Bill Finnegan Movies

Goldie Hawn garnered favorable reviews with her TV-movie directorial debut, a family drama set against the backdrop of racism in the American South of the early '60s. While in 1962 the Cuban Missile Crisis generates fears among adults, 12-year-old Lilly Kate Burns (Jena Malone) dreams of a career as a dancer. The problem is how to escape her dreary small-town existence, where she's surrounded by her mother (Mary Ellen Trainor), a stroke victim; her bigoted Uncle Ray (J.T. Walsh), a theater owner; her dejected Aunt Emma (Christine Lahti); and her alcoholic dance teacher Muriel (Catherine O'Hara). In addition to young Billy (Lee Norris), Lilly is also friends with black minister Jediah Walker (Jeffrey D. Sams). Uncle Ray has provided only a single exit in his theater, and when a young black boy dies in a theater fire, the tragedy sparks and inflames local racial conflicts. Uncle Ray is charged with wrongful death, and Lilly contemplates the nature of truth and justice. Filmed on location in Anderson, Texas. ~ Bhob Stewart, All Movie Guide

Originally telecast in two parts on March 27 and 28 of 1988, Lincoln was adapted from the bestselling "factual fiction" by Gore Vidal. Sam Waterston stars as Abraham Lincoln, with Mary Tyler Moore frighteningly convincing as the tragic Mary Todd Lincoln. Predictably, Part One of Lincoln deals with the inauguration, the outbreak of War, and the president's tiltings with his cabinet, while Part Two includes the Emancipation Proclamation, the appointment of General Grant (James Gammon), and the assassination. The throughline of the script is the deteriorating mental condition of Mary Lincoln, not to mention her injurious impulsiveness: at one point, Honest Abe must cover up the fact that Mary has stolen a copy of his inaugural speech and sold it. Evidently, the name of Gore Vidal was not considered enough of a drawing card by the NBC publicists, who insisted upon advertising Lincoln as the second coming of Gone With the Wind, adding the teaser tagline "The Untold Story." ~ Hal Erickson, All Movie Guide

Made for television, American Harvest is set in the heartland of Kansas. Two proud, stubborn families have not spoken to one another because of an incident in the distant past. Wayne Rogers, the patriarch of one of the families, is in danger of losing his wheat farm. He knows that his land will be saved if he patches things up with rival farmer Earl Holliman, but such a reconciliation is out of the question--at least, until the film's final twenty minutes. American Harvest premiered on January 16, 1987. ~ Hal Erickson, All Movie Guide

While Walt Disney's 1961 filmization of Victor Herbert's Babes in Toyland pales in comparison to the 1934 movie version starring Laurel & Hardy, the Disney film is an unqualified classic when compared to the ill-starred 1986 TV version. Adapted for television by playwright Paul Zindel, the 1986 film stars Drew Barrymore as Lisa Piper, a contemporary girl whisked off Wizard of Oz fashion to Toyland. Here her friends and family from the "real" world are reincarnated as villainous Barnaby (Richard Mulligan), Old Mother Hubbard (Eileen Brennan), Jack-Be-Nimble (Keanu Reeves) et. al. Only "March of the Toys" and "Toyland" have been retained from the original Victor Herbert score; the rest of the songs were specially written for this adaptation by Leslie Bricusse-and, suffice to say, these were hardly classics. Irreparably damaging this version was its 180-minute length-over twice as long as the Laurel & Hardy version, and not even half as good. Filmed in Munich, Babes in Toyland was first telecast December 19, 1986. ~ Hal Erickson, All Movie Guide

Abuse is the key word of this made-for-TV drama. This time, it is abuse levelled against ageing parents by their own children. As the title indicates, the violence grows from mounting frustrations. Tuesday Weld stars as an emotionally tattered woman who goes off the deep end when her husband Peter Bonerz leaves her. Weld vents her spleen upon her mother, heartrendingly portrayed by Geraldine Fitzgerald. Of special interest is the early appearance by River Phoenix as Weld's teenaged son. Filmed under the title A Family of Strangers, Circle of Violence: A Family Drama originally aired October 12, 1986. ~ Hal Erickson, All Movie Guide

The Atlanta Child Murders is a five-hour, two-part dramatization of one of the most tragic and controversial homicide cases of the past twenty years. From 1979 through 1982, some 28 African-American children and young adults disappeared from Atlanta--some without a trace, but others to later turn up as murder victims. Part One (which debuted February 10, 1985) details the beginning of the manhunt conducted by the Atlanta Chief of Police (James Earl Jones). Screenwriter Abby Mann uses the actual events as a springboard for his thesis that the case and its outcome revealed many uncomfortable truths about the still-fragile state of race relations in the New South. Both parts of The Atlanta Child Murders were later combined into one 245-minute "feature film."

The second part of the five-hour TV docudrama The Atlanta Child Murders originally aired February 12, 1985. After 28 African-American children and young adults have either disappeared or been murdered, the Atlanta police finally have a suspect in custody: Small-time show business entrepreneur Wayne Williams (Calvin Levels). Scriptwriter Abby Mann utilizes actual court transcripts of Williams' trial, which results in a conviction on one count of murder. This decision in essence leaves the cases of the other 27 victims unresolved--and in so doing, Mann opens the door to speculations that Williams, a black man, was a "convenient" suspect, who might possibly have been railroaded in the authorities' haste to find a solution to the sordid case. Whatever Mr. Mann may have felt concerning Williams' guilt or innocence, the fact remains that the murders and disappearances stopped cold once Williams was in custody (as of this writing, Williams persists in his efforts to reopen the case, claiming that he was framed by the white power structure). Morgan Freeman served as narrator for both installments of The Atlanta Child Murders. ~ Hal Erickson, All Movie Guide

In this family drama, adoptive parents engage in a legal battle with the biological mother of their child. The mother had been a teenager when she gave up her baby. Now she wants her back. ~ Sandra Brennan, All Movie Guide

World War III is an ambitious if unnecessarily protracted speculative TV movie. Set in a "future December," the film prophesies an American grain embargo levied on Russia. US President Rock Hudson is entreated by the Soviet higher-ups to drop the ban; meanwhile, a group of renegade Russian military officers begin sending expeditionary forces into Alaska. While the countdown to Doomsday begins, the film insists upon cutting back to several expendable romances in both the American and Soviet camps. Boris Sagal, the original director of World War III, was killed in a freak helicopter accident while on location. To make up for lost time, the production was moved to the soundstages of Zoetrope Studios and overseen by ultra-efficient TV director David Greene. Part Two finds novice American president Rock Hudson trying to effect an honorable peace with Soviet premiere Brian Keith. But insurgent military officers endeavoring to seize the Alaska Pipeline as a bargaining chip continue to escalate the hostilities. It develops that the fate of the world may rest in the hands of American colonel David Soul. Also appearing is Cathy Lee Crosby, endearingly miscast as an intelligence officer. A heart-stopping surprise twist brings World War III to a close. While the film has its moments of genuine suspense, one can't help but feel that World War III would have been better an hour or two shorter--or at least with a few of the subplot romances removed. Originally running four hours, World War III was telecast in two parts on January 31 and February 1, 1982.
~ Hal Erickson, All Movie Guide

Made for television, the movie concerns a young unmarried girl who must decide whether to have an abortion. With the help of her own mother (Susan Clark), she tries to make the right decision. ~ John Bush, All Movie Guide

Clearly inspired by the theatrical feature Norma Rae, The $5.20 an Hour Dream stars Linda Lavin as a recently divorced woman supporting herself and her 12-year-old daughter. The highest-paying job at the Oregon engine factory where she works is on the assembly line--which has traditionally been an all-male operation. Bucking the system (and several stereotyped "chauvinist pigs"), Lavin eventually wins a place on the line, as do several of her female friends. As always, Linda Lavin (for whom this film was a pet project) looks far too self-reliant to ever be considered a "victim," so the climax of $5.20 an Hour Dream is a foregone conclusion. This made for TV movie received an award from the National Commission of Working Women. ~ Hal Erickson, All Movie Guide

Made quickly on videotape to capitalize on celebrated kidnap victim Patty Hearst's recent rescue, Ordeal of Patty Hearst stars Lisa Eilbacher as the beleagured newspaper heiress. Hearst's secure existence is shattered when she is seized by a tiny terrorist group calling itself the Symbionese Liberation Army. As the abductors deliver their ransom demands to Hearst's publisher father, they brainwash her into obedience to their cause. Unlike the much-later theatrical feature Patty Hearst, the made-for-TV Ordeal is told from the point of view of the FBI agent (Dennis Weaver) assigned to the case; in fact, more time is spent on the private life of the agent (who is on the eve of his retirement) than on Ms. Hearst herself. Ordeal of Patty Hearst works within its limited parameters, though it can hardly be considered the last word on the subject. ~ Hal Erickson, All Movie Guide

This pilot film for the TV series Big Hawaii stars Cliff Potts and John Dehner as a wealthy father-and-son team of Hawaiian cattle ranchers. Neither character is a candidate for the "Mister Nice Guy" award, especially the wayward Potts, who's recently been chased out of Vegas for cheating at poker. Even nastier is Potts' beautiful but scheming stepmother (Ina Balin), who plans to bulldoze his ailing dad's estate to make way for those stock 1970s villains, the Evil Land Developers. Despite a total lack of audience sympathy for the people on screen, Big Hawaii premiered as a weekly series in the fall of 1977. There were all of seven episodes. ~ Hal Erickson, All Movie Guide