Jacques Dynam Movies

Directed by Gérard Krawczyk, Fanfan la Tulipe is a remake of the classic 1952 swashbuckling satire by French director Christian-Jaque. Set in the 18th century, Vincent Perez plays the title role of the seductive swordsman Fanfan, who flees his home in order to avoid a forced marriage. A gypsy girl named Adeline (Penelope Cruz) tricks him into joining the army of King Louis XV (Didier Bourdon) by telling him that if he fights, he will get to marry one of the king's daughters. In addition to producing, Luc Besson co-wrote the adapted screenplay. Fanfan la Tulipe premiered at the 2003 Cannes Film Festival. ~ Andrea LeVasseur, All Movie Guide

In this tragic tale of misunderstanding, obsession, and increasing madness, "she," a beautiful young woman (Isabelle Adjani) settles into a small town in the south of France with her introverted mother (Maria Machado) and physically handicapped father and soon becomes the subject of wild speculation because of her aloofness and at the same time, her obvious sexuality. The young woman is actually caught up in the desire to avenge the long-ago rape of her mother, a rape committed by three Italian immigrants, one of whom is associated with a player piano. An attractive car mechanic (Alain Souchon) is enamored of her, and the woman suddenly sees him in a different light when she learns that his father, now dead, was an Italian immigrant who owned a player piano. Intent on taking action against the mechanic's family to right the wrong suffered by her mother, the daughter begins to lose her grip on sanity when she finds out that the men she suspects of the rape are actually innocent. In fact, her father long ago exacted his own vengeance on the three rapists. This knowledge pushes her over the edge, and she has to be institutionalized. Meanwhile, the young mechanic misunderstands what has happened and sets in motion events that cannot but lead to tragedy. L'Été Meurtier garnered four different Cesars in the 1983 competition: "Best Actress" (Isabelle Adjani), "Best Supporting Actress" (Suzanne Flon), "Best Original Screenplay," and "Best Editing." ~ Eleanor Mannikka, All Movie Guide

Two neighboring French families are going through major life-ceremonies at the same time: one is experiencing the funeral of the clan's mother, and the other is preparing for a wedding. In this comedy, the mix-up of flowers for the two parties is only a prelude to a mix-up of guests and some gentle embarrassment all round. ~ Clarke Fountain, All Movie Guide

In this mysterious crime drama, a down-and-out Parisian woman finds herself entangled in a white slavery-narcotics ring. They send her on a boat for South America. There she gets engaged to a sailor, and upon her arrival decides to fight against those who have enslaved her. She suffers terribly, but eventually she learns that the mysterious stranger who has been causing friction between rival rings is a clever Interpol agent on assignment to destroy the gang. This allows the woman to return to her beloved; happiness ensues. ~ Sandra Brennan, All Movie Guide

Following up 1964's Academy Award nominated L'Homme de Rio, French filmmaker Philippe de Broca wrote and directed this big-screen adaptation of André Couteaux's novel Un monsieur de compagnie. Jean-Pierre Cassel stars as Antoine, a young man who holds the philosophy "Laziness is the mother of all virtue" close to his heart and spends many dreamy days fishing with his wealthy grandfather. But when he has a prophetic dream that the old man will die impoverished, Antoine is motivated to change his life and try to earn his own money. Also starring Catherine Deneuve and Jean-Pierre Marielle, Un monsieur de compagnie was released in the United States in 1966 under the title Male Companion. ~ Matthew Tobey, All Movie Guide

The first film directed by Costa-Gavras, The Sleeping Car Murders was based on a novel by Sebastien Japrisot. During a Marseilles-to-Paris overnight train trip, a girl is found dead in a sleeping car. As Paris detective Yves Montand steps up his investigation, more and more passengers turn up murdered. The unlikely climax is the only sore point of this otherwise well-wrought mystery. Bereft of the politicizing of Costa-Gavras' later works, The Sleeping Car Murders exhibits the director's fondness for American "film noir" thrillers. The film first hit Parisian movie screens under the title Compartiment Tueurs. ~ Hal Erickson, All Movie Guide

This movie is the first in a trilogy that parodied the popular silent Fantomas serials of director Louis Feuillade, which followed the adventures of the titular master criminal created by writers Pierre Souvestre and Marcel Allain. After a daring jewelry heist signed "Fantomas," police commissioner Juve (Louis de Funès) goes on national television claiming that Fantomas doesn't exist and that there is no reason for public concern. Riding the wave of public interest, journalist Fandor (Jean Marais) publishes a bogus interview with the master criminal. Fantomas (also played by Jean Marais) doesn't appreciate the joke and kidnaps Fandor to teach him a lesson. A master of disguise, he pulls an even more daring robbery wearing the Fandor mask. Comic relief is provided by commissioner Juve's awkward attempts to capture the elusive arch-criminal. ~ Yuri German, All Movie Guide

Les Amants Maudits was based on the short, unhappy life of a notorious French "impulse killer" known as Pierre the Madman. Robert Berri plays Pierre, while Daniele Roy is the pathetic Jackie, who dreams of being Bonnie to someone's Clyde. A humble bartender, Pierre tries to impress Jackie with tales of his imaginary crimes. She laughs in his face, leading to devastating consequences. The story is filmed in semi-documentary fashion, a la Dragnet. It is hard to say whether Les Amants Maudits proved influential to the nouvelle vague movement, though it does bear resemblances to certain later works by Jean Luc-Godard and other New Wave filmmakers. ~ Hal Erickson, All Movie Guide