Charles S. Dutton Movies

Originally aired as a two-part miniseries on NBC, The 60's follows two families whose lives mirror much of the political and social tumult of that decade. The Herlihys are a working class family from Chicago whose three children take wildly divergent paths: Brian (Jerry O'Connell) joins the Marines right out of High School and goes to Vietnam, Michael (Josh Hamilton) becomes involved in the civil rights movement and after campaigning for Bobby Kennedy and Eugene McCarthy becomes involved in radical politics, and Katie (Julia Stiles) gets pregnant, moves to San Francisco and joins a hippie commune. Meanwhile, the Taylors are an African-American family living in the deep South. When Willie Taylor (Charles S. Dutton), a minister and civil rights organizer, is shot to death, his son Emmet (Leonard Roberts) moves to the city and eventually joins the Black Panthers, serving as a bodyguard for Fred Hampton (David Alan Grier). The 60's incorporates much newsreel footage from the era in an attempt to give the proceedings a greater realism, as well as a soundtrack of many popular songs of the era, including a new recording of Bob Dylan's Chimes Of Freedom by Dylan and Joan Osborne. ~ Mark Deming, All Movie Guide

Lawyer John Williams (Courtney B. Vance) looks back in flashback to 1957 when he began as a lawyer while living in the Bronx with his older brother, Charles (Charles S. Dutton). Married to Carol (Lonette McKee), Charles is the NYPD's first African-American sergeant, and he plans a police exam for his oldest son, Charlie (Garland Whitt), who would rather study art. After a call that Charlie is under arrest for the murder of a white boy, John suspects he was beaten and forced to confess by the cops, but Charlie claims he did indeed kill an Irish-American youth. John takes on the case, feeling that Charlie is hiding something -- while the courts, police, and the public are all ready to see Charlie electrocuted. Director Ernest Dickerson (Juice) filmed in Toronto. Shown at the 1998 Sundance Film Festival. ~ Bhob Stewart, All Movie Guide

Based on a true story, this Civil War-era epic centers on the exploits of Sarah Ashby McClure (Dana Delany) and her sister Euphemia (Annabeth Gish) as they try to make their way on the male-dominated West Texas plains. When their home is threatened by Mexican forces and Native American warriors, the sisters lead their family and friends to safety. Based on the book by Janice Woods Windle, True Women also co-stars Rachael Leigh Cook, Angelina Jolie, and Tina Majorino. ~ Rebecca Flint Marx, All Movie Guide

In this drama, a young drug dealer is sent to a strict and difficult boot camp in hopes that discipline and self-confidence will help him create a better life. ~ Sandra Brennan, All Movie Guide

Released one year to the day after the 1995 Million Man March, in which a million African-American men marched peacefully in Washington, D.C. in a bid for greater unity and understanding, Spike Lee's Get On the Bus follows a group of black men who take a charter bus from Los Angeles to the rally in the nation's capital and watches as they interact and air their personal issues and concerns. George (Charles S. Dutton) is the organizer of the trip and de facto leader of the group. Evan Thomas (Thomas Jefferson Byrd) is a truck driver who travels to the march with his son (De'Aundre Bonds) chained to his belt by court order after the boy was arrested for petty theft. Kyle (Isaiah Washington) and Randall (Harry Lennix) are gay lovers who take no small amount of abuse from their fellow passengers. Gary (Roger Guenveur Smith) is the product of a mixed-race marriage who could pass for white but sees himself as black; he's also a cop, which does little to endear him to his peers. Flip (Andre Braugher) is an actor who seems more concerned with getting his next film role than the larger issues of the march. Jamal (Gabriel Casseus) is a good-natured young Muslim trying to lead a righteous life to make up for his violent past as a gang member. A film student (Hill Harper) is capturing the trip on videotape, and Jeremiah (Ossie Davis) sits in the back, reflecting on the struggles of African-Americans in the past and present. Financed by a private group of 15 black American men (among them Will Smith and Wesley Snipes), Get On the Bus speaks less of a single political goal than of the need for black men to set aside their differences to work for their common good. While the film falls short of openly criticizing Million Man March organizer Louis Farrakhan, it does present debate about Farrakhan's ideals and statements, ultimately coming to the conclusion that whoever brought this group together is less important than the fact that they came together in peace and brotherhood. ~ Mark Deming, All Movie Guide

Carl Lee Hailey (Samuel L. Jackson) takes the law into his own hands after the legal system fails to adequately punish the men who brutally raped and beat his daughter, leaving her for dead. Normally, a distraught father could count on some judicial sympathy in those circumstances. Unfortunately, Carl and his daughter are black, and the assailants are white, and all the events take place in the South. Indeed, so inflammatory is the situation, that the local KKK (led by Kiefer Sutherland) becomes popular again. When Hailey chooses novice lawyer Jake Brigance (Matthew McConaughey) to handle his defense, it begins to look like a certainty that Carl will hang, and Jake's career (and perhaps his life) will come to a premature end. Despite the efforts of the NAACP and local black leaders to persuade Carl to choose some of their high-powered legal help, he remains loyal to Jake, who had helped his brother with a legal problem before the story begins. Jake eventually takes this case seriously enough to seek help from his old law-school professor (Donald Sutherland). When death threats force his family to leave town, Jake even accepts the help of pushy young know-it-all lawyer Ellen Roark (Sandra Bullock). ~ Clarke Fountain, All Movie Guide

Following her brother's death, a graduate student looks into his demise and finds that he had stolen a box filled with alien remains. Now she too is in terrible danger as the government is determined to keep the secret. ~ Sandra Brennan, All Movie Guide

Alan Paton's classic novel about two fathers coming to terms with personal loss and the emotional scars inflicted on South Africa during the era of apartheid was brought to the screen for a second time with this adaptation, the first major film produced in South Africa after Nelson Mandela's election ended mandatory white rule in that nation. Rev. Stephen Kumalo (James Earl Jones) is a minister from a poverty-stricken farming community who travels to Johannesburg for the first time in search of his son Absalom (Eric Miyeni), who moved to the city some time back and has gone missing. Kumalo regards the big city as a den of iniquity, and his low expectations are not betrayed; he is robbed and beaten shortly after he arrives, and when he visits his brother John (Charles S. Dutton), he discovers that Absalom has become a petty thief with a pregnant girlfriend, his sister Gertrude (Dambisa Kente) is a prostitute, and John has renounced his faith in God and advocates the violent overthrow of South Africa's white leadership. James Jarvis (Richard Harris) -- a wealthy white landowner from the same part of the country as Kumalo -- has also arrived in Johannesburg, also with sad personal business to attend to; his son, a well-liked activist for the rights of the city's black majority population, was killed during a robbery. ~ Mark Deming, All Movie Guide

In this tough but literate urban drama (based on a play by Charles Fuller), Zooman (Khalil Kain) is a petty criminal and gangbanger who in the midst of a shootout with other gangsters accidentally kills a nine-year-old girl. The girl's father, Rueben Tate (Louis Gossett Jr.), is distraught over his daughter's death, but becomes even more upset when no one in the neighborhood will step forward to identify the murderer, even though there were many witnesses to the crime. Rueben enlists the aid of the media and posts signs in the community, hoping to shame someone into naming the killer or forcing him into a confrontation. Charles Fuller adapted Zooman's script from his own stage play; he did the same for the film A Soldier's Story. ~ Mark Deming, All Movie Guide

A black detective becomes embroiled in a web of danger while searching for a fortune in missing drug money in this action-comedy. Writer-director Keenan Ivory Wayans also stars as Los Angeles private eye Arthur Shame, a former cop whose troubled past resurfaces when a one-time colleague asks for help in a narcotic case. During the course of his investigation, he encounters various old connections, ultimately confronting the criminal responsible for Shame's expulsion from the force. He must also deal with two women, Angela, a beautiful old flame (Salli Richardson), and Peaches (Jada Pinkett), his energetic but annoying sidekick. Unlike Wayans' blaxploitation parody I'm Gonna Get You Sucka, A Low Down Dirty Shame sticks more closely to genre conventions, lightening the action with wisecracks and standard comic interludes. ~ Judd Blaise, All Movie Guide

The Richard Connell short story, The Most Dangerous Game, has been adapted for the screen many times. In this updated version, the rapper-actor Ice-T plays Mason, a homeless man whose best friend and his dog both die on the same day. Cole (Charles S. Dutton, a relief worker, tells Mason that there's a job available that entails leading a hunting expedition in the mountains of the Pacific Northwest. The desperate Mason signs on. The hunting party is led by two CIA agents, Burns (Rutger Hauer) and Hawkins (Gary Busey), and it includes a business executive, Wolfe, Sr. (F. Murray Abraham), his son (William McNamara), and a strange Texan, Griffin (John C. McGinley). Mason flies on ahead to prepare the hunting lodge, and there he discovers that he is to be the prey for the hunt, though the hunters at least give him a head start before pursuing. The violent action pits the high-tech hunters, armed with numerous fancy weapons and vehicles, against Mason -- who must rely on his street smarts to escape and turn the tables on the hunting party. ~ Michael Betzold, All Movie Guide

A French boy goes to Virginia and finds love with an intelligent black girl in this nostalgic French drama set in 1955, and based on the popular 1986 novel by Philippe Labro. The movie was filmed in both Paris and Virginia. The film contains many references to blues and jazz, Faulkner, Chandler and Salinger. The French student Phillippe Le Clerc meets many interesting characters when he becomes a foreign exchange student in a Virginia college. Of all the people he meets, the one he loves the most is April, a highly educated "Negro girl," who must clean faculty houses when she is not in school. ~ Sandra Brennan, All Movie Guide

This debut offering from twin brothers Albert and Allen Hughes was one of the most critically-acclaimed urban crime films to appear in the wake of John Singleton's influential Boyz N the Hood. Set in the Watts neighborhood of Los Angeles, the film is narrated by 18-year-old Caine (Tyrin Turner), a drug dealer and car thief who lives with his religious grandparents. After graduating from high school, Caine shows no ambition beyond hanging out with his friends, so his grandparents kick him out. Among his other troubles are his best friend O-Dog (Larenz Tate), a vicious thug hunted by the police, and the friends and family of the girl Caine got pregnant and then turned his back on. Perhaps the lone positive influence in his sphere is Ronnie (Jada Pinkett), a single parent struggling to raise her young son without the boy falling prey to the 'hood mentality. When their friendship becomes a love affair, Ronnie tries desperately to convince Caine to move with her to Atlanta; soon afterward, he is shot and nearly dies. After recovering, he accepts Ronnie's offer, but tragedy strikes as they pack their van in preparation to leave. ~ Jason Ankeny, All Movie Guide