Steve James Movies

American Ninja 2: The Confrontation spotlights Michael Dudikoff and Steve James as a pair of combustible U.S. Army Rangers. Dudikoff and James are ordered to find out why so many Marine guards have been disappearing from their posts at the US Embassy in a mythical Carribean country. Turns out that villain Gary Conway has been kidnapping the Marines and forcing an abducted engineer to reprogram the captive Leathernecks so that they'll join Conway's army of zombielike assassins. Naturally, the scientist has a beautiful daughter (Michelle Botes) whom Conway uses as leverage. Battling not only Conway's minions but the corrupt local authorities, martial arts experts Dudikoff and James effectively lay waste to the villain's previously impenetrable stronghold. ~ Hal Erickson, All Movie Guide

Produced in the Autumn of the Golan-Globus collaboration, Avenging Force serves as a vehicle for American Ninja costar Michael Dudikoff. Cast as a retired secret service agent, Dudikoff runs up against a sinister right-wing political organization called the Pentangle. He comes to the aid of his best friend Steve James, a black political candidate who has become a target for the Pentangle's henchmen. Impressed by Dudikoff's martial arts skills, the Pentangle leaders try to convince him to join their cause-and to ensure his cooperation, they kidnap his little sister Alison Gereighty. Avenging Force concludes with a violent Enter the Dragon-style mano y mano squareoff between Dudikoff and the Pentangle flunkeys. The film's finale is "open" enough to allow for a sequel, which has yet to appear. ~ Hal Erickson, All Movie Guide

William Friedkin, a product of television, returned to the small screen to direct the made-for-TV feature C.A.T. Squad. The titular acronym stands for Counter Assault Tactical. The heroes and heroines are fitted out with state-of-the-art hardware and weaponry that would make the Teenage Mutant Ninja Turtles pale with envy. Captained by Joe Cortese, the squad is assigned to an anti-terrorist mission, the goal of which is to protect a top-secret laser project. Filmed in Canada and Mexico, C.A.T. Squad was plagued by a tiny budget that grew tinier with each passing day. Friedkin had hoped to include an elaborate car chase in the manner of his earlier French Connection, but the money ran out before the vehicles could gas up. First telecast August 27, 1986, C.A.T Squad was followed by a TV movie sequel, C.A.T. Squad: Python Wolf. ~ Hal Erickson, All Movie Guide

One of Brian De Palma's most divisive films, Dressed to Kill is a spine-chilling Alfred Hitchcock update for the late 1970s. Sexually frustrated wife and mother Kate Miller (Angie Dickinson) visits her New York psychiatrist, Dr. Elliott (Michael Caine), to complain about her unfulfilling erotic life. When she then goes to meet her husband at a museum, she meets an anonymous man whom she follows out to a cab. After an afternoon of satisfying sex, Kate discovers that the man has a venereal disease, but that information becomes a moot point when a razor-wielding blonde woman slashes Kate to ribbons in the elevator of the man's building. Blonde prostitute Liz (Nancy Allen), who caught a glimpse of the murderer, becomes both the prime suspect and the killer's next target. With the police less than willing to believe her story, Liz joins forces with Kate's son Peter (Keith Gordon) to get the psychopath themselves. Steamy material cut to get an R-rating was restored on the unrated laser disc version. ~ Lucia Bozzola, All Movie Guide

Paul Newman stars as an essentially decent cop patrolling that decimated, drug-and-gang-ridden borough known on the city maps as the Bronx, but known to its denizens as "Fort Apache". While Newman tries to hold on to his basic humanity and to treat even the sorriest of the people on his beat with dignity, he can't do much to convince his superiors that blind brutality is not the answer to social blight. When he witnesses fellow-cop Danny Aiello cold-bloodedly murdering a crime suspect, Newman is advised to sweep the whole incident under the rug. He refuses to do so, and as a result becomes "persona non grata" to his former friends on the force. Ed Asner co-stars as the beleaguered captain who has given up trying to treat his job as anything but a necessary evil, while Rachel Ticotin is Newman's love interest. ~ Hal Erickson, All Movie Guide

In this fairly frightening slasher-horror film, sweet young Amy Jensen (Caitlin O'Heaney) and her friends decide to all get married together. Unfortunately, all the guys go on vacation, leaving the women at the mercy of a psychotic killer (Tom Rolfing) who goes after brides with a big knife. Amy must seek help from an obsessed cop (Lewis Arlt) and her nerdy friend (Don Scardino) who works at a morgue. The familiar supporting cast includes Tom Hanks in his big-screen debut, and '80s standbys Russell Todd, Paul Gleason, and Dana Barron. This one has some scary moments despite the clichéd plot and the obligatory severed head in a fishbowl, especially a stalking scene in a tailor's shop and the tense morgue chase at the end. The most memorable sequence, involving a murder at a movie theater, was later restaged almost shot-by-shot in Scream 2 (1997). ~ Robert Firsching, All Movie Guide

This satirical look at the ambivalent relationship between Hollywood power brokers and African-American performers marked the writing, producing, and directing debut of Robert Townsend. The filmmaker also stars as Bobby Taylor, a struggling actor looking for his big break despite his family's and co-workers' reservations about his chosen career path. While working a day job flipping burgers, Bobby heads out to insulting cattle calls where white casting agents pass judgement on whether he seems "black enough." Meanwhile, he imagines himself playing Sam Spade, Rambo, and other movie heroes rather than the stereotypical roles actually available to him. When Bobby actually does win one such pimp-daddy part, however, he is forced to choose between accepting work that opens doors, but ultimately demeans him and returning to obscurity with his principles intact. Hollywood Shuffle's enormous supporting cast includes a wealth of black actors, from then-unknowns such as Damon Wayans to veterans such as 227 star Helen Martin. Self-financed and filmed on scraps of hand-me-down celluloid, the film helped establish actor Townsend as a director of note and also kick-started the career of co-screenwriter and co-star Keenen Ivory Wayans, who would cast Townsend in his own directorial debut the following year. ~ Brian J. Dillard, All Movie Guide

Johnny Walker (Anthony Michael Hall) is a hot-shot high-school quarterback who receives intoxicating offers from spirited college recruiters in this adolescent teen comedy. Bathroom humor and sight gags are strung together in a story involving booze, broads, and other benefits for the coveted quarterback. Robert Downey Jr., Uma Thurman, and Paul Gleason co-star. Even cameos from Jim McMahon and Howard Cosell can't save this feature from itself, though it isn't the fault of the cast. Originally rated PG-13, it was reedited to R (with scenes added) for a home video release. ~ Dan Pavlides, All Movie Guide

This is the true story of Rocky Dennis (Eric Stoltz), a personable young man suffering from "lionitis," a fatal disease which causes hideous facial disfigurement. The son of freewheeling biker Rusty Dennis (Cher), Rocky is accepted without question by his mom's boyfriends and cycle buddies, but treated with pity, condescension, and disgust by much of the outside world. The local high school principal tries to get Rocky classified as brain-damaged so he won't have to enroll the boy in his school, but Rusty fights for her son's rights with the ferocity of a mother lioness. Rocky makes friends easily both at school and at summer camp. He also falls in love with Diana (Laura Dern), a blind girl who cannot see his deformed countenance and is entranced by the boy's kindness and compassion. Now that he's got his own life in order, Rocky sets about to wean his chronically depressed mother from her drug habit. Mask is the sort of story that might have ending up wallowing in its own pathos had the acting, direction and scriptwriting (by Anna Hamilton Phelan) been anything less than very good. The film proved a much-needed financial success for director Peter Bogdanovich, though unfortunately it didn't come soon enough to stave off his declaring personal bankruptcy. ~ Hal Erickson, All Movie Guide

Director Bruce Beresford followed up his Academy Award-winning Driving Miss Daisy with another meditation on race, Mister Johnson. Set in West Africa in 1923, Johnson (Maynard Eziashi), the clerk of British administrator Harry Rudbeck (Pierce Brosnan), attempts everything within his power to ingratiate himself into white society. Johnson hatches a plan to juggle the books so that Rudbeck will have the capital necessary to achieve his ultimate dream of a "great northern road," but when his scheme is uncovered, he is fired. After finding another job with a shopkeeper named Gollop (Edward Woodward), he is again fired for his "creative" financing skills; however, Rudbeck hires him back to oversee the road construction project. When funds are cut off, Johnson convinces workers to do their jobs for free to ensure the project's completion. Once again, he is caught embezzling, and once again, he is let go; in a fit of desperation, he robs and kills Gollup. After confessing to the crime, he begs Rudbeck to kill him, sparing him the humiliation of public execution. ~ Jason Ankeny, All Movie Guide

Get ready for another dose of love and loss in this sequel to the four-handkerchief classic Love Story (1970). Oliver Barrett (Ryan O'Neal) is emotionally devastated after the death of his wife Jenny, and while he tries to lose himself in his work as a lawyer, the long hours don't ease his pain, especially when he finds that his leftist views conflict with those of the senior partners at the firm. Eventually, Oliver's inconsolable grief begins to alienate those around him, until he finds new love with Marcie Bonwit (Candice Bergen), the wealthy and beautiful heir to the Bonwit-Teller fortune. Despite his affection for Marcie, Oliver finds it difficult to leave the memory of Jenny behind, which causes major problems in his relationship with Marcie. Ray Milland reprises his role from the first film as Oliver's father; the supporting cast includes Charles M. Haid, Swoosie Kurtz, and Jose Torres. ~ Mark Deming, All Movie Guide

E. L. Doctorow's novel Ragtime was a sprawling fictional account of American manners and mores in the years between 1900 and 1913. Among the mosaic of colorful factual and fictional characters in the novel were escape artist Harry Houdini and radical Emma Goldman. Both characters are all but eliminated in the film version, which only concentrates on three of Doctorow's many plot threads: The story of an immigrant artist (Mandy Patinkin) who becomes a movie director; the saga of "Gibson Girl" Evelyn Nesbit Shaw (Elizabeth McGovern), for whose sake playboy Harry K. Thaw (Robert Joy); kills architect Stanford White (Norman Mailer) and a lone black man's (Howard Rollins Jr.) quest for justice when his car is destroyed by a racist fire chief (Kenneth McMillan). This last subplot consumes most of the film's running time, to the overall detriment of the pacing. There are also several scenes involving an unnamed upper-middle-class family (headed by James Olson and Mary Steenburgen) who are evidently meant to be the audience's eyes and ears, but are frankly not terribly interesting. Back in 1981, Ragtime was given plenty of press coverage as the "comeback" picture for James Cagney, after twenty years in retirement. The problem is that Cagney's character (a police commissioner) isn't in the book, and his inclusion not only throws the story off balance, but necessitates the removal of several potentially interesting characters and events. Another detriment is the gratuitous (and illogical) nudity in the Evelyn Nesbit scenes, which earned the film its "R" rating. An ornate misfire, Ragtime is of interest today only for its remarkable cast of veterans and stars-to-be, including Pat O'Brien and Eloise O'Brien, Donald O'Connor, Debbie Allen, Moses Gunn, Jeff Daniels and Fran Drescher. ~ Hal Erickson, All Movie Guide