Gene Dynarski Movies

Classic alert! When Kramer (Michael Richards) asks Jerry (Jerry Seinfeld) to "pick up some Cubans" from his cigar salesman, he wasn't expecting real Cubans -- or even real Dominicans. Elsewhere, George (Jason Alexander) has his curiosity aroused when a woman mistakes him for a guy named Neil. Jerry enters into an athletic competition with an 80-year-old health freak named Izzy Mandelbaum (Lloyd Bridges). And Elaine (Julia Louis-Dreyfus) loses more than a boyfriend when she declares her hatred for The English Patient. ~ Hal Erickson, All Movie Guide

Dudley Moore and Eddie Murphy try but fail to bring this flat comedy to life, while the story itself is hampered by intercutting between the years of 1982 in Los Angeles (Moore) and 1984 in Kuwait (Murphy), with no explanation of how these two disparate people and locations are related. Wylie (Moore) is an inept engineer trying to perfect a gyro system for his employers who contract projects with the U.S. defense department. Wylie accidentally gets some blueprints for another type of gyro -- and his company successfully manufactures the part, much to almost everyone's benefit. Unfortunately, these plans are coveted by a certain ruthless industrial spy (David Rasch), and the FBI itself is suspicious about the origins of the blueprints in Wylie's hands. Meanwhile (and in constant interspersed segments), Landry (Murphy) is trying to get his tank to stay on course, but no matter what he does the machine swerves and lunges at random -- could there be a gyro at fault here? ~ Eleanor Mannikka, All Movie Guide

Hiding out in the small Lobster Bay hospital where B.A. (Mr. T) is recovering from a leg injury, the A-Team befriends Shana Mayer (Tracy Scoggins), whose father Cal ($Len Wayland) is among the local fishermen being victimized by a nasty extortionist named Garber (John Quade). Naturally, the Team agrees to help Shana and her friends and family wrest themselves free from Garber's villainous grasp. And just as naturally, this operation requires a variety of clever disguises--the best of which finds Face (Dirk Benedict) posing as a magician doing a daring underwater-escape act! ~ Hal Erickson, All Movie Guide

In the wake of the 45-million-dollar gross of the original Airport (1970), Universal was all but required by an act of Congress to produce Airport '75. Charlton Heston heads the all-star cast as Alan Murdock, the former test pilot who must keep a disabled 747 from crashing in flames. The crisis begins when a businessman (Dana Andrews), flying his small private plane, suffers a fatal heart attack and the plane smashes into the cockpit of the 747. Following Murdock's radioed instructions, stewardess Nancy Pryor (Karen Black) takes over the controls. The special-guest passenger lineup includes Helen Reddy as a singing nun (a character wickedly satirized in the 1980 parody Airplane!), Myrna Loy as an alcoholic, and Sid Caesar as a garrulous passenger. While Airport '75 yielded only 25 million dollars at the box office, the franchise continued, spawning Airport '77 a few years later and Airport '79 two years after that. ~ Hal Erickson, All Movie Guide

It goes without saying that the 1973 TV-movie version of Double Indemnity doesn't come within shouting distance of the classic 1944 theatrical-movie version. Still, the basic story is a solid one, and the actors are eager to please. Richard Crenna plays the old Fred MacMurray role of Walter Neff, the slightly larcenous insurance salesman inveigled into an elaborate murder/fraud scheme by sexy Phyllis Dietrichson (Samantha Eggar, replacing the 1944 version's Barbara Stanwyck). The scheme almost goes off without a hitch, but Walter's boss Barton Keyes (Lee J. Cobb; originally Edward G. Robinson) has this "stinking" hunch-and besides, you can't trust Phyllis as far as you can throw her. Originally telecast October 13, 1973, Double Indemnity is based on the Raymond Chandler-Billy Wilder script for the 1944 film, which in turn was adapted from James M. Cain's Three of a Kind. ~ Hal Erickson, All Movie Guide

Banacek was the two-hour pilot film for the 1972-74 detective series starring George Peppard. The cigar-smoking, aphorism-spouting Peppard plays T. Banacek, Polish/American investigator for a major Boston insurance company. Independently wealthy, Banacek will only accept cases that have been deemed "unsolvable" by all previous investigators. In this pilot episode, Banacek tackles the case of a Brink's-truck hijacking in the middle of a Texas roadway. The truck and its costly cargo has seemingly vanished into thin air, and the cops are stymied. But with Banacek on the case, we learn that the whole affair was an elaborately orchestrated inside job. The subsequent Banacek series was a component of The NBC Wednesday Movie. The pilot film has been reissued to TV as Detour to Nowhere. ~ Hal Erickson, All Movie Guide

Sheriff Austin (Pat Hingle) of Stillwater jails Candy on the basis of highly suspicious eyewitness testimony. Not only does Austin refuse to tell Candy that he's suspected of robbery and murder, but he also refuses to inform the Cartwrights of their top hand's whereabouts. Why is the Sheriff behaving in this fashion, and how long will it be before the situation devolves into tragedy? Strother Martin appears as Lonnie, while Jackie Gleason Show semi-regular Frank Marth is seen as Barnum. Written by Preston Wood, "The Silence at Stillwater" originally aired on September 28, 1969. ~ Hal Erickson, All Movie Guide

Occasionally listed as In Enemy Hands (evidently a working title), In Enemy Country is a war film with "A" ambitions and a TV-movie budget. Wartime secret agents Col. Charles Waslow-Carton (Tony Franciosa) and Lt. Col. Philip Braden (Guy Stockwell) infiltrate enemy lines, posing as POWs. Their mission is to destroy a deadly new type of torpedo, hidden in a Nazi stronghold in France. Their contact is Denise Marchois (Anjanette Comer), whom Waslow-Carton had coerced into marrying a German baron (Paul Hubschmid) before the outbreak of war, thus allowing her to continue her spying activities unimpeded. Upon the completion of their mission, Marchois chooses to remain behind with her husband, whom she has grown to love. Too many peripheral characters, way too many plot twists, and a "French" village obviously constructed on the Universal back lot: for these and other reasons, In Enemy Country is a must to avoid. ~ Hal Erickson, All Movie Guide

Promising to smuggle wealthy Eastern Europeans across the Iron Curtain, banker Alfred Belzig 9James Daly) lures the hapless escapees to their deaths, then deposits the victims' money in his own bank to finance a neo-Nazi party. The IMF hopes to put Belzig out of business permanently by stealing his $3 million nest egg from his safety deposit box. Assisting the agents this time out is Paul Lebarre (Pierre Jalbert, a convicted bank robber who may not be entirely trustworthy. Originally telecast October 1 1967, "The Bank" was written by Brad Radnitz. ~ Hal Erickson, All Movie Guide

The IMF agents arrive in the Iron Curtain country of Lubjanka. Their mission: to topple the regime of dictator Janos Karq (William Keene), "The Butcher of the Balkans." The success of their scheme depends upon the photographic memory of embittered ex-agent Barrish (Albert Paulsen). If all else fails, the IMF will be forced to rely upon "Alternate Plan X59"--which may mean certain death for all concerned. Written by Robert Lewin, "Memory" first aired September 24, 1966. ~ Hal Erickson, All Movie Guide

In this comedy (which claims a strong pedigree -- it was written by John Sayles and directed by Bill Forsyth), Burt Reynolds plays Ernie, an aging career burglar who knows just about everything there is to know about breaking and entering. One night, Ernie has stealthily slipped into a home only to discover someone else is already there -- Mike (Casey Siemaszko), a guy in his early 20's who likes to sneak into other people's houses so he can raid their refrigerators and watch their televisions. Ernie is taken aback by Mike's recklessness, but is impressed by his skills; he's convinced the kids has the makings of a first-class thief, and offers to make him his protege. Mike agrees, and soon the two are working together, with Ernie trying to explain the importance of playing it as safe as possible while Casey follows every youthful impulse to make some fast money and throw it away just as quickly. Breaking In marked a change-of-pace role for Burt Reynolds, in which he acknowledged his age and played a character role instead of an action hero; the results garnered him some of the best notices of his career. ~ Mark Deming, All Movie Guide

Steven Spielberg followed Jaws (1975), his first major box-office success, with this epic science fiction adventure about a disparate group of people who attempt to contact alien intelligence. Roy Neary (Richard Dreyfuss) is an electrical lineman who, while sent out on emergency repairs, witnesses an unidentified flying object, and even has a "sunburn" from its bright lights to prove it. Neary's wife and children are at first skeptical, then concerned, and eventually fearful, as Roy refuses to accept a "logical" explanation for what he saw and is prepared to give up his job, his home, and his family to pursue the "truth" about UFOs. Neary's obsession eventually puts him in contact with others who've had close encounters with alien spacecraft, including Jillian (Melinda Dillon), a single mother whose son disappeared during her UFO experience, and Claude Lacombe (celebrated French filmmaker François Truffaut), a French researcher who believes that we can use a musical language to communicate with alien visitors. Lacombe's theory is put to the test when a band of government researchers and underground UFO enthusiasts (including Neary) join for an exchange with alien visitors near Devil's Tower, Wyoming. In 1980, a "Special Edition" was released. While its primary selling point was the addition of scenes inside the alien spaceship, Spielberg claimed that he also cleaned up some choppy editing in the second act. ~ Mark Deming, All Movie Guide