Robert Alan Aurthur Movies

"It's showtime!" In this part film à clef, part musical phantasmagoria, director/choreographer Bob Fosse takes a Felliniesque look at the life of a driven entertainer. Joe Gideon (Roy Scheider, channeling Fosse) is the ultimate work (and pleasure)-aholic, as he knocks back a daily dose of amphetamines to juggle a new Broadway production while editing his new movie, not to mention ex-wife Audrey (Leland Palmer), steady girlfriend Kate (Ann Reinking), a young daughter, and various conquests. Joe cannot, however, avoid intimations of mortality from white-clad vision Angelique (Jessica Lange) that lead him to look back at his life as he heads for a near-inevitable coronary and his departure from this mortal coil with the appropriate razzle-dazzle. Taking his cue from Federico Fellini's 8 1/2 (1963), Fosse moves from realistic dance numbers to extravagant flights of cinematic fancy, as Joe meditates on his life, his women, and his death. Following a similarly dark revisionist vein as Martin Scorsese's New York, New York (1977), Fosse shows the stiff price that entertaining exacts on entertainers (among other things, he intercuts graphic footage of open-heart surgery with a song and dance), mercilessly reversing the feel-good mood of classical movie musicals. Critics praised Fosse's daring even as they damned his self-indulgence, while Scheider was lauded for giving the best performance of his career. Though not a disastrous failure, All That Jazz came nowhere near the popularity of 1978's Grease, as late '70s audiences increasingly turned away from "difficult" movies. For all its excesses, Fosse's fiercely personal approach turned All That Jazz into another striking work from one of the few directors able to make, and experiment with, movie musicals after the 1960s. ~ Lucia Bozzola, Rovi

When it was released in 1968, For Love of Ivy was the first mainstream Hollywood film to depict a mature romantic relationship between a black man and woman. Sidney Poitier stars as Jack Parks, a trucking executive who runs an illegal travelling casino out of one of his vehicles. Abbey Lincoln co-stars as Ivy Moore, the much-valued maid of the white Austin household. To make sure that Ivy won't quit her job, Frank Austin (Carroll O'Connor) blackmails Poitier into romancing her. He eventually falls in love with Ivy for real, but not before she's discovered that he's little more than a "hired hand" in affairs of the heart. Beau Bridges costars as amiable hippie Tim Austin, the only truly likeable member of his snooty, upper-crust clan. Robert Alan Aurthur based his screenplay on an original story by star Sidney Poiter. ~ Hal Erickson, Rovi

Academy Award-winning director Delbert Mann adapts author Budd Shulberg's scathing critique of the Hollywood studio system to the small screen in this drama originally aired as part of the NBC anthology series Sunday Showcase. Sammy Glick (Larry Blyden) may be an amoral hustler, but sometimes that's what it takes to make it in Hollywood. Seizing an opportunity to work his way up through the ranks, a lowly copy boy quickly gains a reputation as one of the most powerful players in town. Completely restored and remastered, the entire two-part broadcast of What Makes Sammy Run? provides a new generation the opportunity to finally experience a long lost Hollywood classic. John Forsythe, Barbara Rush, and Dina Merrill co-star. ~ Jason Buchanan, Rovi

After several years' absence from the screen, the vivacious Betty Hutton made a somewhat tepid comeback in Spring Reunion. The scene is a medium-sized Midwestern town, where Maggie Brewster (Hutton) is reacquainted with her high-school flame Fred Davis (Dana Andrews) during a class reunion. The first time around, Maggie turned down Fred at the behest of her wealthy, domineering father (Robert Simon). When Fred proposes a second time, history threatens to repeat itself -- at least until the lachrymose finale. Silent screen star Laura La Plante also makes a return to the screen as Maggie's understanding mother. Rumor has it that the barely saleable Spring Reunion was deliberately designed as a tax write-off by the accountants for Kirk Douglas' Bryna Productions. ~ Hal Erickson, Rovi