Nick Gillott Movies

Documentary filmmaker George Zaloom takes his first stab at fiction with this comedy about a family dominated both literally and figuratively by explosive personalities. Pop Bazinni (Giancarlo Gianini) is an Italian expatriate who runs his family's fireworks business in New Jersey. After his son dies in a explosion in a storage shed, Pop needs a new second in command, and his cousin, Giovanni (Stanley Tucci), is sent from Italy to help with the business, though Giovanni was chosen less for his business acumen than because he needed a change of scenery after a messy breakup with his girlfriend, Maria (Jo Champa), has left him horribly depressed. As Giovanni learns the ropes of both the fireworks business and life in America, Val (Bridget Fonda), the young widow of Pop's late son, finds herself the focus of the loutish romantic advances of Joey Zito (Anthony DeSando), whose mother (Anna Maria Alberghetti) runs a rival fireworks company eager to find out the secret formulas behind the Bazinni's products. Talia Shire and Alexander Milani head up the film's supporting cast. ~ Mark Deming, Rovi

This remake of the 1975 German film Jakob der Lügner stars Robin Williams in a dramatic role as a man who uses his active imagination to bring a ray of hope where hope was all but unknown. Jakob Heym (Robin Williams) is the owner of a small café during the Nazi occupation of Poland; he has little money and is struggling to keep body and soul alive in the shadow of the Third Reich. One day, he overhears a radio broadcast, forbidden to Polish ears, that reports a major victory for Russian troops over the German army. Enthusiastic about this good news, Jakob begins spreading word of the Russian army's progress through the Polish ghetto. He notices that the story gives people hope and makes it easier for them to get through the day. So Jakob begins inventing stories and passing them along, creating fictional war reports that suggest that the occupation may soon be ending. However, when the occupation troops get wind of these stories, they become convinced that someone has communications equipment stashed away somewhere, and they're determined to find both the radio and its operator at all costs. Jakob the Liar was the first American feature for director Peter Kassovitz; the supporting cast includes Armin Mueller-Stahl, Alan Arkin, Bob Balaban, and Liev Schreiber. ~ Mark Deming, Rovi

In this sci-fi/horror scarefest, Dr. William Weir (Sam Neill) is a scientist who has designed a spacecraft called Event Horizon which will explore the outer reaches of space past the planet Neptune; the ship employs a special transport mechanism that, in effect, creates a black hole that the ship can pass through, allowing it to travel tremendous distances in a few seconds. The Event Horizon mysteriously disappears in the midst of a mission with no trace of either the ship or its crew, but it reappears in Neptune's orbit after a seven year absence and it's sending out a distress signal. The spaceship Lewis and Clark, and Dr. Weir, are sent to investigate; the crew -- Captain Miller (Laurence Fishburne), pilot Smith (Sean Pertwee), engineer Justin (Jack Noseworthy), navigator Starck (Joely Richardson), physician D.J. (Jason Isaacs), and emergency technicians Peters (Kathleen Quinlan) and Cooper (Richard T. Jones) -- are already tired and unenthusiastic about this assignment, and somewhat confused by Weir's reports. The crew of the Lewis and Clark are convinced that Weir is not telling them something, and when they discover the Event Horizon, they find that things are not what they seem, and an evil presence has taken over the ship. Incidentally, the term "event horizon" describes the outer boundaries of a black hole. ~ Mark Deming, Rovi

Previously and brilliantly filmed by director Jack Clayton as The Innocents in 1961, Henry James' classic psychological-horror novel The Turn of the Screw was remade 34 years later in the form of this TV movie, which changes the original locale and several character names. American governess Helen Walker (Valerie Bertinelli) arrives at an ornate English country estate, there to take charge of two orphaned siblings, Flora (Florence Hoath) and Mile (Aled Roberts). That the children are rude and ill-mannered does not unduly rattle Helen, who expects this sort of behavior in children of privilege. What is disturbing is that the youngsters' game-playing often takes on an unsavory sexual subtext far beyond their tender years. This, and a few strange "sightings", leads Helen to the startling conclusion that the children are under the power of the ghosts of their former caregivers--a sadistic handyman and an evil governess who died despising one another, and intend to "resolve" their kinky carnal issues using the youngsters as their pawns! Though handled with surprising subtlety and austerity, The Haunting of Helen Walker somehow falls short of the eerie brilliance of the 1961 The Innocents, and without being unduly cruel, it can be said that Valerie Bertinelli is no Deborah Kerr. Filmed on location near Readling, England, the TV movie premiered December 3, 1995 on CBS. ~ Hal Erickson, Rovi

This made-for-TV drama, adapted from a book by Vincent Bugliosi, is based on a true story about an ex-cop who deceives and murders a number of women for their life insurance benefits. The video release includes scenes not shown in the original. ~ Kristie Hassen, Rovi

Chimera was originally produced for Britain's BBC television network. The title creature is a half man, half ape (Douglas Mann), the product of a hush-hush government project. Journalist John Lynch gets wind of the experiment when his girlfriend dies in a fertility clinic explosion. At the center of things is a mad-as-a-hatter scientist, whom the government continues to protect until it's almost Too Late. Christine Kavanaugh costars in this new twist on the old Frankenstein story. Chimera premiered in the US over the A&E Cable service on November 1, 1992. ~ Hal Erickson, Rovi

Robert Conrad grits his teeth and flecks his pecs--this time with motivation--in the fact-based TV movie Anything to Survive. Conrad plays a divorced father who takes his three children (Matthew LeBlanc, Ocean Hellman and Emily Perkins) on a sea journey to the Alaska panhandle. Disaster strikes, and Conrad is forced to brave the Alaskan wastes with his three citified youngsters in tow. 24 days pass: The authorities assume that the family is dead, but they couldn't be more wrong. Perhaps the most remarkable aspect of Anything to Survive is the fact that Conrad's character is dead wrong at times--and he's willing to admit it. The film was based on Elmo Wortman's book Almost too Late. ~ Hal Erickson, Rovi

A spy is tracked down in this made-for-television espionage thriller. When a secret agent goes in search of his former mentor -- who has since defected -- he finds that the man wants come back to the United States. They go on the lam and try to escape the KGB and CIA, who aren't through with the master spy just yet. ~ Bernadette McCallion, Rovi

In this unique interpretation of the great detective, the body of Sherlock Holmes has been in suspended animation for over 85 years. It is brought back by one of Watson's descendants and no sooner does Holmes come to than he is out solving a mystery in Boston. ~ Sandra Brennan, Rovi

Stefanie Powers does double duty as twin sisters in the two-part TV movie Deceptions. Stefanie #1 is a glamorous globetrotter; Stefanie #2 is a drab New Jersey housewife. On a whim, the two siblings exchange identities, leading to a dizzying series of unexpected complications. Filmed on location in England and Italy, Deceptions is too thin to be stretched over two days (it was originally telecast May 27 and 28, 1985), but Stefanie Powers can make anything work. The film is based on a novel by Judith Michaels (the joint pen name for Judith Barnard and Michael Fain); it was adapted for television by Oscar-winning writer/director Melville Shavelson, who also shared directorial responsibilities with Robert Chenault. ~ Hal Erickson, Rovi