Dan Duryea Movies
Hissable movie heavy Dan Duryea was handsome enough as a young man to secure leading roles in the student productions at White Plains High School. He majored in English at Cornell University, but kept active in theatre, succeeding Franchot Tone as president of Cornell's Dramatic Society. Bowing to his parents' wishes, Duryea sought out a more "practical" profession upon graduation, working for the N. W. Ayer advertising agency. After suffering a mild heart attack, Duryea was advised by his doctor to leave advertising and seek out employment in something he enjoyed doing. Thus, Duryea returned to acting in summer stock, then was cast in the 1935 Broadway hit Dead End. The first of his many bad-guy roles was Bob Ford, the "dirty little coward" who shot Jesse James, in the short-lived 1938 stage play Missouri Legend. Impressed by Duryea's slimy but somehow likeable perfidy in this play, Herman Shumlin cast the young actor as the snivelling Leo Hubbard in Lillian Hellman's The Little Foxes. This 1939 Broadway production was converted into a film by Sam Goldwyn in 1941, with many members of the original cast -- including Duryea -- making their Hollywood debuts. Duryea continued playing supporting roles in films until 1945's The Woman in the Window, in which he scored as Joan Bennett's sneering "bodyguard" (that's Hollywoodese for "pimp"). Thereafter, Duryea was given star billing, occasionally in sympathetic roles (White Tie and Tails [1946], Black Angel [1946]), but most often as a heavy. From 1952 through 1955, he starred as a roguish soldier of fortune in the syndicated TV series China Smith, and also topped the cast of a theatrical-movie spin-off of sorts, World for Ransom (1954), directed by Duryea's friend Robert Aldrich. One of the actor's last worthwhile roles in a big-budget picture was as a stuffy accountant who discovers within himself inner reserves of courage in Aldrich's Flight of the Phoenix (1965). In 1968, shortly before his death from a recurring heart ailment, Duryea was cast as Eddie Jacks in 67 episodes of TV's Peyton Place. Dan Duryea was the father of actor Peter Duryea, likewise a specialist in slimy villainy. ~ Hal Erickson, All Movie Guide
Playwright Lillian Hellman first wrote of the horrible Hubbard family in her 1939 play The Little Foxes. In this lavish 1941 film version, Bette Davis takes over for Broadway's Tallulah Bankhead in the role of conniving turn-of-the-century Southern aristocrat Regina Hubbard Giddens. Regina's equally odious brothers (Charles Dingle and Carl Benton Reid) want her to lend them 75,000 dollars to help build a cotton mill. To do this, she must make peace with her long-estranged husband, Horace (Herbert Marshall) -- and failing that, she tries to arrange a wealthy marriage between her daughter, Alexandra (Teresa Wright), and her slimy nephew Leo (Dan Duryea). Horace refuses to give Regina the money, whereupon Leo is pressured by his father (Reid) to steal bonds from the family business. Regina uses this information as a means of blackmailing her brothers for a share in the new mill. In retaliation, Horace claims that he gave Leo the bonds as a loan, thereby cutting Regina out of the deal. When Horace suffers a heart attack, Regina makes no effort to give him his medicine, and he dies without revealing his willingness to loan the money to Leo. Regina is thus still able to strongarm her brothers into giving her a piece of the mill -- but the price for her evil machinations is the loss of her daughter's love and respect. The Little Foxes caused a censorship stir in 1941; by refusing to give Horace his medicine, Regina technically gets away with murder. However, the censors decided that Regina was punished enough when her daughter left her to marry an honest newspaperman (Richard Carlson). Given the usual Tiffany treatment by producer Sam Goldwyn, The Little Foxes was a success; several years later, Lillian Hellman wrote a "prequel" to The Little Foxes, titled Another Part of the Forest. ~ Hal Erickson, All Movie Guide
- Starring:
- Bette Davis, Herbert Marshall, (more)
- 1941
Ball of Fire is a delightful retelling (by Billy Wilder and Charles Brackett) of the "Snow White and the Seven Dwarfs" legend -- though strictly for grownups. Gary Cooper is the youngest of eight bookish professors authoring an encyclopedia. They find a perfect "research associate" in the curvaceous form of stripteaser Barbara Stanwyck, who (chastely) hides on the professors' domicile to escape her gangster boyfriend (Dana Andrews). As Stanwyck interprets various slang expression, she and the professors grow quite fond of one another; she brings out their sentimental sides, while they revive her essential decency. Naturally, Cooper is the one most smitten, though he hides his true feelings until the inevitable clinch. When gangster Andrews and his torpedo Dan Duryea show up to claim Stanwyck (Andrews wants to marry her so she can't testify against him), the professors save the day and it is Cooper who ends up with the beautiful Stanwyck. For the record, two of the "ancient" professors are Richard Haydn and O.Z. Whitehead, still in their mid-thirties (the others are S.Z. Sakall, Tully Marshall, Oscar Homolka, Leonid Kinskey and Aubrey Mather). Producer Sam Goldwyn later remade Ball of Fire as a Danny Kaye musical, A Song is Born (1948). ~ Hal Erickson, All Movie Guide
- Starring:
- Gary Cooper, Barbara Stanwyck, (more)
- 1942
That Other Woman in this 20th Century-Fox programmer turns out to be Emily (Virginia Gilmore), faithful secretary to master architect Henry Summers (James Ellison). Hoping to trap her boss into marriage, Emily begins sending "mash notes" to Henry, purportedly from a mysterious female admirer. She then coerces her old pal Ralph (Dan Duryea) to pose as her jealous Southern-fried boy friend of the nonexistent letter-writer. Poor Henry, convinced that Ralph is the gangster who's been threatening him with bodily harm, skeedaddles to parts unknown. Our heroine spends the rest of the picture chasing Henry until he finally catches her. ~ Hal Erickson, All Movie Guide
- Starring:
- Virginia Gilmore, James Ellison, (more)
"It's box office poison," producer Samuel Goldwyn is said to have exclaimed when he heard the idea of filming the life story of fabled first baseman Lou Gehrig. "If people want baseball, they go to the ballpark!" The story begins before World War I, when young Lou Gehrig (played as a boy by Douglas Croft) begins dreaming of becoming a professional ballplayer. Lou's immigrant parents (Elsa Jansen and Ludwig Stossel) insist that the boy attend Columbia University to become an engineer. While in college, Lou (played as a man by Gary Cooper) becomes a star athlete, and, with the help of sports journalist Sam Blake (Walter Brennan), he is signed by the New York Yankees and joins their big-league lineup in 1925; real-life Yanks Babe Ruth, Bill Dickey, Bob Meusel and Mark Koenig play themselves. He also meets and falls in love with Eleanor Twitchell (Teresa Wright) (an event that actually happened in 1933) and earns the nickname "The Iron Man of Baseball" because he never misses a game. In 1939, Lou discovers that he has a fatal neurological disease called amytrophic lateral sclerosis (now known, of course, as "Lou Gehrig's Disease"). On July 4, 1939, an emotional Lou Gehrig, a scant two years away from death, bids farewell to 62,000 of his fans and friends at Yankee Stadium. Allowing that he might have been given a bad break, he concludes his speech with "Today, I consider myself the luckiest man on the face of the earth." Deftly weaving basic facts with yards and yards of fancy, screenwriters Jo Swerling and Herman J. Mankiewicz serve up one of the most entertaining and inspiring baseball biopics. A more accurate but less dramatic adaptation of the same story, A Love Affair: The Eleanor & Lou Gehrig Story, was produced for television in 1977. ~ Hal Erickson, All Movie Guide
- Starring:
- Gary Cooper, Teresa Wright, (more)
Humphrey Bogart considered this World War II action epic from director Zoltan Korda one of his finest films. Sergeant Joe Gunn (Bogart) is the commander of an American M-3 tank crew allied to the British Eighth Army, which is defeated by the Germans at Tobruk. Joining the scattered retreat across the Libyan desert, Gunn and his two remaining men, Jimmy Doyle (Dan Duryea) and Waco Hoyt (Bruce Bennett) search for water. Instead the tank crew finds an international mix of stragglers, including an officer doctor (Richard Nugent) with several soldiers and a British Sudanese sergeant, Tambul (Rex Ingram), with his Italian prisoner of war (J. Carrol Naish). The rag-tag column shoots down an attacking plane and takes its German pilot (Kurt Kreuger) as a second captive, although a soldier, Fred Clarkson (Lloyd Bridges) is killed in the fighting. After one well turns out to be dry, the troupe finally reaches an abandoned mosque with a well that provides a trickle of water. Two more prisoners are taken while scouting the area and reveal that an entire German battalion is en route to the same well. Gunn misleads them into believing that there is plenty of water to go around, sets them free to report back to their superiors, and then persuades his fellow Allies to help him fight the enemy force that's en route, even though they are staggeringly outnumbered. A betrayal, an escaped prisoner, and bloody skirmishes follow in short order as Hoyt goes in search of help while Gunn and his compatriots attempt to crush the German battalion. Sahara (1943) inspired several subsequent action films, most notably Last of the Comanches (1952), and was remade as a 1995 cable television movie. ~ Karl Williams, All Movie Guide
- Starring:
- Humphrey Bogart, Bruce Bennett, (more)
- 1944
The usual modus operandi for Hollywood "through the years" sagas was to gradually age its young actors in the course of the film. In Mrs. Parkington, 35-year-old Greer Garson appears in old-lady makeup for virtually the entire 124-minute running time, even though this filmization of Louis Bromfield's best-selling novel covers the years 1875 through 1938. Eightyish widow Mrs. Susie Parkington (Garson) gathers together all of her grown children in an effort to bail out son-in-law Amory Stilham (Edward Arnold), who's gotten in Dutch through crooked financial deals. As the children and grandchildren bicker over the "impossibility" of giving up any part of their inheritance, Mrs. Parkington's mind wanders back to her marriage to wealthy mine owner Maj. Augustus Parkington (Walter Pidgeon) and her own efforts, as an unlearned Nevada serving girl, to fit into proper Manhattan society. Augustus' ex-love Aspasia Conti (Agnes Moorehead, in a surprisingly sexy role) is engaged to teach Susie the in and outs of which fork to use and how low to curtsy. Shut out by the "400," Susie is avenged by her husband, who wheels and deals to ruin the snobs financially. Later on, he assuages his anger by conducting several extramarital affairs, before perishing in one of those convenient movie auto accidents. Just how all these incidents strengthen Mrs. Parkington's resolve to rescue her wastrel son-in-law is a mystery that even two viewings of this overlong soap opera may not solve. Incidentally, Greer Garson isn't the only one who is prematurely aged in Mrs. Parkington; keep an eye out for 27-year-old Hans Conried, convincingly playing a doddering musician. ~ Hal Erickson, All Movie Guide
- Starring:
- Greer Garson, Walter Pidgeon, (more)
Directed by Fritz Lang, The Woman in the Window, a sadly tragic film noir, is the story of the doomed love of married psychology-professor Wanley (Edward G. Robinson), who, with murderous results, meets and falls in love with another woman. Wanley first sees the portrait of a beautiful woman, Alice (Joan Bennett), and then meets the woman herself. After committing murder in self-defense, he finds himself blackmailed by Heidt (Dan Duryea). The script, written by Nunnally Johnson, is carefully structured with crisp dialogue and a convincing ending. Lang is at his best, getting excellent performances from Robinson, as the doomed, naive professor, and Bennett both. The Woman in the Window shows that good and evil are present in all, and that circumstances frequently dictate moral choices. Based on J.H. Wallis' novel Once Off Guard, the film gives viewers their money's worth with not one but two logical and satisfying surprise twists at the end. ~ Linda Rasmussen, All Movie Guide
- Starring:
- Edward G. Robinson, Joan Bennett, (more)
- 1944
- NR
Cary Grant delivered Oscar-calibre performances all his life, but only when he played against type in None But the Lonely Heart did the Academy Awards people break down and give him a nomination. Grant plays a restless, irresponsible cockney who seeks a better life but doesn't seem to have the emotional wherewithal to work for such a life. The hero's shiftlessness extends to his love life; musician Jane Wyatt genuinely cares for him, but he prefers the company of fickle gangster's ex-wife June Duprez. June's former husband George Coulouris convinces Grant that the quickest means to wealth is a life of crime, but Grant drops this aspect of his life to take care of his terminally ill mother Ethel Barrymore. While Cary Grant did not win the Oscar he so richly deserved for None But the Lonely Heart, Ethel Barrymore did cop the gold statuette. Written and directed by Clifford Odets, None But the Lonely Heart unfortunately lost money for RKO, which could have used a little extra cash after paying the expenses of temporarily closing Ms. Barrymore's Broadway play The Corn is Green. ~ Hal Erickson, All Movie Guide
- Starring:
- Cary Grant, Ethel Barrymore, (more)
- 1944
An innocent man is drawn into a web of espionage when he unwittingly comes into possession of a crucial piece of microfilm in this shadowy, ominous film noir. Fritz Lang's adaptation of Graham Greene's novel is filled with unusual touches, beginning with the fact that protagonist Stephen Neale (Ray Milland) has just been released from a mental asylum. To celebrate his return to the real world, he visits a local carnival, only to accidentally receive a "prize" meant for a Nazi agent. When he discovers the error, he turns for help to a detective, whose investigations only make the matter more complicated. Neale soon winds up on the run from both the Nazis and the police, who mistakenly believe him guilty of murder. Lang's famous expressionistic style is somewhat muted here, but Henry Sharp's crisp black-and-white cinematography sets a suitably unsettling mood, and the twists and double-crosses of Greene's story unfold at an appropriately quick pace. While it does not reach the same level of timeless classic as Carol Reed's adaptation of Greene's The Third Man four years later, Ministry of Fear stands as a well-made, thoroughly gripping and intelligent example of film noir. ~ Judd Blaise, All Movie Guide
- Starring:
- Ray Milland, Marjorie Reynolds, (more)
- 1944
Produced by the same team responsible for MGM's Crime Does Not Pay short subjects, Main Street After Dark is an energetic crime melodrama with a topical wartime theme. The film's criminal element is a family of pickpockets, who've been fleecing visiting servicemen. The crooks are challenged by a civic clean-up committee, and are brought to justice by the time the film's allotted 57 minutes have run their course. Only MGM could produce a "B" picture with a star lineup including Edward Arnold, Hume Cronyn, Dan Duryea and Audrey Totter. Main Street After Dark also provided a good showcase for newcomer Gloria Grahame as the prettiest of the pickpockets. ~ Hal Erickson, All Movie Guide
- Starring:
- Edward Arnold, Selena Royle, (more)
- 1944
This 91-minute Republic "special" stars Michael O'Shea as Matt Braddock, an aggressive Henry Kaiser-like shipbuilder operating in 1880s California Though his business innovations are brilliant, Braddock's pugnacious attitude loses him the support of the locals when he plans to build a big new shipyard in a small coastal community. Eventually he perseveres, bringing the story to a rousing conclusion. Along the way, however, there's a bit too much emphasis on the hot-and-cold romance between Braddock and the lovely Diana Kennedy (Anne Shirley). Tommy Bond, the former Butch in the "Our Gang" comedies, registers well in a sympathetic supporting role (Bond later noted that this was one of his favorite films). ~ Hal Erickson, All Movie Guide
- Starring:
- Michael O'Shea, Anne Shirley, (more)
Masterfully directed by Fritz Lang, Scarlet Street is a bleak film in which an ordinary man succumbs first to vice and then to murder. Christopher Cross (Edward G. Robinson) is a lonely man married to a nagging wife. Painting is the only thing that brings him joy. Cross meets Kitty (Joan Bennett) who, believing him to be a famous painter, begins an affair with him. Encouraged by her lover, con man Johnny Prince (Dan Duryea) Kitty persuades Cross to embezzle money from his employer in order to pay for her lavish apartment. In that apartment, happy for the first time in his life, Cross paints Kitty's picture. Johnny then pretends that Kitty painted to portrait, which has won great critical acclaim. Finally realizing he has been manipulated, Cross kills Kitty, loses his job, and because his name has been stolen by Kitty, is unable to paint. He suffers a mental breakdown as the film ends, haunted by guilt. Kitty and Johnny are two of the most amoral and casual villains in the history of film noir, both like predatory animals completely without conscience. Milton Krasner's photography is excellent in its use of stark black-and-white to convey psychological states. Fritz Lang is unparalleled in his ability to convey the desperation of hapless, naïve victims in a cruelly realistic world. ~ Linda Rasmussen, All Movie Guide
- Starring:
- Edward G. Robinson, Joan Bennett, (more)
- 1945
Deanna Durbin offered her fans a change of pace in this mystery story seasoned with elements of comedy and music. Nikki Collins (Durbin) is a small-town girl visiting New York City to meet with Mr. Haskell (Edward Everett Horton), her family's attorney. As her train pulls into the station, she looks out her window into a nearby office building. She's shocked by what she sees -- a man is being strangled to death, and while she can't see the face of the killer, she gets a good look at the victim. Terrified, Nikki immediately goes to the police, but they think that her story is simply the product of an overactive imagination and send her on her way. Nikki, however, is certain that she witnessed a murder, and she approaches mystery writer Wayne Morgan (David Bruce) to help her piece together the facts of what happened. Thanks to a newsreel, Nikki is able to recognize the victim as Mr. Waring, a wealthy man who made his fortune in shipping; she attempts to contact Waring's family, but they're convinced that Nikki is a nightclub singer with whom the tycoon was having an affair. Hoping to contact the chanteuse in question, Nikki visits the club where she works, only to discover that she's also been murdered. Nikki soon finds herself being trailed by both Jonathan (Ralph Bellamy) and Arnold (Dan Duryea), two members of Waring's family whom she believes may have been involved in the crime, and could be trying to silence her once and for all. Like most of Durbin's vehicles, Lady on a Train's plot stops every now and then to give her the opportunity to sing a song; Western fans may want to keep an eye peeled for future cowboy star Lash LaRue, who has a small role as a waiter. ~ Mark Deming, All Movie Guide
- Starring:
- Deanna Durbin, Ralph Bellamy, (more)
Gary Cooper added "producer" alongside "star" on his resume with this light-hearted Western about a mild-mannered cowboy (Cooper) who drifts into a small town with his sidekick (William Demarest). Naturally, he's mistaken for a notorious highway robber (Dan Duryea), although he can barely handle a gun. His impersonation of the menacing gunman falls apart when his skills are put to the test, and he faces certain doom when challenged by the returning gunman himself. In the end, however, our hero defeats the villain and even ends up with his girl (Loretta Young). A send-up of both Western clichés and Cooper's own heroic persona, Along Came Jones is brisk, amusing entertainment. ~ Don Kaye, All Movie Guide
- Starring:
- Gary Cooper, Loretta Young, (more)
This ambitious independent production was packaged by producer W. Lee Wilder, brother of Billy Wilder, and distributed by Republic. The title character, played with relish (and a bit of mustard) by Erich Von Stroheim, is an arrogant vaudeville artiste specializing in a trick-gunshot act. A dyed-in-the-wool misogynist, Flamarion at first pays little attention to his beautiful assistant Connie (Mary Beth Hughes)-just as well, since Connie is already married to Flamarion's other assistant, Al Wallace (Dan Duryea). Bored with marriage, Connie begins playing up to her boss, the result being the "accidental" death of Al during Flamarion's act. Having committed murder for Connie's sake, Flamarion fully expects to be sexually compensated-but he doesn't know the treacherous Connie as well as the late Al did. Future cult favorite Anthony Mann's direction is rather perfunctory, suggesting perhaps that he was somewhat intimidated in the presence of the flamboyant Von Stroheim. ~ Hal Erickson, All Movie Guide
- Starring:
- Mary Beth Hughes, Dan Duryea, (more)
- 1945
- NR
Based on Marcia Davenport's novel and set in 1870, Valley of Decision details the romance between a housemaid named Mary Rafferty (Greer Garson) and her employer's son, Paul Scott (Gregory Peck). Paul's father, William (Donald Crisp), owns a Pittsburgh steel mill where Mary's father, Pat (Lionel Barrymore), was crippled; Pat believes he wouldn't have suffered his accident if William had taken more safety precautions. Once Mary and Paul fall in love, both fathers fight against their relationship, and soon their romance is plagued by not only familial tensions, but also a worker's strike at the steel mill. ~ Stephen Thomas Erlewine, All Movie Guide
- Starring:
- Greer Garson, Gregory Peck, (more)
- 1946
In this comedy drama, a butler and a crap-shooting chauffeur find themselves having the run of their employer's mansion after he goes on a ten-day vacation. They decide to avail themselves of their master's luxuries. The butler finds his boss's clothing fits him perfectly, and so pretends to be master of the manse. He and his driver end up at a ritzy gambling club where they meet a wealthy but spoiled young woman whose sister owes $100,000 to a racketeer. To impress the girl, the butler writes a check in his employer's name to cover her debt. Now they must all hurry to earn back the money before the master returns. ~ Sandra Brennan, All Movie Guide
- Starring:
- Scotty Beckett, William Bendix, (more)
With an ingenious script by Roy Chanslor, this modest, but imaginative film noir is notable for the strong performance by lead actor Dan Duryea Alcoholic musician Martin Blair (Duryea) becomes the prime suspect when his cheating wife is murdered, until it is determined that he was "sleeping one off" at the time of the killing. Another man (John Phillips), who was being blackmailed by the murdered woman, is sent to prison for the crime. The condemned man's wife (June Vincent) believes in her husband's innocence and sets about to prove it, enlisting the aid of Blair, who has flashes of memory about the night of the crime. Recalling that he saw a stranger leave his wife's apartment, Blair endeavors to track down this stranger. The real murderer is revealed in the film's last moments...to everyone's surprise, including the guilty party! Black Angel was based on a novel by Cornell Woolrich. Normally assigned to villainous roles, Dan Duryea gives a surprisingly impressive performance as an affectingly romantic character and is by far the most interesting and sympathetic character in the film. His performance makes the plot twist at the end, both startling and believable. ~ Hal Erickson, All Movie Guide
- Starring:
- Dan Duryea, June Vincent, (more)
- 1948
Worthless from a historical aspect, Black Bart is nonetheless an enjoyable fabrication about the fabled Western outlaw. Rescued from a "necktie party," outlaws Charles E. Boles (Dan Duryea) and Lance Hardeen (Jeffrey Lynn) decide that it would be best to part as friends and go their separate ways. When next seen, Boles is a prosperous rancher who supplements his income by robbing the Wells Fargo gold shipments under the alias of Black Bart. Upon learning this, Hardeen rides back into Boles' life demanding a piece of the action. Both of the hero-villains are foiled when they succumb to the charms of the bewitching international courtesan Lola Montez (Yvonne DeCarlo). The story is related in flashback-from a jail cell by the outlaws' erstwhile partner Jersey Brady (Percy Kilbride). Obviously forgotten or ignored by the screenwriters was the fact that the actual Black Bart was really black, an ex-slave who "made bad" in the Wild West . Black Bart was remade in 1967 as Ride to Hangman's Tree. ~ Hal Erickson, All Movie Guide
- Starring:
- Yvonne De Carlo, Dan Duryea, (more)
- 1948
Another Part Of The Forest begins some twenty years before the events of Lillian Hellman's play and movie The Little Foxes and shows how that film's Hubbard family became the ruthless, greedy lot they were. It's fifteen years after the Civil War, and the Hubbards dominate their small Southern town financially, if not socially; The patriarch of the family (Fredric March) sold salt for $8 a pound to the Confederate Army at a time when they needed it most. Edmond O'Brien and Dan Duryea play his sons, the former as mean as his father, the latter and younger one a weakling. When the elder child finds out that his father was responsible for the death of Southern troops during the war, he threatens to expose the truth unless the family fortune is placed in his hands. In the end, only Hubbard's wife (Florence Eldridge) stands by her husband during his inevitable fall, and she banishes her own children from their house. Brilliant acting by all, especially March, Duryea, and O'Brien, plus a sharp script, make this unrelentingly grim melodrama fascinating to watch. ~ Don Kaye, All Movie Guide
- Starring:
- Fredric March, Dan Duryea, (more)
- 1948
Yvonne DeCarlo dons 19th century "adventuress" garb once more in River Lady. This time she's a 19th century gambling queen, in charge of a profitable Mississippi riverboat casino. DeCarlo falls in love with logger Rod Cameron; when he won't succumb to her charms, she tries to buy his affections by setting up a logging empire. DeCarlo's partner Dan Duryea is also fascinated with her, but he's his usual slimy self and hasn't got a chance of either winning the girl or surviving to the fade-out. ~ Hal Erickson, All Movie Guide
- Starring:
- Yvonne De Carlo, Dan Duryea, (more)
- 1948
John Payne is the no-good lowdown rat who tries to capitalize on postwar patriotism and grief. He finagles a war widow (Joan Caulfied) into giving up her savings for a nonexistent memorial. When Payne falls in love with the widow he has pangs of conscience, but he reckons without his con-artist boss (Dan Duryea), who tends to bolster his arguments with muscle and bullets. Larceny is a second-echelon "film noir" based on The Velvet Fleece, a novel by Lois Ely and John Fleming. When costar Shelley Winters (who plays Duryea's moll) was asked years later what she did in Larceny, she snapped "lousy acting." ~ Hal Erickson, All Movie Guide
- Starring:
- John Payne, Joan Caulfield, (more)
Steve Thompson (Burt Lancaster) returns home after a few years of knocking around the country following his divorce from good-time girl Anna (Yvonne De Carlo). Getting his old job back driving an armored car, and not even convincing himself that he's making a new start, he also wants his old wife back. When he finds Anna, he quickly learns that she is involved with gangster Slim Dundee (Dan Duryea). Nonetheless, they carry on a clandestine affair, with Steve foolishly believing that Anna will return to him. Even after she marries Slim, Steve, with her encouragement, masochistically clings to this doomed obsession. So when Slim catches them together, Steve ad libs plans for an armored car robbery that includes Slim. The two rivals form an uneasy and untrusting collaboration, but Steve and Anna plan to double cross Slim. However, the title of Robert Siodmak's film noir gem is, not incidentally, Criss Cross. ~ Steve Press, All Movie Guide
- Starring:
- Burt Lancaster, Yvonne De Carlo, (more)
- 1949
Produced by Paramount's Pine-Thomas unit, Manhandled is a no-nonsense film noir with a well-chosen cast. Small-time hoodlum Karl Benson (Dan Duryea) uses and abuses several innocent people in his efforts to get ahead. Among Benson's victims is Merl Kramer (Dorothy Lamour), who doesn't find out about her boyfriend's perfidy until it's almost too late. Sterling Hayden co-stars as insurance investigator Joe Cooper, who likewise exploits poor Merl, albeit for a good cause: Cooper is on the trail of some missing jewels. A subplot involves a married couple (Irene Hervey and Alan Napier) and the wife's would-be lover (Phillip Reed). Manhandled's level of tension never lets up, not even in its final scenes. ~ Hal Erickson, All Movie Guide
- Starring:
- Dorothy Lamour, Sterling Hayden, (more)
When Lizabeth Scott's Jane Greer husband Arthur Kennedy accidentally gets his mitts on $60,000 in stolen money, she insists that he keep the dough rather than turn it over to the authorities. Two-bit private eye Dan Duryea catches on to Scott's subterfuge, and demands that she turn the cash over to him. Scott persuades Duryea to split the money with her--then, determining that Kennedy might be too honest for everyone's own good, she murders her husband. To cover her tracks, Scott reports her husband as missing. This brings in yet another fly in the ointment: Don DeFore, the brother of Scott's first husband, who died under mysterious circumstances. The already knotted webs of intrigue become even more tangled before Scott's ironic comeuppance. Too Late for Tears was scripted by Roy Huggins, who later produced such TV detective series as The Rockford Files. ~ Hal Erickson, All Movie Guide
- Starring:
- Lizabeth Scott, Don DeFore, (more)
