Don Johnson Movies

The great Ernst Lubitsch directed this farce (written by Charles M. Brackett and Billy Wilder) about a free-wheeling millionaire, Michael Brandon (Gary Cooper), who enjoys getting married but has a hard time staying married: he's had seven wives and is looking for number eight. He thinks he may have found her in the person of Nicole de Loiselle (Claudette Colbert), whom he meets in a shop on the French Riviera. Unfortunately for Michael, Nicole doesn't like him very much and keeps rebuffing his advances, even though most women would be only too happy to marry him for his money. For just that reason, Nicole's father (Edward Everett Horton), a financially embarrassed French nobleman, strongly suggests that matrimony with Michael would be a good idea, especially since Michael doesn't want to take no for an answer. Nicole eventually relents and weds Michael, but when she tries to get him to change a few of his habits during the honeymoon, he makes plans to divorce her. But Nicole has finally decided that she loves Michael after all, and, as he tries to flee from her, she gives chase, determined to win his heart once and for all. The same story was previously filmed as a silent picture in 1923. ~ Mark Deming, All Movie Guide

Shortly after The Terminator wrote his name in bold neon lights across box-office grosses, this action thriller took advantage of the hitherto (almost) unexploited comic side of star Arnold Schwarzenegger and paired him with Rae Dawn Chong. Colonel Matrix (Schwarzenegger) is retired and living peaceably with his 10-year-old daughter when she is kidnapped by the henchmen of an exiled Latin American dictator. The dictator's plan is to reinstate himself in power by eliminating the president of his country, using Matrix to kill him (or he will kill the kidnapped daughter). Matrix escapes from the plane that is supposed to be carrying him to his mission and then proceeds to go from one violent confrontation to the next as he hunts down the dictator and moves to rescue his daughter. Helping him is Cindy (Chong), who has her own reasons for wanting the dictator dead. ~ Eleanor Mannikka, All Movie Guide

Three outlaws hit the road until the road hits back in this supercharged action thriller. Larry (Peter Fonda) is a stock car driver whose reckless nature has caused him a long run of bad luck. Larry and his friend and mechanic Deke (Adam Roarke) need money if they're to get a new car and get back in competition, so they map out a plan to hold up a grocery store after 150,000 dollars has been dropped off for payroll and working cash. The heist goes as planned, except for one little hitch -- Larry spent the night before with his occasional girlfriend Mary (Susan George), and she has planted herself in Larry's car and isn't about to budge. With Mary along for the ride, Larry and Deke try to outrun the cops and make their way to freedom, though lawman Franklin (Vic Morrow) is determined to shut them down. Much loved by both gearheads and action film fans for its hair-raising stunt work and solid performances from the leading cast, Dirty Mary, Crazy Larry was a surprise box-office hit in 1974, grossing nearly 30 million dollars in its initial release. Roddy McDowall appears uncredited as the manager of the supermarket. ~ Mark Deming, All Movie Guide

Fancy Pants is a musicalized remake of the oft-filmed Harry Leon Wilson story Ruggles of Red Gap, tailored to the talents of "Mr. Robert Hope (formerly Bob)". The basic plotline of the original, that of an English butler entering the service of a rowdy nouveau-riche family from the American West, is retained. The major difference is that main character (Bob Hope) plays a third-rate American actor who only pretends to be a British gentleman's gentleman. Social-climbing American heiress Lucille Ball hires Hope to impress her high-society English acquaintances, then takes him back to her ranch in New Mexico. Though there are many close shaves, Hope manages to convince the wild and woolly westerners that he's a genuine British Lord--even pulling the wool over the eyes of visiting celebrity Teddy Roosevelt (John Alexander). Never as droll as the 1935 Leo McCarey-directed Ruggles of Red Gap, Fancy Pants nonetheless works quite well on its own broad, slapsticky level. If the ending seems abrupt, it may be because the original finale, in which a fleeing Bob Hope and Lucille Ball were to be rescued by surprise guest star Roy Rogers, was abandoned just before the scene was shot. ~ Hal Erickson, All Movie Guide

Also known as The Streetfighter, Hard Times stars Charles Bronson as Chaney, an aging bare-knuckle boxer, trying to scratch out a living in the middle of the Depression. "Speed" (James Coburn) is the two-bit promoter who books Chaney in the tank towns of the South and Midwest. He is briefly reinvigorated by an affair with the lovely Lucy (Jill Ireland, Mrs. Bronson in real life), but it's back to the seedy realm before too long. Hard Times represented the directorial debut of Walter Hill, who even at this early stage demonstrated the gritty verisimilitude that he'd bring to such future projects as The Warriors (1979) and 48 Hrs. (1984). ~ Hal Erickson, All Movie Guide

Clint Eastwood put his tough-guy image on hold for this personal project, which follows a musician taking one final chance at the big time. Red Stovall (Eastwood) is a would-be country singer who has been bouncing around the margins of the music business for years. With nowhere in particular to go, Red arrives at the failing Oklahoma farm of his sister for an extended visit, where her son Whit (Kyle Eastwood) quickly bonds with his uncle. However, it's obvious that Red is in very poor health, drinking heavily and breathing with difficulty, and when Red is invited to audition for the Grand Old Opry in Nashville, Whit tags along for the road trip to keep an eye on his ailing uncle. En route, Red and Whit are joined by Whit's grandfather (John McIntire) and another hopeful vocalist, Marlene (Alexa Kenin), who like Red is chasing her own dreams of stardom on the Opry. Clint Eastwood performed his own vocals and guitar work for Honkytonk Man, and a number of Nashville legends appear in cameo roles, including Marty Robbins, Porter Wagoner, Ray Price, Merle Travis, and Johnny Gimble. ~ Mark Deming, All Movie Guide

In Judgment Night, an action-packed thriller directed by Stephen Hopkins, a group of young middle-class men Emilio Estevez Cuba Gooding Jr. Jeremy Piven and Stephen Dorff on a night out with the boys take a disastrous wrong turn that leads to a run-in with a vicious street gang led by Fallon (Denis Leary). A cold, vicious and frightening criminal, Fallon and his band of thugs threaten to permanently silence the foursome after they witness a murder. ~ Linda Rasmussen, All Movie Guide

While Raquel Welch was a household name and an international sex symbol through much of the 1960s'and 1970s, Hollywood didn't seem sure about what to do with her; this was one of her more unusual vehicles from this period, in which Welch plays K.C. Carr, a divorcee with two children who becomes romantically involved with Burt Henry (Kevin McCarthy). Burt is the owner of a roller derby team, the Kansas City Bombers, and convinces K.C. that a career on the rink might be just the thing for her. K.C. soon discovers that the sport is rougher than she imagined, and her teammate Jackie (Helena Kallianiotes) is convinced that K.C. is out to replace her as the Bombers' star attraction. But another member of the team, Horrible Hank Hopkins (Norman Alden), shows K.C. the ropes and stands up for her. When Hank gets traded to another team, K.C. has to learn to fend for herself against Jackie as well as Burt. Raquel Welch did all her own skating for this film; an accident while filming one of the derby sequences left her with a broken wrist that shut down production for six weeks. Legendary singer and songwriter Phil Ochs was tapped by the producers of Kansas City Bomber to write a theme song for the film; it wasn't used, though it was released as a single and appeared on the compilation CD The War is Over: The Best of Phil Ochs. ~ Mark Deming, All Movie Guide

Stuart Rosenberg, under the guise of Alan Smithee, directed this action film concerning a soldier of fortune sent into a South American country to rescue a kidnapped American during a revolutionary upheaval. Harry Burk Jr. (Mark Harmon) and United States Ambassador Douglas (Bruce Gray) are held hostage by Colombian drug dealers who demand the release of associates who are imprisoned in the United States. But the U.S. government refuses to negotiate with the drug dealers. In disgust, Harry's brother Corey (Michael Schoeffling) and three of his friends (Tom Wilson, Glen Frey, and Rick Rossovich), along with an adventurous auto dealer named Jack (Gary Busey), hire mercenary soldier Shrike (Robert Duvall) to sneak into Columbia and rescue Harry. ~ Paul Brenner, All Movie Guide

"You don't make up for your sins in church; you do it in the streets; you do it at home. The rest is bulls--t, and you know it." Returning to the autobiographical milieu of his 1968 debut Who's That Knocking at My Door? for his third feature, Martin Scorsese examined the daily struggles of a wannabe hood to keep his morals straight on the streets of Little Italy. Driven equally by his wish to become a respectable gangster like his uncle (Cesare Danova) and his desire to live his life like St. Francis, Charlie (Harvey Keitel) takes on his energetically unhinged friend Johnny Boy (Robert De Niro) as his own personal penance, intervening to get Johnny Boy to pay off a debt to the local loan shark Michael (Richard Romanus). Despite his promises to his epileptic girlfriend Teresa (Amy Robinson) that they will move out of Little Italy once he strengthens his position in his uncle's world, Charlie's involvement with Johnny Boy further ensnares him in the neighborhood. When Johnny Boy decides to mouth off to Michael rather than pay him, Charlie, Johnny Boy, and Teresa try to flee Michael's murderous anger (and an assassin played by Scorsese), forcing Charlie to realize that the rules of the streets do not mesh with absolution. Whereas fellow "film school generation" director Francis Ford Coppola transformed the Hollywood gangster movie into metaphorical epics about the Mafia and capitalism in The Godfather (1972) and The Godfather Part II (1974), Scorsese revised the genre in the opposite direction, focusing on the gritty minutiae of daily life and drawing from personal memory. Combining documentary-style realism (even though most of the film was shot in L.A.); kinetic editing and camera movement; and expressionistic lighting, angles, and film speed, Scorsese presents an intimate picture of the trivial incidents and latent violence of Charlie's and Johnny Boy's world, naturalistically unfolding their experiences rather than simply explaining what motivates them. They lead a claustrophobic, petty existence that Scorsese and screenwriter Mardik Martin witnessed growing up in Little Italy, complete with a soundtrack of hit songs like "Be My Baby" and "Jumping Jack Flash" that had poured out of neighborhood radios. Mean Streets opened at the New York Film Festival to excellent notices and played strongly in New York but failed to duplicate that level of business elsewhere. Even so, Mean Streets established Scorsese and De Niro as formidable young talents and marked the beginning of a long-running and fertile collaboration that continued in such films as Taxi Driver (1976), Raging Bull (1980), The King of Comedy (1983), and Goodfellas (1990). Scorsese's exceptional grasp of the texture of day-to-day life, the rhythm and cadences of street talk, and cinema's visual and aural possibilities makes Mean Streets one of the pivotal films of the 1970s, as well as of Scorsese's career, and an influence on such future filmmakers as Spike Lee and Quentin Tarantino, among many others. ~ Lucia Bozzola, All Movie Guide

Robby Benson plays a talented but naive high school basketball star who wins a scholarship to a perfection-driven college. Here he discovers that he's way out of his league, easily outclassed athletically by his opponents and by his own team. In addition, he runs up against the sort of arm-twisting corruption that often occurs in a college where winning is the only thing. Only the support of his new girlfriend Janet (Annette O'Toole) sees him through his first two semesters. He must weather the bullying of his teammates and his mean-spirited coach (played byG. D.Spradlin). There was plenty of shuttling between cast and production staff in One on One. Besides starring in the film, Benson co-wrote the screenplay (with his father Jerry Segal), while director Lamont Johnson portrays Benson's alumni sponsor. ~ Hal Erickson, All Movie Guide

William Devane plays a rare sympathetic role in Rolling Thunder, though his behavior is just as cold-blooded and sharkish as in any of his villainous assignments. Devane is cast as Maj. Charles Rane, a recently released Vietnam POW who is given a hero's welcome in his Texas hometown. Things sour pretty quickly, however: Rane's wife has lost all love for him, his son doesn't recognize him, and there are those in town who consider him a "loser" or "baby-killer." All he really has to show for his ordeal in Nam is a cache of silver coins bestowed on him by the more sympathetic townsfolk. A scumbag gang of thieves decides to relieve Rane of his money; they kill his family, then torture and disfigure Rane to ascertain the whereabouts of the coins. Now living only for vengeance, the taciturn Rane heads to Mexico to exact his own brand of justice on the fleeing crooks. Tommy Lee Jones co-stars as Rane's best friend, Johnny Vohden, who unquestioningly agrees to help Rane in his mission of revenge. ~ Hal Erickson, All Movie Guide