Jack Lemmon as his unexpected guest. ~ Hal Erickson, All Movie Guide

A group of French anarchists are moved to violence when their leader Raymond (Jacques Brel) is captured. They take up with the notorious gangster Bonnot (Bruno Cremer) and the gang steals a car to use in a bank robbery. The non-violent anarchists soon turn to killing and murder the guards before escaping to Belgium. They hide out in a whorehouse until a conniving madame blows the whistle on them. The group splits up, but the anarchists soon realize they are helpless without the ringleader Bonnot. The local police chief arrests one of the gang, and the authorities soon close in on the rest of the gang. By now police have enlisted the help of the army to insure that none of the criminals will escape in this mobster movie set in the early days of the 20th century. ~ Dan Pavlides, All Movie Guide