Liberto Rabal Movies

This Pedro Almodóvar melodrama examines how several lives are changed by a single gunshot. Adapting the novel Live Flesh by British mystery author Ruth Rendell, Almodóvar has given the material a Spanish makeover with added political thrust. Beginning in 1970 in Franco's Madrid, when a prostitute (Penelope Cruz) gives birth to a son, Victor, the story leaps forward to contemporary Madrid. Wealthy diplomat's daughter Elena (Francesca Neri) is watching Luis Buñuel's The Criminal Life of Archibaldo de La Cruz (1955) while waiting for the arrival of her heroin dealer, and she buzzes Victor (Liberto Rabal) (with whom she made a date, then forgot about him) into the building. In the confusion that follows, two cops, David (Javier Bardem) and Sancho (Jose Sancho) arrive, and a gun goes off. The story then makes another leap to four years later: Victor is in prison, while Elena, no longer on drugs, runs a disadvantaged children's shelter and is married to wheelchair-bound David. After his release, Victor visits his mother's grave and spots David and Elena at the cemetery -- where David meets philandering wife Clara (Angela Molina). Fate interweaves the tangled interrelationships of all into a complex tapestry of destiny and guilt. Shown at 1997 London and New York film festivals. ~ Bhob Stewart, Rovi

Based on the semi-autobiographical novel by Spanish author Manuel Vincent, this drama chronicles the coming-of-age of a young man who grew up in Spain during the late '50s, the time when Franco's regime was dominating the country. The film opens in 1957 as Manuel returns from boarding school to his home village in Valencia. While trying to readjust to village life and his old friends and family, Manuel joins the ranks among those who follows El Bola, a cigar-chomping, portly, boisterous fellow with an official demeanor that has everyone around him fooled into thinking him a man with high-ranking connections. El Bola decides it is time for Manuel to lose his virginity and so tries to convince the youth to visit the town brothel, but Manuel is not interested. His heart has been captured by a pretty young girl to whom he has never spoken. Back at home, his father disdains Manuel's dream of becoming a writer and makes him choose between the priesthood and becoming a lawyer. Manuel chooses the latter and so goes off to school in Valencia. No sooner does he arrive than he sees the pretty girl and follows her to Malvarrosa Beach where he encounters a wedding party as they are being thrown out of a cafe by one of Franco's generals who wants the place for his own debauched revelry. In school, Manuel meets a professor with subversive ideas who provides him with a number of banned books. So it goes for Manuel with each subsequent anecdote commenting slyly upon the effects of fascism on the Spanish people ~ Sandra Brennan, Rovi

Directed by Orlando Rojas, Las Noches of Constantinopla (The Nights of Constantinople) follows erotic fiction writer Hernan Abascal (Liberto Rabal), his sister and aspiring songstress Cristiana (María Isabel Díaz), their Uncle Jorge (Francisco Rabal), and his illegitimate son, Pachi (Vladimir Villar). This highly repressed family is largely under the control of their grandmother, Eugenia (Veronica Lynn), who resides over the household with an iron fist. When Cristiana manages to score a singing gig, the family is eager to throw themselves back into city life. However, Hernan worries doing that will ultimately kill their grandmother, which nearly happens when she falls into a coma after learning about his risqué writing. Seemingly as soon as her head hits the hospital pillow, the Abascal household goes wild. ~ Tracie Cooper, Rovi