David Durand Movies

Best-selling author Michael Crichton wrote and directed this science fiction thriller that combined the influences of Blade Runner (1982), comic books, and Crichton's ongoing fascination with the dangers of high technology. Tom Selleck stars as Sergeant Jack Ramsey, a single father in the near future, when robots have largely replaced humans in performing menial labor. However, the robots occasionally malfunction, threatening human life and requiring a specialist like Jack, who terminates the haywire "runaways." Investigating a particularly nasty series of recent cases, Jack and his new partner Karen Thompson (Cynthia Rhodes) discover a connection between the runaways and Charles Luther (Kiss frontsman Gene Simmons). Luther, a maniacal genius, is masterminding a plot to create an army of killing machines. With time running out, it's up to Jack and Karen to match wits with Luther and save humanity. ~ Karl Williams, All Movie Guide

The East Side Kids are back in Follow the Leader, one of their most consistently funny outings. While on leave from the Army, Muggs (Leo Gorcey) and Glimpy (Huntz Hall) learn that their pal Danny (Bobby Jordan) has been thrown in jail on a robbery charge. Refusing to believe that Danny is guilty, the boys go after the most likely suspect, a new East Sider named Spider O'Brien (Billy Benedict). Sure enough, Spider is a flunkey for a gang of crooks, but before he can confess to the cops, he's killed by his cohorts. Hoping to trap the villains, Leo goes to work for them, while his sister Millie (Joan Marsh) starts vamping head crook Larry (Jack LaRue). Highlights include a jungle-movie spoof (it's all a dream!), and a musical interlude by onetime recording idol Gene Austin. ~ Hal Erickson, All Movie Guide

Three of Hollywood's best child actors-Freddie Bartholomew, Jimmy Lydon and Billy Cook-join forces in Columbia's Naval Academy. The story opens as spoiled rich kid Steve Kendall (Bartholomew), Naval officer's son Tommy Blake (Jimmy Lydon) and reform-school graduate Dick Brewster (Cook) find themselves assigned to the same room at a spit-and-polish private naval school. The three plebes endure "hell" week, undergo extensive training and suffer the usual setbacks before they earn the classification of "Real Navy". Throughout their stay, the boys are shepherded by tough-but-compassionate superior officer Lt. Brackett (Warren Ashe). Naval Academy is so predictable that the viewer may be reciting the dialogue before the actors do. ~ Hal Erickson, All Movie Guide

Paramount followed up its successful Bob Hope/Paulette Goddard co-starrer The Cat and the Canary (1939) by warming up another venerable "old dark house" stage play, Paul Dickey and Charles Goddard's The Ghost Breaker, pluralizing the title to accommodate both stars. This time Hope plays radio personality Lawrence L. Lawrence (the middle initial stands for Lawrence: "My folks had no imagination") who has to flee New York to avoid being mistakenly arrested for murder. He and his manservant Alex (Willie Best) book passage on a Cuba-bound liner, where they meet lovely heiress Mary Carter (Paulette Goddard). She is heading to Cuba to take charge of her ancestral mansion, despite warnings from several sinister characters that to enter this "haunted" house will mean certain death. Appointing himself Mary's protector, Lawrence investigates the mansion on his own, thereby crossing the path of a zombie (Noble Johnson) and an apparently genuine ghost. He also meets the twin brother of the man he's accused of killing (Anthony Quinn), who seems the most likely suspect when Mary nearly comes to harm. ~ Hal Erickson, All Movie Guide

Filmed with the full cooperation of the Golden Gloves Tournament Association, this Paramount programmer stars Richard Denning as promising pugilist Bill Crane. Though tempted to sign up with crooked Joe Taggerty (J. Carrol Naish) for a series of fixed bouts, Crane is saved from himself by sportswriter Wally Matson (Robert Paige), the organizer of the local Golden Gloves program. Taggerty tries to get even by pitting the amateur Crane against a seasoned professional, but to no avail. James Cagney's sister Jeanne Cagney is an appealing heroine, while Crane's duplicitious ring opponent is played by Robert Ryan in his first screen appearance. ~ Hal Erickson, All Movie Guide

Boys' Reformatory was the third of Frankie Darro's tough-guy vehicles for Monogram Pictures. Darro is cast as orphaned teenager Tommy, who to avoid breaking his foster-mother's heart takes the rap for a crime committed by his foster-brother Eddie (Frank Coghlan Jr.). Sent to a dismal reform school, Tommy finds a friend in the form of school doctor Owens (Grant Withers), a tireless crusader for improved reformatory conditions. With Owens' help, Tommy is able to take a "vacation" from the institution and round up the crooks responsible for leading Eddie astray. ~ Hal Erickson, All Movie Guide

Childhood chums Rocky Sullivan (James Cagney) and Jerry Connelly (Pat O'Brien) grow up on opposite sides of the fence: Rocky matures into a prominent gangster, while Jerry becomes a priest, tending to the needs of his old tenement neighborhood. Rocky becomes a hero to a gang of teenaged boys (played by Dead End Kids Billy Halop, Leo Gorcey, Huntz Hall, Gabriel Dell, Bobby Jordan and Bernard Punsley). Father Jerry despairs at this, asking Rocky to lay off so he can keep the kids on the straight and narrow. Then Rocky's crooked business associates George Bancroft and Humphrey Bogart attempt to end Father Jerry's radio campaign against the rackets by killing the priest. Rocky (whose cynical outlook on life has been softened by his romance with true-blue Anne Sheridan) shoots them down and takes it on the lam. Arrested and convicted of murder, Rocky sits smugly on death row, fully intending to go to the chair with a smile on his face. A few moments before the execution, Father Jerry pleads with Rocky to "turn yellow" so that the tenement kids will despise his memory. ~ Hal Erickson, All Movie Guide

A far from factual filmed biography of Mexican patriot Pancho Villa, Viva Villa! was written by lengendary screenwriter Ben Hecht. We first meet the young Villa when his father is beaten to death after protesting Diaz' seizure of the Mexican peons' land. Pancho exacts a temporary revenge by knifing one of his father's killers, then heads for the hills, where he organizes a band of renegades. As he "matures," Pancho is played by child actor Phillip Cooper and adult star Wallace Beery. Though ruthless in his treatment of the rich, Pancho is a hero to the poor, who receive the spoils of Villa's raids. Befriended by American reporter Johnny Sykes (Stuart Erwin), Villa becomes internationally famous thanks to Sykes' articles concerning his exploits. Pancho also finds a strong ally in Don Felipe de Castillo (Donald Cook), who introduces the rebel bandit to Madero (Henry B. Walthall), the leader of the peon revolt. Madero convinces Villa to join forces with him, the better to oust the Diaz regime. His principal rival in this goal is ambitious General Pascal (Joseph Schildkraut), who intends to set up an even more despotic regime once Diaz is eliminated. Emerging victorious in his fight against the federales, Villa is encouraged to go back home by Madero. Illiterate and dangerously naïve, Villa quickly runs into trouble with the new government, giving Pascal a chance to humiliate his former "comrade in arms." Later, Pascal shows his true colors by assassinating Madero and assuming control of Mexico. Thirsting for revenge, Villa and his men go on a bloody rampage, culminiating in the ritualistic murder of the treacherous Pascal (he is staked out on an anthill and covered with honey). Made president of Mexico upon the elimination of Pacal, Villa once more finds himself in over his head. Unable to deal with political infighting, Villa retires to his ranch. One day, after running into his old friend Johnny Sykes (Stu Erwin), Villa is shot and mortally wounded by his onetime friend Don Felipe, who holds Pancho responsible for the death of his sister Teresa (Fay Wray). As he dies, Villa begs Johnny to tell him what his epitaph will be. Improvising quickly, Johnny tells of Villa's love for Mexico and his many accomplishments. Partially filmed on location in Mexico, Viva Villa was plagued with a multitude of production problems, not least of which was the diplomatic gaffe committed by Lee Tracy, the film's original Johnny Sykes: While standing on a balcony watching a military parade, an inebrieated Tracy relieved himself on the troops below and was immediately fired. Another crisis arose when the Mexican government objected to star Wallace Beery, on the grounds that Beery usually played villains or buffoons. Despite these and other setbacks, Viva Villa was finally completed under the assured directorial hand of MGM troubleshooter Jack Conway and the expert supervision of David O. Selznick. Though some critics objected to the film's violence, Viva Villa was a financial success. ~ Hal Erickson, All Movie Guide

John Barrymore wisely turned down this contrived courtroom melodrama that instead trapped poor Ricardo Cortez. He plays Robert Mitchell, an attorney who runs into his estranged wife Dorothea (Barbara Robbins) and her lover, artist Jerry Hutchins (John Beal), in a department store, the three of them purchasing, respectively, a hat, a coat, and a pair of gloves. All these accoutrements later turn up at Jerry's murder trial, the struggling artist having been accused of killing a former girlfriend (Dorothy Burgess). Dorothea persuades Robert to represent her former lover and the ace attorney not only wins an acquittal but also the love of his no longer estranged wife. Hat, Coat and Glove marked the screen debut of Broadway ingénue Barbara Robbins, whose only feature film it would prove to be. ~ Hans J. Wollstein, All Movie Guide

In this crime drama, a prizefighter goes on the lam after he engages in fisticuffs with a reporter and believes that he has killed him. He ends up at a crippled children's home. The film is also called The Kid's Last Fight. ~ Sandra Brennan, All Movie Guide

In this romantic drama, set at the turn of the century, a womanizing Irish motorman ignores his marital vows, but only to a point. Though he has many affairs, he will not leave his wife. As the years pass, he holds many jobs, and many different women before he retires in Atlantic City where he becomes a moralistic fortune teller for women. He actually helps some of his clients and dies knowing he was not a total lout. ~ Sandra Brennan, All Movie Guide

The factual story of H.A.W. Tabor and "Baby Doe" was the inspiration of Silver Dollar. Edward G. Robinson plays the Tabor counterpart, a prospector who strikes it rich with a silver mine. Robinson establishes the city of Denver, strongarms his way into political power, buys every creature comfort he can get his hands on, and deserts his faithful wife (Aline McMahon) for a flashy younger woman (Bebe Daniels, playing the character based on Tabor's mistress "Baby Doe"). Robinson is ruined by the decline of the silver market, spending his last days in near-madness planning and dreaming for a return to his glory days. In real life, it was Baby Doe who went insane, living (and dying) in a tiny shack near the once-prosperous silver mine. Stodgily directed, Silver Dollar isn't nearly as surrealistic as the true story it's based on. ~ Hal Erickson, All Movie Guide

Sally Blane (Loretta Young's look-alike sister) plays Janet, a Manhattan socialite who is fed up with the superficiality of her friends. Sensing that Janet is bored with life in general, her Uncle George (J. Farrell McDonald), who happens to be a judge, decides to show the girl how well off she really is. He invites her to sit in on a session of Night Court, so that she may see how many unfortunates there are in the world. One of the defendants brought up before Uncle George is handsome young Nick (John Darrow), arrested for pummeling a man who'd propositioned Nick's sister (played by a 16-year-old Betty Grable). Paroled in Janet's custody, Nick is hired as the girl's chauffeur -- and guess where all this is leading. Minus the romantic angle, Probation was partially remade as the East Side Kids comedy Mr. Muggs Steps Out. ~ Hal Erickson, All Movie Guide