Mary Kane Movies

This three-part drama, produced for HBO, examines the changing tides of the lives of lesbians in America, both politically and personally, as we eavesdrop on three stories taking place in the same house over a span of five decades. In 1961, the house is home to Edith (Vanessa Redgrave) and Abby (Marian Seldes), an elderly lesbian couple whose lifestyle is not accepted or acknowledged by their families. When Abby suffers a serious stroke and is on the verge of death, her family rallies to her side, but not understanding the nature of her relationship with Edith, she is not included as her loved ones say their final good-byes. After Abby's death, her nephew (Paul Giamatti) and his wife (Elizabeth Perkins) arrive from out of state with plans to sell the house, without consulting Edith. In 1972, the house is now home to four college students, Michelle (Amy Carlson), Linda (Michelle Williams), Karen (Nia Long), and Jeanne (Natasha Lyonne), all of whom are actively involved in the women's movement and also happen to be lesbians. The four find themselves at odds with the campus women's group when they try to promote an all-women's dance, while the other members of the group feel that feminism, not lesbianism, should be the focus of the group. Similarly, Linda faces hostility from her friends when she becomes involved with Amy (Chloe Sevigny), a very butch townie; Linda's friends see Amy's masculine attire and attitude as a form of self-loathing against being a woman, and while Linda cares deeply for Amy, she's not always comfortable with her and isn't sure that she wants to be public with their relationship. In 2000, Fran (Sharon Stone) and Kal (Ellen DeGeneres), a happy and firmly committed couple, are sharing the house, and after much discussion, they decide that they want to take their relationship to the next level and have a baby. However, deciding that they want a child and dealing with the practicalities of getting pregnant are two different things; Fran and Kal first debate about going to a sperm bank as opposed to asking one of their male friends to help out, and later, either going to a doctor to perform the procedure or trying it at home. DeGeneres' significant other, Anne Heche, wrote and directed the final segment; the 1972 story was directed by Martha Coolidge, and the 1961 episode was directed by Jane Anderson. ~ Mark Deming, All Movie Guide

After giving George of the Jungle human form, Brendan Fraser returns to cartoon-land with another live-action update of an animated TV classic. Set in the peaceful village of Semi-Happy Valley high in the Canadian Rockies, our story focuses on Dudley Do-Right (Fraser), a member of the Royal Canadian Mounted Police who never lets his lack of intelligence get in the way of his dedication and determination to get his man. Dudley's superior, Inspector Fenwick (Robert Prosky), displays a bemused tolerance towards Dudley's enthusiastic ineptitude, and Dudley is beguiled by the Inspector's daughter, Nell (Sarah Jessica Parker), who has made a home in Seattle after traveling the world, but is now paying her father an extended visit. Before Dudley can make much of a (positive) impression on Nell, the evil Snidely Whiplash (Alfred Molina) enters the picture. Determined to take Semi-Happy Valley for everything it's worth, Snidely sends Dudley in search of vampires hiding in the woods, and, while he's away, plants gold nuggets in a nearby stream. When a prospector (Eric Idle) happens upon them, word gets out that Semi-Happy Valley is gold country. Quickly opening a string of businesses to cater to the flood of would-be gold miners, Snidely becomes the town's richest citizen, and Semi-Happy Valley is even renamed Whiplash City. Snidely's fame and wealth gain Nell's attention, while Dudley's search for vampires causes the Inspector to fire him. However, in time, Dudley realizes that something is afoot, and he is determined to expose Snidely Whiplash and bring him to justice. Director Hugh Wilson wrote and directed the first film in the Police Academy series; Dudley Do-Right was his second directorial credit of 1999 with Brendan Fraser, after they worked together on Blast From the Past. ~ Mark Deming, All Movie Guide

A wealthy Beverly Hills husband and wife are forced to reevaluate their lives after losing their jobs in writer-director Michael Tolkin's aloof satire. Peter Witner (Peter Weller) and Katherine Witner (Judy Davis) have become so accustomed to their high-class, shallow lifestyle that they feel helpless when circumstances leave them facing imminent bankruptcy. Lost and confused, their marriage on the verge of collapse, they seek help from a number of spiritual gurus, who offer ineffectual New Age philosophies as the solution to their problems. These remedies provide little comfort, however, and the Witners' attempt to make their own way by opening a hip clothing store also disappoints, leaving them ostracized and desperate for a direction in life. Best known for the cutting screenplay of Robert Altman's The Player (1992) and for his own earlier film The Rapture (1991), Tolkin provides sharp dialogue and a well-observed critique of the Los Angeles high life. This film continues the social criticism of those earlier efforts, as Tolkin consistently portrays American life as mindlessly materialistic, spiritually hollow, and bereft of meaningful purpose or moral direction. While some viewers may feel distanced from the unsympathetic characters and detached tone, Tolkin continues to be one of the most trenchant social satirists in contemporary American movies. ~ Judd Blaise, All Movie Guide

It's Jesse (John Stamos) vs. Dick Donaldson (Mark Linn-Baker), the snobbish cousin of his wife Becky (Lisa Loughlin). Having arrived in San Francisco to enter their daughters in a "favorite twin" contest, Dick and wife Donna (Mary Kane) waste no time running down Jesse and telling Becky that she could have picked out a much more successful husband. Angrily, Jesse vows to get even by entering his own twin sons in the contest--a move staunchly opposed by Becky. Meanwhile, Steph (Jodie Sweetin) has an interesting encounter with yet another set of twins. ~ Hal Erickson, All Movie Guide

Goldie Hawn delivers a surprisingly understated performance (allowing the audience to shift their laughter from the usually comic Hawn to the unbelievable storyline) in the unsuccessful thriller Deceived. Hawn plays Adrienne Saunders, a successful art restorer who is married to Jack (John Heard), a devoted husband who is also an expert in the antiques business. Married for six years and parents of a charming 5-year-old daughter Mary (Ashley Peldon), the Saunders appear to have everything going for them. But after a series of odd occurrences that even an idiot would notice, Adrienne finally comes the conclusion that her husband is not the man she thought he was when she married him. After Jack tells Mary that he was in Boston but Adrienne's friend tells her she saw him in New York, the mysterious clues begin piling up and are too numerous to ignore: there's a call from a department store concerning some sexy lingerie that Jack purchased; a friend is found murdered after checking on the authenticity of an Egyptian necklace; and there are indications that Jack was involved with a scheme to steal artifacts from a museum. Adrienne is finally convinced that something is fishy about her husband when he mysteriously dies is an auto wreck, and she discovers that Jack has been using the name of a man who had died 16 years earlier. Adrienne proceeds to polish her magnifying glass and conducts some detective work on her own to find out who her husband really was. This is when the danger really begins. ~ Paul Brenner, All Movie Guide

Kojak is sidetracked by a lovely girl while investigating the activities of a corrupt drug lord. ~ All Movie Guide

Perry Mason (Raymond Burr) is once more dragged out of retirement to defend a murder suspect. This time the defendant is an obnoxious actor (Joe Penny) who was seen by an audience of millions in the act of shooting a vitriolic TV talk show host (Allan Thicke). The actor claims the shooting was a prearranged publicity stunt, and that his gun was filled with blanks. Why, then, was the host stone cold dead when the cops arrived? Production sidelight: Allan Thicke, the "murdered" talk host in this made for TV movie, was in 1983 the real host of a failed talk show--a show produced by Fred Silverman, who also happened to be the producer of Perry Mason: The Case of the Shooting Star.. ~ Hal Erickson, All Movie Guide