Larry Duran Movies

If you've seen TV wrestling, you know what a "caged" bout is. In Cage, it's for real; two testosterone-pumped behemoths are placed in a cage where they duke it out to the death. Lou Ferrigno plays Billy Thomas, the muscle-bound Vietnam vet who is finagled into cage-fighting by a group of mobsters. Scott Monroe (Reb Brown), the man whose life Billy saved in Nam, finds himself (through a series of ludicrous plot twists) facing his former savior in the dreaded cage. We suppose this was meant to be taken seriously, but audiences didn't get the hint; Cage has been greeted with raucous, derisive laughter ever since its 1990 release. ~ Hal Erickson, All Movie Guide

Face (Dirk Benedict) opens his mail to find the fraternity pin that he gave to Leslie Bektall (Markie Post), the woman who dropped out of his life fifteen years ago. This leads the A-Team to Ecuador, where Leslie is now a nun, working at an orphanage. Though she nervously insists that there's no trouble brewing, Leslie, the other nuns and the orphans are being held captive by gangsters led by the wounded Salvador (Ismael "East" Carlo). In their efforts to save the good people from the bad people, the Team members disguise themselves as whisky salesmen--and later as (you guessed it!) nuns. ~ Hal Erickson, All Movie Guide

The made-for-TV Escape was inspired by the true story of Dwight Worker, an American imprisoned in Mexico for smuggling hashish. Given the country's stringent anti-drug laws, Worker's chances of release are slim to none (a situation similar to the protagonist's plight in Midnight Express). Against all odds, Worker plans a daring getaway from the notoriously impenetrable Lecumberri Prison (for obvious reasons, the film was not shot on location). Timothy Bottoms stars as Worker, with Kay Lenz as Barbara Chilcoate, the woman who became his wife; Colleen Dewhurst co-stars as the sympathetic "Mother Jones" type who helped engineer the escape. Adapted from Dwight and Barbara Worker's autobiography, Escape debuted February 20, 1980. ~ Hal Erickson, All Movie Guide

It's H.G. Wells (Malcolm McDowell) versus Jack the Ripper (David Warner) in the fanciful Time After Time -- and, per the film's title, the chase extends from the 19th century to the 20th. Wells has built a time machine in his cellar, which the Ripper uses as a means of escape. Both men find themselves in 20th century San Francisco, and, after a period of adjustment, they make themselves at home. The plot takes a dark turn when the Ripper, disappointed that Wells' dreams of a Utopian future have not come to fruition, resumes his murderous activities. ~ Hal Erickson, All Movie Guide

Billy (Jon Voight) is on the road with his son T.J. (Ricky Schroder), fighting low-end boxing matches for drinking money before moving on to the next town for another match. When his ex-wife (and T.J.'s mother) Annie (Faye Dunaway) shows up, it's to tell him that she wants custody of the boy. She has remarried and has risen to social prominence in her community. She wants the same for T.J. Determined to keep his son with him, Billy decides to train properly in order to be a success instead of just a washed-up punching bag. This gorgeously photographed drama is a remake of the 1931 film, which won its star Wallace Beery an Oscar. ~ Clarke Fountain, All Movie Guide

James Hilton's beloved fantasy novel about the land of Shangri-La was given an awkward musical treatment in this extravagantly produced flop. Larry Kramer's screenplay stays close to the 1937 Frank Capra original, as a plane fleeing China crashes in the Himalayas and a mixed group of survivors discovers the magical, peaceful land of Shangri-La. Here the film becomes a full-fledged musical, with songs by Burt Bacharach and Hal David illustrating the distant realm's nature and the conflict that happiness causes amongst the survivors. Curiosity-seekers may be intrigued by the film's reputation as a notorious dud, but fans of the story would be better served by the classic original, despite a cast of well-respected names, including Peter Finch (in the Ronald Colman role), John Gielgud, Liv Ullmann, and Charles Boyer. ~ Judd Blaise, All Movie Guide

"The Bride" is none other than IMF agent Casey in this Mission: Impossible episode from January 1, 1972. This time, the IMF has targetted Syndicate hit man Joe Corvin (James Gregory), who has turned "money man" and is smuggling millions of underworld dollars out of the country. To get the goods on Corvin, Casey poses as his mail-order bride. Brad Dexter, one of the original "Magnificent Seven" in the 1960 film of the same name, costars as Frank Mellinger. "The Bride" was written by Jackson Gillis. ~ Hal Erickson, All Movie Guide

Two tourists, portrayed by the comic duo Marty Allen and Steve Rossi, are talked into working for the good guys to keep art thieves from stealing the Venus di Milo at the London World Fair. Minor entry in the comic spy category. ~ Tana Hobart, All Movie Guide

Western bandit Kid Rio (Marlon Brando) is betrayed by his partner, Dad Longworth (Karl Malden). Escaping from prison, Rio learns that Longworth has become a wealthy and influential lawman. Rio thirsts for revenge, but bides his time, waiting for the right moment to strike. In the meantime, Rio spitefully seduces Longworth's adopted daughter, Louisa (Pina Pellicer). After killing a man in self-defense, Rio is publicly whipped by the powerful Longworth. When Rio's old gang accidentally kills a child during another holdup, Longworth has the perfect excuse to eliminate the troublesome Rio once and for all by hanging him. But that's not what happens at all. Stripped to its fundamentals, One-Eyed Jacks is a workable Western, worthy of perhaps 90 minutes' running time. But when Marlon Brando succeeded Stanley Kubrick in the director's chair, he allowed the film's 60-day shooting schedule to stretch into six months, and delivered a finished product running in excess of four hours. The current 141-minute version of One-Eyed Jacks isn't as ponderous as some critics have claimed, but it's still too much of a good thing. While Brando the director isn't precisely in the Kubrick class, Brando the actor delivers one of his finest and most focused performances (though he is upstaged throughout by Karl Malden). ~ Hal Erickson, All Movie Guide