Shelley Duvall Movies

Robert Altman's Three Women takes a surreal, improvisational and rather eerie look at the lives of three women in a western desert town. The plot centers around the youngest of the women, Pinky (Sissy Spacek), an eccentric, withdrawn woman trying to begin a new life. She finds work as an attendant at a hot springs spa catering to the elderly and infirm. There she befriends her co-worker Millie (Shelley Duvall), an equally strange but more outgoing woman; the two bond, and are soon sharing an apartment. Pinky becomes increasingly dependent on Millie, eventually adopting aspects of her personality and appearance. This obsessive attachment is threatened when Pinky discovers Millie with a man -- Edgar (Robert Fortier), the macho, faux-cowboy husband of local artist Willie (Janice Rule), the last of the title's three women. Pinky's subsequent, desperate actions precipitate the film's enigmatic conclusion, involving an unexpected series of confrontations and role reversals amongst the three women. This story tends to take a backseat to the elliptical, spooky imagery, particularly the desert landscapes, and the quirky performances -- not surprising, given that the film was reportedly shot without a full screenplay and inspired by Altman's own dreams. ~ Judd Blaise, All Movie Guide

Woody Allen's romantic comedy of the Me Decade follows the up and down relationship of two mismatched New York neurotics. Jewish comedy writer Alvy Singer (Allen) ponders the modern quest for love and his past romance with tightly-wound WASP singer Annie Hall (Diane Keaton, née Diane Hall). The twice-divorced Alvy knows that it's not easy to find a mate when the options include pretentious New York intellectuals and lifestyle-obsessed Rolling Stone writers, but la-di-dah-ing Annie seems different. Along the rocky road of their coupling, Allen/Alvy weigh in on such topics as endless therapy, movies vs. TV, the absurdity of dating rituals, anti-Semitism, drugs, and, in one of the best set pieces, repressed Midwestern WASP insanity vs. crazy Brooklyn Jewish boisterousness. Annie wants to move to Los Angeles to find that fame that finally does in the relationship -- but not before Alvy gets in a few digs at vacuous, mantra-fixated California. Originally entitled Anhedonia (the inability to enjoy oneself), Annie Hall blended the slapstick and fantasy from such earlier Allen films as Sleeper (1973) and Bananas (1971) with the more autobiographical musings of his stand-up and written comedy, using an array of such movie techniques as talking heads, splitscreens, and subtitles. Within these gleeful formal experiments and sight gags, Allen and co-writer Marshall Brickman skewered 1970s solipsism, reversing the happy marriage of opposites found in classic screwball comedies. Hailed as Allen's most mature and personal film, Annie Hall beat out Star Wars for Best Picture and also won Oscars for Allen as director and writer and for Keaton as Best Actress; audiences enthusiastically responded to Allen's take on contemporary love and turned Keaton's rumpled menswear into a fashion trend. ~ Lucia Bozzola, All Movie Guide

Shelley Duvall guest stars as Aggie, an incredibly naïve young waitress. Aggie is the only witness when a cop accidentally kills his girlfriend. Preying upon Aggie's childlike faith in the infallibility of authority figures, the killer persuades her to finger another man as the culprit -- but undercover detective Tony Baretta (Robert Blake) smells a rat. This was the final episode of Baretta's second season. ~ Hal Erickson, All Movie Guide

For once, a kid from the science club really does impress someone with his latest experiment, though it hardly works out the way he planned in this horror opus with a darkly comic undertow. Frank Stein (Matthew Lawrence) is a brilliant but geeky teenage outcast who wishes he could hang out with the cool kids and has a furious crush on Macy (Christine Lakin), the prettiest girl at school. Socially inept Frank isn't especially popular with his classmates, but there's one student who fares even worse -- Karl (Ryan Reynolds), a goth kid who is a magnet to bullies. One day, a gang of jocks decide to beat up Karl for fun, but they go too far and accidentally kill him. Frank, seeing an opportunity, decides to prove just how bright he is by bringing Karl back to life. Frank's peers are indeed impressed by the reanimated Karl (whose presence allows them to avoid murder charges), and Macy starts showing an encouraging interest in Frank, but there's one little problem -- Frank replaced Karl's damaged brain with one from a psychotic multiple murderer, and soon gloomy Karl is displaying an uncharacteristic thirst for violence. Also released under the title Big Monster on Campus, Boltneck also stars Judge Reinhold and Shelley Duvall. ~ Mark Deming, All Movie Guide

"Truth is whatever gets the loudest applause." Debunking western myths even more than he did in McCabe and Mrs. Miller (1971), Robert Altman's Buffalo Bill and the Indians, or Sitting Bull's History Lesson (1976) sardonically explores the gap between western history and legend in show biz-obsessed America. Megalomaniac "Buffalo Bill" Cody (Paul Newman) assumes the legend created for him by writer Ned Buntline (Burt Lancaster), aided and abetted by his producer (Joel Grey) and his publicist (Kevin McCarthy), perpetuating myths of white triumph over savage "Injuns" in his Wild West show, as audiences cheer him on and buy his merchandise. But when Sitting Bull (Frank Kaquitts) joins the troupe with his interpreter (Will Sampson), his request for authenticity threatens to throw a wrench into the proceedings. Regardless of how Bill may feel about the facts, he must bow to the preferences of the paying public. ~ Lucia Bozzola, All Movie Guide

In this comedy with dramatic overtones, Susan "Soosh" Teagarden (Moira Kelly) is an aspiring artist with plenty of emotional baggage. Her father Theo (Christopher Lloyd) is a famous painter; he's also an alcoholic who has never been able to express his affection for his daughter. Soosh's mother died when she was young, and she still cherishes her memory but also feels deep loss. These days, Soosh has trouble with men, her job at a clothing store, her art, and her landlord, after she's caught shoplifting. Looking for somewhere to stay, she goes to a nearby convent and tells them a sob story that moves the Mother Superior (Eileen Brennan) to take her in. Soosh discovers that Christian charity isn't the easy street she expected; she has to work alongside the sisters at the convent and follow their schedule, and Soosh isn't accustomed to rising at 5 a.m. and having to be in by 11 p.m. But the Mother Superior sees Soosh's paintings and realizes that she has a true gift; she encourages her in her art and tries to help her put the broken pieces of her life together. Along the way, Soosh also falls in love with Felix (Dylan Walsh), who happens to run the art supply store where she steals most of her supplies. Changing Habits also stars Shelley Duvall as a speechless nun and Teri Garr as one of Soosh's co-workers. ~ Mark Deming, All Movie Guide

This charming fantasy was originally part of Shelly Duvall's HBO series Faerie Tale Theatre and features actor Herve Villechaize as the irascible gnome who grants the wish of an impoverished but boastful miller who claims his lovely daughter can spin straw into gold. While Rumpelstiltskin is willing to help the miller, his generosity does not come without a high price: in exchange for the gift, the daughter must give up her first-born child. She can only escape the bargain if she can guess his name. The bargain is struck. When the king learns of her talent, he marries her and puts her in a room to spin. The real trouble begins when she gets pregnant. ~ Sandra Brennan, All Movie Guide

In this black-and-white short, novice director Tim Burton tells the story of Frankenstein's monster in suburbia as a children's fable about tolerance. Loving parents Ben (Daniel Stern) and Susan Frankenstein (Shelley Duvall) encourage their son Victor's (Barret Oliver) home movies, starring their energetic bull terrier, Sparky. Following a terrible car accident, Sparky is dead and Victor is inconsolable. After an experiment with a frog in his science class, Victor gets the idea to make an electrical experiment of his own. After building a fantastic laboratory with only household items, he reanimates his beloved dog. Unfortunately, the family's nosy neighbors become fearful of the monster, even though he has done no wrong. The climactic ending acts as an homage to James Whale's original 1931 film and its sequel, The Bride of Frankenstein. ~ Andrea LeVasseur, All Movie Guide

A reptile-collecting high schooler is shocked to discover that one of his many frogs is actually an enchanted prince looking for a fair maiden to free him. This delightful entry from the Wonderworks series, chronicles the teens attempts to help out his froggy friend. ~ Sandra Brennan, All Movie Guide

Dean Parisot, who won a live-action short Oscar, made his feature directorial debut with this black comedy from a producer team that included Barry Levinson and Lawrence Kasdan. A philandering stepdad is the victim of vengeful Mrs. Lever (Catherine O'Hara), who sends her sons out to scare him to death. Cobra helicopter pilots Dorian (Luke Wilson) and Angus (Jake Busey) accomplish this by strafing the forest at night as the stepdad runs in terror. No one knows that pregnant Burger-Matic cashier Sally (Drew Barrymore) was the stepdad's mistress. However, since Burger-Matic and Cobra headsets share the same radio frequency, the notion surfaces that maybe Burger-Matic workers overheard something; Angus suggests that Dorian take a job at the fast-food joint in order to determine just who knows what. Once on the job, however, the situation gets twisted after Dorian falls hard for Sally. The chain-smoking Mrs. Jackson (Shelley Duvall), Sally's trailer-trash mother, turns up, as does her redneck father, Red (Lanny Flaherty). In an inside film reference, Angus mentions the classic "Lamb to the Slaughter" episode of Alfred Hitchcock Presents. Shown at the 1998 Toronto Film Festival. ~ Bhob Stewart, All Movie Guide

Sisters Gabrielle C. and Maria Burton direct the independent comedy Manna From Heaven, written by their mother, Gabrielle B. Burton, and produced by their siblings at Five Sisters Productions. In Buffalo, NY, during the '50s, the wind blows in cash money to the tune of 20 thousand dollars. Believing it was a tangible gift from God, Sister Teresa (Ursula Burton) tries to gather up the money and pay it back 30 years later. However, her family members don't want to give up their free money and can't even get along, including card dealer Inez (Wendie Malick) and con artists Bunny (Shirley Jones) and Ed Burns (Frank Gorshin, in his final film role). Also starring Seymour Cassel, Shelley Duvall, Cloris Leachman, Harry Groener, Faye Grant, Jill Eikenberry and Louise Fletcher. ~ Andrea LeVasseur, All Movie Guide

An all-star cast is included on this children's adventure that follows a search for Mother Goose by her son (Dan Gilroy) and Little Bo Peep (Shelley Duvall). ~ John Bush, All Movie Guide