Mark Berger Movies

Three generations of women struggle to make lives for themselves and their families in the desert wastes of Northern Brazil in a drama from filmmaker Andrucha Waddington. In 1910, Vasco de Sá (Ruy Guerra) leads his wife, Áurea (Fernanda Torres), and her mother, Dona Maria (Fernanda Montenegro), to their new home -- a ramshackle cabin in Maranhão, a tiny village in the middle of a barren sand dune. Vasco and Áurea's new neighbors are hardly welcoming of the new arrivals, especially Massu (Seu Jorge), and when Vasco unexpectedly dies, Áurea and Dona Maria are left to fend for themselves, an especially vexing challenge as Áurea is with child. Nine years later, Áurea and Dona Maria have turned their cottage into a home, but life in Maranhão remains a constant uphill battle, and Áurea dreams of moving away with her daughter, Maria (Camilla Facundes). Áurea becomes infatuated with Luiz (Enrique Diaz), who works with a group of astronomers who have come to Maranhão to observe an eclipse, but their romance comes to a crashing halt when Dona Maria is killed. By 1942, Maria (now played by Fernanda Torres) is a promiscuous alcoholic who brings shame to Áurea (now played by Fernanda Montenegro). After the body of an Air Force pilot is found near Maranhão, a military officer is sent to investigate -- Luiz (now played by Stenio Garcia). When Luiz meets Maria, he sees the image of the woman he longed for years before, and while she doesn't have the same feelings for him, Maria realizes that Luiz represents her best hope of finally escaping the village she's come to hate. The House of Sand received its North American premiere at the 2005 Toronto Film Festival. ~ Mark Deming, All Movie Guide

Planned for years, but plagued by problems such as the death of director John Frankenheimer before production had even begun and the exiting of star Liam Neeson, the fourth installment of the Exorcist saga finally got off the ground with Paul Schrader (Affliction, Auto Focus) behind the camera and Stellan Skarsgård filling the shoes left empty by Neeson. But the pitfalls didn't stop there, as Morgan Creek decided against their initial approach assigned to Schrader after seeing his finished cut, and hired Renny Harlin to reshoot the film with extra gore and head-spinning nastiness. The first prequel in the series, Exorcist: The Beginning is based upon events occurring before the first film. Playing the character made famous by Max von Sydow in the earlier films, this entry finds Skarsgård as a young Father Merrin facing true evil for the first time in Africa in the wake of World War II. When a young local boy begins to behave strangely, it becomes more and more apparent to Merrin that the child is a victim of demonic possession. Boasting a first-time screenplay by best-selling novelist Caleb Carr (The Alienist), Exorcist: The Beginning features a supporting cast headed by Izabella Scorupco (GoldenEye) and James D'Arcy (Master And Commander). ~ Matthew Tobey, All Movie Guide

Director Lawrence D. Foldes teams with producer Victoria Page Meyerink to weave a haunting tale of family tragedy and painful memories starring Geneviève Bujold, Louise Fletcher, and Lisa Brenner. Troubled by traumatic memories of being forcefully removed from her grandmother's serine New England bed and breakfast, Amanda is forced to return to the house of her childhood as the fragmented memories of her past slowly begin to come together. With past secrets relating to the events that simultaneously shaped her childhood and destroyed her family gradually rising to the surface, the betrayal of the past and her inexplicable hesitance towards the inn's young caretaker lead to a startling revelation that will bring three generations of blurred memories into sharp focus. As Exorcist star Jason Miller's last film, this was released posthumously. ~ Jason Buchanan, All Movie Guide

Fate turns the most lovelorn man in Belfast into a sexual dynamo in this eccentric comedy. Eamonn (Kris Marshall) is a physically unimpressive and socially inept 24-year-old virgin who lives in Belfast with his mother (Olivia Nash), who conceived Eamonn during a one-night-stand with a low-rent lounge singer passing through town. Eamonn is far too shy to ask a girl out on a date, and his appearance hardly has the ladies lining up around the block, but one day local sexpot Mary Malloy (Tara Lynne O'Neill), figuring she's made her way through nearly every other man in town, decides to take the initiative with Eamonn. To Mary's surprise, she discovers Eamonn is a sexual prodigy with a physical gift that would make the late John Holmes proud, and with one satisfied woman under his belt, Eamonn finally works up the nerve to ask out Rosie (Kathy Kiera Clarke), a girl from a nearby funeral home. But before Eamonn can actually take Rosie out on the town, Mary learns she's pregnant, even though she was using birth control. A doctor discovers that Eamonn has a remarkably high sperm count, and with birth rates plummeting among Ireland's Catholic families, Millicent (Bronagh Gallagher) gets the idea of hiring Eamonn out to father children with women whose husbands have been unable to do the job; Eamonn even does so with the blessings of the local Catholic clergy, who find Eamonn's "service" less morally problematic than artificial insemination. The Most Fertile Man in Ireland marked the directorial debut of actor Dudi Appleton. ~ Mark Deming, All Movie Guide

This adaptation of three stories from Irvine Welsh's short-story collection of the same name reunites Annie Louise Ross, Kevin McKidd, and Ewen Bremner from the author's previous cinematic success, Trainspotting, which was also set in the author's native North Edinburgh. In the Kafka-esque "The Granton Star Cause," a lazy amateur footballer (Stephen McCole) has a very, very bad day that culminates in God (Maurice Roeves) turning him into an insect. In "A Soft Touch," a young husband and father (McKidd) finds his life disrupted when a psychotic neighbor (Gary McCormack) takes up with his wife (Michelle Gomez) and invades his wretched tenement. And in "The Acid House," a druggie low-life (Bremner) experiences a Freaky Friday-style body switch with the infant son of a pair of self-involved yuppies. After "The Granton Star Cause" was screened separately at the Edinburgh Film Festival, the completed film was shown at Cannes in 1998. The title is a play on the term "acid house," a form of sinister dance music that emerged in Chicago in the mid-'80s and helped fuel the formative years of England's rave culture. Former Doctor Who actor Maurice Roeves, who plays God in "The Granton Star Cause," also has cameos in the other two segments. Jemma Redgrave, niece of Lynn and Vanessa Redgrave and cousin of Natasha and Joely Richardon, appears in the title segment and lends her Bjork-haired visage to the film's poster. ~ Brian J. Dillard, All Movie Guide

Fine special effects, eclectic casting, and the freeze-frame-worthy, clothing-free debut of a blonde bombshell made this cheesy science fiction/horror hybrid a cut above its B-grade roots. At a top-secret Utah facility headed up by Dr. Xavier Fitch (Ben Kingsley), scientists have created "Sil" (Natasha Henstridge), a half-human, half-alien product of experiments with DNA codes obtained from beyond the stars. Unfortunately, Sil has escaped. Her primary objective is to mate, and, with the ability to transform herself into an incredibly powerful alien creature, puny humans can't stop her. So Dr. Fitch calls in a quartet of specialists (Forest Whitaker, Michael Madsen, Marg Helgenberger, and Alfred Molina), to attempt Sil's capture. At the same time, Sil is leaving a trail of mostly male corpses in her hormonal wake. The organic-flavored alien designs for Species were provided by H.R. Giger, the artist responsible for the memorable creatures and spaceships of Alien (1979). When MGM decided to cut the spectacular "train birth" sequence in the interest of budget-trimming, Giger personally financed this $100,000 showcase of his work. Those who look closely will notice that "Young Sil" is played by future Dawson's Creek star Michelle Williams. ~ Karl Williams, All Movie Guide

Signal 7 is cab-driver jargon; if you want to know what it means, please treat yourself to this breezy low-budget effort. Shot on location in San Francisco, the film concentrates on the exploits of cabbies Speed (Bill Ackridge) and Marty (Dan Leegant). Their day-to-day adventures and misadventures are punctuated by their reactions to various large and small crises, and their oft-elucidated hopes of becoming actors. Lensed on videotape, Signal 7 was transferred to 35-millimeter stock for its theatrical showings. Given the fact that it sounds as though the actors were making it up as they went along, we shouldn't be too taken aback that Signal 7 was dedicated to pioneer improv filmmaker John Cassavetes. ~ Hal Erickson, All Movie Guide

Also known as The Muse Concert: No Nukes, this rock-concert film offers a good representative cross-section of old-line show business liberalism. Bruce Springsteen and Bonnie Raitt are the "newest" members of the aggregation by default. They're okay if not brilliant, which can also be said for their fellow troubadours Jackson Browne, Crosby, Stills, and Nash, James Taylor and the Doobie Brothers. The anti-nuke theme of the concert isn't as overbearing as it might have been under the circumstances (even "special guest" Jane Fonda is comparatively benign). The best sequences in the film are comprised of misleading government-propaganda clips from the old TV series "The Big Picture" (love those uniformed piglets!) The graininess of the film stock is the only real detriment of No Nukes. ~ Hal Erickson, All Movie Guide