Tom Everett Scott Movies

Eric Drilling wrote and directed this adaptation of his one-act play, set in rural New England, about alcoholic abuse in a single-parent family. After Dave Holden (Tom Everett Scott) fatally stabs his father while protecting his younger brother Tom (David Moscow), it's Tom who takes the rap and is sent off to a juvenile correction facility. But then Dave discovers dad's debts, works as a dishwasher to pay them off, and finally turns to robbery. Scott was the director of Drilling's one-act play. Shown at the 1998 Sundance Film Festival. ~ Bhob Stewart, Rovi

Walt Disney Pictures resurrects one of their time-honored franchises with Race to Witch Mountain, a family-oriented sci-fi adventure that tells the story of two alien visitors (AnnaSophia Robb and Alexander Ludwig) whose search for their spacecraft gets them caught up in an adventure with a cab driver (Dwayne "The Rock" Johnson) and a UFO specialist (Carla Gugino). As the group races toward the mysterious mountain in the Nevada desert that has mystified scientists and paranormal researchers for years, the government, gangsters, and an extraterrestrial bounty hunter attempt to prevent them from reaching their intended destination. Should the two planetary travelers fail in recovering their ship, an alien invasion will be launched against the entire planet. The original 1975 picture Escape to Witch Mountain was followed by the sequel Return From Witch Mountain, as well as a 1995 made-for-TV remake. ~ Jeremy Wheeler, Rovi

Tom Hanks made his directorial debut in this bright comedy set in the mid-1960's about a rock group and their brief fling with fame. Guy Patterson (Tom Everett Scott) works as a salesman at his father's appliance store and plays the drums in his spare time, fancying himself a jazz musician. One day, a buddy of Guy's tells him a local rock band, The One-Ders (it's pronounced "wonders"), are in need of a drummer -- they have Battle of the Bands coming up and their usual timekeeper has broken his arm. Guy agrees to sit in, but when it's time to play their best original, a love ballad called "That Thing You Do," Guy lays in a sharp, driving beat that turns the tune into an uptempo pop-rocker. Lead singer Jimmy (Johnathon Schaech) isn't happy at first, but guitarist Lenny (Steve Zahn) and the nameless Bass Player (Ethan Embry) think the song sounds better that way -- and they notice the girls like it just fine. Soon people are actually requesting the song at their shows, and the One-Ders scrape together some money to press a single of "That Thing You Do" to sell between sets. A DJ puts the song on the radio, and opportunity knocks in the form of Mr. White (Tom Hanks), who works for the very major Play-Tone Records label. Play-Tone buys the rights to "That Thing You Do" and puts the band on the road as their song makes it way to the top of the national charts. But what can The Wonders (as Play-Tone have re-named them) do for an encore? And what should Guy do about his infatuation with Jimmy's girlfriend, Faye (Liv Tyler)? Real-life 60's obsessed rocker Chris Isaak has a small part as a recording engineer, and fans of real 60's garage bands will appreciate the wealth of small, accurately observed details (for example, halfway through the film, when a few "That Thing You Do" royalty checks have presumably kicked in, the band's inexpensive Danelectro guitars disappear and the Wonders are suddenly playing on brand new Fender gear -- the height of rock style in 1965). ~ Mark Deming, Rovi

Helen (Kate Capshaw) runs a bookstore in Loblolly By The Sea, a small fishing community in New England where everyone seems to know everyone else's business. A 42-year-old single mother, she is emotionally distant and fearful of getting too close to anyone. George (Tom Selleck) has known Helen since they were schoolmates, and he's been in love with her for ages, but has always settled for just being her friend. Convinced she wasn't interested in him, he married another woman years ago. Helen also has another secret admirer, Johnny (Tom Everett Scott), who isn't at all put off by the fact that Helen is twice his age. Johnny, however, is currently occupied with Jennifer (Julianne Nicholson), a fellow student who also works at the bookstore and is crazy about him. Into this tangled web of unrequited love comes an amorous letter that Helen finds in the store one day. The letter bears no signature and no address; it's at once passionate and oblique, fervent and cryptic. It's very interesting stuff. So who wrote it? And to whom was the writer planning to send it? Before long, the letter has made its way through this circle, and everyone has an idea (or a hope) of who their secret love is, although no one knows for sure or just how to find out. The Love Letter marked the American debut of director Peter Ho-Sun Chan, who enjoyed success in Hong Kong with Comrades: Almost A Love Story and He's A Woman, She's A Man. The supporting cast includes Ellen DeGeneres, Blythe Danner, and Gloria Stuart. The Love Letter may be best remembered as the only major studio film to open the same week as Star Wars: Episode One -- The Phantom Menace. ~ Mark Deming, Rovi

Eight loosely connected city dwellers find their lives intersecting through their sexual proclivities in director Ken Kwapis' screen adaptation of Arthur Schnitzler's enduring play La Ronde. As the revolving set of bedroom doors spin ever faster, the hopes, fears, truths, and heartaches of those longing to make a meaningful connection surface to offer a revealing look at modern sexuality. ~ Jason Buchanan, Rovi

In this drama that explores greed and corruption in American business, Giovanni Ribisi plays Seth Davis, an intelligent and ambitious college dropout who runs a casino in his apartment. Eager to show his father that he can succeed, Seth lands a job with a small stock brokerage firm. He is given a space in the company's "boiler room," where he makes cold calls to prospective clients. As it turns out, Seth has a genuine talent for cold calling, which gains him the approval of his superiors, the admiration of his father, and the attentions of one of his co-workers, Abby Hilliard (Nia Long). However, the higher up the ladder Seth rises, the deeper he sinks into a quagmire of dirty dealings, until he's breaking the law in order to keep his bosses happy and his paychecks coming. The Boiler Room also features Tom Everett Scott, Scott Caan, Jamie Kennedy, Nicky Katt, and Ben Affleck in a cameo as the headhunter who brings Seth into the firm. Ribisi and Scott also appeared together in That Thing You Do; Ribisi was the drummer replaced by Scott, who then led The One-Ders to fictional pop stardom. ~ Mark Deming, Rovi

Before the box-office success of Varsity Blues (1999) and the critical acclaim of Election (1999), the MTV cable channel created this raunchy campus comedy, the debut feature from MTV Films, the network's motion-picture production banner. Josh Miller (Tom Everett Scott) is a studious and responsible pre-med student entering college as a freshman. His wild, hard-partying roommate, Cooper Frederickson (Mark-Paul Gosselaar), on the other hand, is a spoiled rich kid who never studies and spends his time getting drunk and ogling coeds. Before long, Cooper's fun-filled lifestyle has corrupted Josh, and both are on the verge of flunking out of school. That's when they discover a little-used codicil in the college's charter stating that any student whose roommate commits suicide will automatically receive straight A's. Since their third roommate has moved in with his girlfriend, Josh and Cooper set about recruiting the most depressed, suicidal classmate they can find. The prime candidate: Cliff (Lochlyn Munro), a mentally unbalanced wild man. ~ Karl Williams, Rovi

This British-Dutch-Luxembourgian co-production is "based on characters created by John Landis" for his An American Werewolf in London (1981). In the opening, a man is seen under attack, almost managing an escape from the Parisian sewers before an unseen creature pulls him back. Meanwhile, tourist Andy (Tom Everett Scott) is seeing the sights of Paris with his pals Brad (Vince Vieluf) and Chris (Phil Buckman). When Serafine (Julie Delpy) leaps off the Eiffel Tower just before Andy is about to do a bungee-jump, he executes a mid-air rescue. She vanishes into the night, leaving Andy intrigued -- and also unaware that she is the offspring of the couple (Jenny Agutter, David Naughton) seen 16 years earlier in An American Werewolf in London. Andy tracks her down, asks for a date, attends a party, and winds up in her bed. When he awakens, he has toothmarks on his leg and is informed that he's making a transformation into a werewolf, confirmed by his sudden taste for rare steaks. Serafine explains that her stepfather (seen in the film's opening scene) had been working on a drug to control her werewolf transformations. Beneath a full moon, the lycanthropic love story continues. Filmed in Luxembourg, Amsterdam, Paris, and New York, with special effects mainly from California's Santa Barbara Studios. Werewolves were created by combining prosthetic devices and animatronics with computer-generated creatures. ~ Bhob Stewart, Rovi

Just before Christmas, idealistic greeting-card writer Allen Karroll (Tom Everett Scott) cooks up a "special moment" wherein he will propose to his sweetheart Carrie (Deanna Milligan) in a public place before thousands of oohing and aahing spectators. Alas, Carrie turns him down flat, so thoroughly humiliating Allen that he ends up hating the Yuletide season. Not long afterward, Allen is visited by four disreputable-looking ghosts, including a very hip Jacob Marley (or is it Bob Marley?) Can it be that our hero has morphed into a latter-day incarnation of Ebenezer Scrooge? Not quite: All of the ghosts have come to the wrong address. Turns out that the real Scrooge of the piece is Alex's nasty next-door neighbor Zeb Rosecog (Wallace Shawn), who'd once been CEO for the company which employs Alex. His curiosity aroused, Allen overcomes his intense dislike for Zeb to investigate the source of the man's misanthropy--and in so doing learns a lot about himself. A clever spin on an all-too-familiar fable, Karroll's Christmas was produced for cable, and was originally telecast December 14, 2004 by the A&E network. ~ Hal Erickson, Rovi