John Patrick Movies

A rather innocent and naive tale of romance, The Main Attraction features clean-cut Pat Boone trying to drop his good-boy image and not wholly succeeding. He plays Eddie, who works in an Italian café until he is fired for mixing it up with some rowdies. Hitting the pavement, he runs into Gina (Mai Zetterling) who has a ventriloquist act in a circus. Before he knows it, Eddie is helping Gina out with her act and the two also get involved romantically. But then Eddie becomes attracted to Tessa (Nancy Kwan), an equestrienne with the circus, complicating his life considerably -- especially after Tessa leaves because of some difficulties. ~ Eleanor Mannikka, Rovi

William Holden stars as an American artist who becomes involved with the sordid underworld of prostitution in Hong Kong in The World of Suzie Wong, based on Paul Osborn's Broadway adaptation of the novel by Richard Mason. Holden is American architect Robert Lomax, who travels to Hong Kong to paint. He meets Suzie Wong (Nancy Kwan), an attractive woman who passes herself off as a high-society heiress. It is with great surprise that Robert spots her in a Hong Kong dive entertaining a bunch of sailors. It turns out that Suzie is a prostitute and Robert has observed her plying her trade. Suzie proposes that Robert put her up as a kept woman, but Robert will hear nothing of it, preferring to use her as a model for his paintings instead. Suzie then becomes involved with playboy Ben Marlowe (Michael Wilding), while Robert meets Kay O'Neill (Sylvia Syms), a British banker's daughter, who helps Robert to sell his paintings. But Ben breaks off his relationship with Suzie and Kay, uncomfortable with Suzie the prostitute posing for Ben, leaves him. Abandoned by their lovers and thrown together, the two become involved, with tragic consequences. ~ Paul Brenner, Rovi

Les Girls is the Rashomon of MGM musicals. The film is told in flashback, as Mitzi Gaynor and Taina Elg, two-thirds of a popular cabaret trio, attempt to legally block the third, Kay Kendall, from writing her memoirs. Each of "Les Girls" has her own interpretation of the group's previous professional and amorous escapades. To make sense of these wildly diverse recollections, the court must rely upon a fourth party to straighten things out. Enter Gene Kelly, the dancing star who organized "Les Girls" in the first place. But can Kelly be believed? The "truth" of the many reminiscences in Les Girls is secondary to the dazzling beauty of its female stars, and to the delightful musical numbers, the best of which is an extended Marlon Brando parody titled "Why Am I So Gone About That Gal?" This was Gene Kelly's last musical effort for MGM, the studio he joined way back in 1943; the film was the inspiration for the short-lived 1963 TV series Harry's Girls, which starred Larry Blyden, Susan Silo, Dawn Nickerson and Diahn Williams. ~ Hal Erickson, Rovi

High Society is a glossy Technicolor-and-VistaVision musical remake of Philip Barry's The Philadelphia Story (1940), decked out with million-watt star power and a Cole Porter score. Set amongst the rich and famous in Newport, RI, the story revolves around the wedding plans of socialite Tracy Lord (Grace Kelly). Tracy is all set to marry stuffy George Kittridge (John Lund), while magazine writer Mike Connor (Frank Sinatra) and photographer Liz Imbrie (Celeste Holm) intend to cover the ceremony. Meanwhile, Tracy's ex-husband C.K. Dexter-Haven (Bing Crosby) also comes calling, ostensibly to the attend the annual Newport Jazz Festival, but actually for the purpose of winning Tracy back. In the course of events, Mike falls in love with Tracy, and she with him. The Jazz Festival subplot allows scriptwriter John Patrick to bring Louis Armstrong into the proceedings, much to the delight of anyone who cares anything about music. The Cole Porter tunes include the Crosby-Sinatra duet "Well, Did You Evah?," the Crosby-Armstrong teaming "Now You Has Jazz," the Kelly-Crosby romantic ballad "True Love," and the Sinatra solo "You're Sensational." Though it lacks the satiric edge of the Philip Barry original (Barry, incidentally, is not given any screen credit), High Society succeeds on its own lighthearted terms. The film represents Grace Kelly's final acting assignment before her real-life wedding to Prince Rainier of Monaco. ~ Hal Erickson, Rovi

Based on the autobiographical novel by Han Suyin, Love is a Many Splendored Thing was evocatively location-filmed in Hong Kong. Jennifer Jones plays Ms. Suyin, a Eurasian doctor and the widow of a Chinese general. She falls in love with American news correspondent Mark Elliot (William Holden), who unfortunately cannot obtain a divorce from his present wife. This, together with the disapproval of Dr. Suyin's tradition-bound relatives and Hong Kong's strict racial laws, forces the couple to carry on their romance in a clandestine fashion. The romance ends in tragedy, but with renewed hope for a happier future. The one lasting legacy of Love is a Many Splendored Thing is its Oscar-winning title song, written by Paul Fain and Sammy Webster; Oscars also went to Alfred Newman's musical score and Charles LeMaire's costume design. ~ Hal Erickson, Rovi

The President's Lady is an historical drama starring Charlton Heston as Andrew Jackson and Susan Hayward as his wife Rachel, Jackson marries Rachel after she divorces her unfaithful first husband (Whitfield Connor), with scandal resulting when the ex-husband refuses to finalize the divorce. Jackson climbs up the military and political ladder, but Rachel is never socially acceptable due to her "tainted" past. Nonetheless, Jackson stands staunchly beside his wife, even fighting a duel for her honor. On the eve of Jackson's presidential election, Rachel dies, but "Ol' Hickory" takes comfort in recalling a marriage that remained happy against all odds. The best sequence in The President's Lady is a comic vignette which explodes the legend of the "pipe-smoking" Rachel Jackson. ~ Hal Erickson, Rovi

Most of the story in this five-hanky British melodrama takes place over a 50 year period within a single London home, 99 Wiltshire Place, the birth place of a noted general who has not been back since he was a young man and had a terrible wrenching fight with his sister over his love for their adopted sister. Just before he stormed out, he vowed that he would never return until the troublesome sibling, who was always jealous of the beautiful orphan girl, died. Many years pass and the general now sits there alone with his old butler musing about his lost love. His American granddaughter, an ambulance driver for the war effort, shows up distraught. It seems she has fallen in love with the Canadian nephew of the general's old flame and is undecided whether she marry him right away or wait until after the war. He then tells her his tragic tale in hopes that she will change her mind. ~ Sandra Brennan, Rovi

In The Strange Love of Martha Ivers, relationships formed in childhood lead to murder and obsessive love. The wealthy Martha Ivers (Barbara Stanwyck) is the prime mover of the small Pennsylvania town of Iverston. Martha lives in a huge mansion with her DA husband, Walter O'Neil (Kirk Douglas), an alcoholic weakling. No one knows just why Martha and Walter tolerate one another....but Sam Masterson (Van Heflin), an Iverstown boy who returns to town, may just have a clue. At least that's what Martha thinks when Sam asks Walter to intervene in the case of Toni Marachek (Lizabeth Scott), who has been unjustly imprisoned. It seems that, as a young boy, Sam was in the vicinity when Martha's rich aunt (Judith Anderson) met with her untimely demise. What does Sam know? And what dark, horrible secret binds Martha and Walter together? Directed by Lewis Milestone, and based on John Patrick's Oscar-nominated original story, Love Lies Bleeding, The Strange Love of Martha Ivers creates in Martha a unique and interesting, driven, obsessed, and spoiled character, but one not without sympathy. Barbara Stanwyck is outstanding as Martha, with her predatory smile and sharp, manicured nails. Kirk Douglas is surprisingly convincing as a lost, sad, weak man, who loves his wife, but is unable to gain her respect. The Strange Love of Martha Ivers eventually lapsed into public domain and became a ubiquitous presence on cable television. ~ Hal Erickson, Rovi

The financial exploitation of Canada's Dionne Quintuplets rolled ever forward with 20th Century-Fox's Five of a Kind, the third Dionne feature-length vehicle. Under the watchful eye of kindly obstetrican Dr. Dafoe (Jean Hersholt), the lovable quints, now 4 1/2 years old, play with their pets and toys, and even sing and dance. Meanwhile, reporter Christine Nelson (Claire Trevor) and radio commentator Duke Lester (Cesar Romero) battle over the exclusive rights to the Dionne girls' life story. The story ends with an experimental television broadcast, a rarity for a 1938 film. Knowing what we know now about the Dionne Quintuplets' far from happy home lives and difficult transitions to adulthood, it is hard to watch Five of a Kind objectively today. ~ Hal Erickson, Rovi

In this adventure, set in Shanghai, a gunrunner gets entangled with a conspiracy to deliver customs certificates. Unfortunately, his contact has died and the money has disappeared. He being pursued by other smugglers when Japanese bombs are dropped. He is saved from the firestorm by a French singer. Together they flee the city and board a refugee ship. ~ Sandra Brennan, Rovi

Scheduled to marry a man she doesn't love (and for good reason), spoiled heiress Barbara Blanchard (Claire Trevor) runs away from her wedding and hits the road. While hitchhiking, Trevor is given a ride by Bob Reynolds (Michael Whalen), a personable young auto salesman who's been hired to deliver what was then called a "caravan car" but would now be labelled an RV. As luck and the screenwriters would have it, a fugitive jewel thief hides his stolen gems in Bob's vehicle. Our hero is arrested, causing Barbara to cease her incessant put-downs of the poor guy. In trying to spring Bob from jail, Barbara realizes that she's fallen in love with him (why didn't she just ask the audience, who knew it all along?) It's positively awe-inspiring how many runaway-heiress films were spawned by the freak success of It Happened One Night. ~ Hal Erickson, Rovi

Within the framework of a conventional newspaper yarn, One Mile From Heaven raises several controversial issues. Scoop-happy reporter Lucy "Tex" Warren (Claire Trevor) senses a big story in the plight of Flora Jackson (Fredi Washington), a young black woman who claims to be the mother of a white baby. In the course of her investigation, Luch discovers that the child actually belongs to Barbara Harrison (Sally Blane), now remarried to a wealthy young man and anxious to bury her past. A gang of extortionists pounce upon this information to victimize Barbara and Flora, but Lucy uses her newspaper connections to help both women. In the end, it is decided that the public's "right to know" can best be ignored in this case. ~ Hal Erickson, Rovi