Valentine Dyall Movies

British actor Valentine Dyall was a well-known radio performer of the '40s, introducing a weekly "scare" series with "This is your storyteller....the Man in Black." In films, Dyall looked more like a bank president than the voice of doom, and was cast accordingly. On stage since 1930 and films since 1942, Dyall remained busy into the '80s. Some of Dyall's best-known films include The Life and Death of Colonel Blimp (1943), Henry V (1945) (as the Duke of Burgundy), Caesar and Cleopatra (1946), Brief Encounter (1946), The Haunting (1963), The Wrong Box (1967) and Casino Royale (1967). Valentine Dyall made many of his final appearances where he began, on radio: he was indispensable to many Halloween broadcasts of the '70s and '80s, sometimes nostalgically recreating "The Man in Black." ~ Hal Erickson, All Movie Guide
1942  
 
A bashful artist finds all kinds of trouble in this comedy. A handyman by profession, the shy fellow loves to paint, but can only paint the heads of his models as he is too embarrassed to render the rest of their nude forms. The portraits are very good, and later, in a commercial art class, other students add bodies to his heads. This gets the handyman in all sorts of hot water with the models when the painting is used as an advertisement for soap. ~ Sandra Brennan, All Movie Guide

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1942  
 
In this mystery, a millionaire vanishes right before he is to marry. To find him, his sister hires a detective who is, after encountering many corpses, lead to "The Panda," the perpetrator of the crime. The investigator soon discovers that millionaire's fiancee is behind it all. ~ Sandra Brennan, All Movie Guide

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1943  
 
In this war drama set during WW II, an engineer in a Dutch shipyard assists the Nazis with the construction of two new kinds of submarines and finds himself a social pariah. Even his wife turns against her apparently traitorous husband. During the maiden voyage of one of the subs, the engineer talks high-ranking Nazis into joining him aboard their vessel. The Germans are unaware that the engineer has loaded the hapless vessel with dynamite. As that ship explodes, a group of commandos capture the other sub and smuggle it to England. ~ Sandra Brennan, All Movie Guide

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Starring:
Ralph RichardsonGoogie Withers, (more)
1943  
 
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Michael Powell and Emeric Pressburger's much-lauded epic Life and Death of Colonel Blimp, which satirizes British traditionalism, stirred up impassioned hostilities and indignations among the Brits when released in 1943. It so infuriated Winston Churchill, in fact, that he refused to allow its exportation to other countries, particularly the U.S. When Blimp finally did premiere in the States in 1945, it screened in a drastically cut version. The sweeping story covers several decades. It begins at the tail end of the Boer War, when handsome young British officer Clive Candy, recently back from the battlefront, is infuriated by his discovery that Deutschland papers have played up the British atrocities in South Africa, propagandistically. He grows so irate, in fact, that he travels to Germany to address the problem. Once there, he meets an attractive British educator, Edith Hunter (Deborah Kerr) who spends her days teaching English as a second language to German students. They grow close, but Candy so aggravates the local indigenes that he winds up in a duel with a German officer, Theo Kretschmar-Schuldorff (Anton Walbrook). The men wound each other and are sent to the same hospital, where they become friends. Candy - who doesn't yet realize he's fallen in love with Edith -- senses that Theo and Edith are attracted to one another, and encourages the couple's marital union. Candy subsequently returns to England, then falls for and marries Barbara (again played by Kerr), a nurse who bears a strong resemblance to Edith. She later dies, but Candy meets a third woman during WWII, Johnny (Kerr a third time), assigned to drive him from one locale to another during his campaigns. Meanwhile, Theo - disgusted by Nazi atrocities -- absconds to England, where he reencounters his old friend, now a prattering old shuffler rapidly approaching the end of his career and raving continuously about Nazi conduct (or lack thereof) in battle. Powell and Pressberger adapted Colonel Blimp from a comic strip; it became one of the hallmarks of their careers. ~ Sidney Jenkins, All Movie Guide

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Starring:
Roger LiveseyDeborah Kerr, (more)
1944  
 
Based on the Eric Ambler novel entitled "Epitaph for a Spy," this is the story of a medical student on the Riviera during the Summer before WWII begins. A refugee from Austria, he has been photographing wildlife. When the film he develops contains secret installations, he must prove that he is not a German spy or be deported. With the police and help from a romantic interest that pops up along the way, he has to try to flush out the real spy to clear himself. Critical reviews were mixed, though Mason did an admirable job on his character. ~ Tana Hobart, All Movie Guide

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Starring:
James MasonLucie Mannheim, (more)
1944  
 
The Yellow Canary was one of several wartime collaborations between British producer-director Herbert Wilcox and Hollywood's RKO Radio Pictures. The film stars Wilcox's wife Anna Neagle as pretty aristocrat Sally Maitland. Having alienated many of her friends with her prewar Nazi sympathies, Sally continues hobnobbing with the Third Reich once war has been declared. Actually, her pro-German activities are a sham; she's actually working hand and glove with the British government to smash an Axis spy ring in Canada. Along for the ride is British intelligence officer Jim Garrick (Richard Greene), who ultimately falls in love with Sally. There's a "mystery" angle to the plotline of The Yellow Canary, but it is largely ignored when the story takes a melodramatic turn in the last few reels. ~ Hal Erickson, All Movie Guide

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Starring:
Anna NeagleRichard Greene, (more)
1944  
 
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Laurence Olivier's adaptation of Henry V is one of the finest Shakespeare films ever made, full of rousing action, beautiful colors and passionate performances. Henry V is the story of the newly crowned king of England who fights the French for possession of Normandy. Olivier's direction is inventive, beginning the film as if it were a performance at the Globe Theatre, and having it slowly expand so the final battle scenes take place in realistic settings. Released in 1944 during the height of World War II, Henry V didn't receive an American release until 1946, upon which Olivier won a special Academy Award for "his outstanding achievement as actor, producer and director in bringing Henry V to the screen." ~ Stephen Thomas Erlewine, All Movie Guide

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Starring:
Laurence OlivierRobert Newton, (more)
1945  
 
The title is whimsical, but the storyline isn't. Googie Withers plays the frustrated wife of a 1880s Brighton tavern keeper, looking for an easy way out of the relationship. Withers entices a chemist's son to act as accomplice in a tricky murder scheme. She is certain that no one will suspect that her husband has been poisoned by a undetectable chemical. Guess again, Googie. Pink String and Sealing Wax was based on a play by Roland Pertwee, the father of Jon "Dr. Who" Pertwee. ~ Hal Erickson, All Movie Guide

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Starring:
Mervyn JohnsMary Merrall, (more)
1945  
 
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While awaiting access to England's Technicolor cameras for their upcoming super-production Stairway to Heaven, the producer-director team of Michael Powell and Emeric Pressburger dashed off a delightful "personal" project, I Know Where I'm Going. Young middle-class Englishwoman Joan Webster (Wendy Hiller) is determined to have the finer things in life, and to that end she plans to marry Sir Robert Bellinger (Norman Shelley), a wealthy, middle-aged industrialist whom she does not love. En route to the Island of Mull, where her future husband resides, Joan is stranded in a colorful Scottish seacoast town. Inclement weather keeps her grounded for a week, during which time she falls in love with young, insouciant naval officer Torquil McNeil (Roger Livesey). Ignoring the dictates of her heart (not to mention common sense), Joan stubbornly insists upon heading out to sea towards her marriage of convenience, but the exigencies of Mother Nature finally convince her that her future resides on the Mainland. A winner all the way, I Know Where I'm Going is full of large and small delights, including a wonderful sense of regional detail and endearing, three-dimensional characterizations (even the mercenary heroine is a likeable character). The film is easily one of the best of the Powell-Pressburger films of the 1940s, and arguably the team's all-time best romantic drama. ~ Hal Erickson, All Movie Guide

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Starring:
Wendy HillerRoger Livesey, (more)
1946  
 
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Based on Noël Coward's play "Still Life," Brief Encounter is a romantic, bittersweet drama about two married people who meet by chance in a London railway station and carry on an intense love affair. Sentimental yet down-to-earth and set in pre-World War II England, the film follows British housewife Laura Jesson (Celia Johnson), who is on her way home, but catches a cinder in her eye. By chance, she meets Dr. Alec Harvey (Trevor Howard), who removes it for her. The two talk for a few minutes and strike immediate sparks, but they end up catching different trains. However, both return to the station once a week to meet and, as the film progresses, they grow closer, sharing stories, hopes, and fears about their lives, marriages, and children. One day, when Alec's train is late, both become frantic that they will miss each other. When they finally find each other, they realize that they are in love. But what should be a joyous realization is fraught with tragedy, since both care greatly for their families. Howard and Johnson give flawless performances as two practical, married people who find themselves in a situation in which they know they can never be happy. ~ Don Kaye, All Movie Guide

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Starring:
Celia JohnsonTrevor Howard, (more)
1946  
 
George Bernard Shaw adapted his own play for the screen in this blithe film version of the romance between Caesar (Claude Rains) and Cleopatra (Vivien Leigh). Shaw's Caesar and Cleopatra are merely Henry Higgins and Eliza Doolittle cast back into ancient times with Caesar doting with admiration and burgeoning love upon Cleopatra and expostulating, "You have been growing up since the Sphinx introduced us the other night." The story is a simple one concerning Caesar instructing Cleopatra on how to act like a queen. But Cleopatra is left cold by Caesar and his blatherings. ~ Paul Brenner, All Movie Guide

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Starring:
Vivien LeighClaude Rains, (more)
1946  
 
Derrick de Marnay stars as a Parisian sculptor who enters into a deadly menage a trois. The girl in the case (Joan Greenwood) is a bit all right; alas, her husband is off his trolley. When he discovers the illicit affair, Hubby, a sculptor in his own right, bumps off his wife and conceals her body in a very clever and (for him) characteristic manner. DeMarnay must resort to the occult to determine the location of his lost love; had he but consulted the movie audience, his problem would have been solved. No relation to the later Hitchcock film of the same title, Frenzy was based on the play L'Angoisse by Pierre Mills and C. Vylars. ~ Hal Erickson, All Movie Guide

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Starring:
Derrick de MarneyFrederick [Fritz] Valk, (more)
1946  
 
If nothing else, the British melodrama Night Boat to Dublin had topicality going for it. As Captain David Grant, Robert Newton heads the cast of this spy-hunt caper. The plot concerns the efforts to rescue a Swedish scientist from the clutches of Nazi ringleader Keitel (Herbert Lom) and his minions. The scientist is of course of the "atomic" variety, meaning that it's crucial to smuggle him to safety before the Germans can learn his secrets. The authentic Dublin dialects heard throughout the film add charm and authenticity to the proceedings, though they are a bit hard to understand at times. ~ Hal Erickson, All Movie Guide

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Starring:
Robert NewtonRaymond Lovell, (more)
1947  
 
The White Unicorn would be worth watching if only for that lyrical title. The film itself, however, isn't quite so whimsical, not with disgruntled widow Lucy (Margaret Lockwood) and hard-bitten unwed mother Lottie (Joan Greenwood) at the forefront. Trying to find a purpose in life, Lucy takes a job as warden at a home for wayward girls. She tries to bring comfort to Lottie, who faces a stiff prison sentence for attempting to murder her baby. As the two women compare their life stories, they realize that they're truly sisters under the skin. A "woman's picture" if ever there was one, White Unicorn also affords its male actors (Ian Hunter, Dennis Price, Guy Middleton et. al.) ample opportunity to reach new dramatic heights. Featured in the cast as Lucy's daughter Norey is Margaret Lockwood's real-life daughter Margaret Julia. ~ Hal Erickson, All Movie Guide

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Starring:
Margaret LockwoodJoan Greenwood, (more)
1947  
 
This stodgy adaptation of "The Haunted and the Haunters" by Edward G. Bulwer-Lytton involves the paranormal investigations of a ghost-chasing psychic expert (Valentine Dyall), who relates a chilling tale to his peers about the resident specters inhabiting a young English couple's recently acquired home -- the very house in which they have met to swap tales of the macabre. It seems that the trio of poltergeists -- a sailor, his wife, and her murdered lover -- are still lurking about, and their ghastly secrets are revealed in a climax more inventive than the rest of the film. ~ Cavett Binion, All Movie Guide

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1948  
 
In this crime drama, a man learns that he has six months left to live, and before he dies he decides to get revenge against the man responsible for his incarceration. First he hires a man to kill him and frame the traitor. Later the fellow learns that he is not sick after all. Fortunately his hit man died. Later the man he wants to avenge has a final showdown with him. A struggle ensues and the fellow kills his enemy in self-defense. ~ Sandra Brennan, All Movie Guide

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1948  
 
In this crime drama, a nurse is accused of murdering the ailing wife of a British lord. Just before the woman died, the nurse had administered a special shot, prepared by the attending physician to the woman. The main reason she stands accused is because she and the lord were former lovers. Later she is tried and much damning evidence is presented against her. Fortunately, the good doctor proves that neither he nor she are guilty of the crime. His evidence results in the capture of the real killer. ~ Sandra Brennan, All Movie Guide

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1948  
 
Based on a novel by Chris Massie, Corridor of Mirrors is a British attempt to match the poetry and lyricism of the French cinema of the late 1940s. Eric Portman plays a contemporary artist who tends to live in the past. He surrounds himself with Renaissance artwork, obsessed with the notion that he and his lady friend (Edana Romney) are reincarnations of the lovers in a centuries-old painting. Portman's delusions eventually lead to murder. Critical reaction to Corridor of Mirrors was split right down the middle: American critics found the film profound, while British commentators dismissed it as empty and ponderous. ~ Hal Erickson, All Movie Guide

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Starring:
Eric PortmanEdana Romney, (more)
1949  
 
A man recently gone AWOL from the Army (Derek Farr) is arrested in a store robbery that occurred while he was shopping. With help from a beautiful lawyer (Joan Hopkins), he must prove his innocence. ~ John Bush, All Movie Guide

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Starring:
Derek FarrJoan Hopkins, (more)
1949  
 
This British crime drama offers a freely adapted account of the notorious, daring burglar who became a killer and later paid for his crimes with his life. ~ Sandra Brennan, All Movie Guide

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1949  
 
Anticipating The Defiant Ones by nearly ten years, the British My Brother's Keeper concentrates on the exploits of two handcuffed-together escaped convicts. The protagonists are career criminal George Martin (Jack Warner) and terrified "first timer" Willie Stannard (George Cole). The film is one long chase, with a brief respite to establish the relationship between Martin and his girlfriend Nora Lawrence (Jane Hylton). Despite the fact that they're polar opposites, George and Willie develop a grudging friendship and dependence upon one another, broken only by the events in the final scenes. Director Alfred Roome's utilization of actual exterior locations adds a great deal of credibility to the story. ~ Hal Erickson, All Movie Guide

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Starring:
Jack WarnerJane Hylton, (more)
1949  
 
Detective Dyall is requested to solve the mystery of the incinerated heiress, a friend of his secretary Lang. ~ All Movie Guide

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1949  
 
A supernatural tale based on a short story by Russian poet Alexander Pushkin, this is the portrayal of a poor Captain in the Russian army in the nineteenth Century. His comrades in arms play cards nightly, but he cannot afford to join them until one night he dreams that he has gained from a mysterious aging countess her secret for winning at faro--a secret which legend has it she has sold her soul to obtain. This story has been filmed at least a dozen times, but this is by far the best version. Eight of the versions were silent films and another version was done as recently as 1965. A period piece, the settings and costumes are superb. ~ Tana Hobart, All Movie Guide

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Starring:
Anton WalbrookEdith Evans, (more)
1949  
 
In this drama, a frustrated upper-class writer decides that he will find real inspiration by examining his subjects first-hand. This leads him to begin wandering about the seamiest side of town where he witnesses a murder. When an innocent man is arrested, the writer refuses to assist him as the knowledge that he has been "slumming" could destroy his career. The young man is sentenced to 15 years in prison. Upon his release, he hears his own story in a radio drama written by the author. This enables the ex-con to get the necessary evidence to clear his name. ~ Sandra Brennan, All Movie Guide

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Starring:
Stephen MurrayRichard Todd, (more)
1949  
 
A persistent case of hiccups causes all sorts of problems for a pretty young socialite in this comedy. ~ Sandra Brennan, All Movie Guide

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