Natasha Lyonne Movies

John Hughes continues the trend he began with the Home Alone series in Dennis the Menace, the Hughes-scripted film version of Hank Ketcham's long-running comic strip, cartoon show, and television comedy. The film opens as Dennis (Mason Gamble) is seen careening down a sidewalk in a beautiful and idealistic suburban town on his training-wheeled bike -- cans on string clattering behind him, baseball cards flapping in the spokes of the wheel, his red wagon filled to the brim and his dog following him. "Hey! Mister Wilson!" he screams and slams his bike to a halt in front of his much put-upon neighbor, Mr. Wilson (Walter Matthau). Half of the film concerns vignettes of small-town Hank Ketcham life as Dennis' mom Alice (Lea Thompson) starts a new job, Dennis stays over at his friend Margaret's (Amy Sakasitz) house, and Mr. Wilson and his gentle, well-meaning wife, Martha (Joan Plowright), mind Dennis during the night of a big garden party. Through all this, Dennis continually gets into Mr. Wilson's hair. But then the Home Alone plot kicks in -- with an unsubtle dose of O. Henry -- when Switchblade Sam (Christopher Lloyd) makes an appearance. Switchblade Sam is a homeless drifter who combs the neighborhood stealing purses and small home items. But when Switchblade Sam steals Mr. Wilson's collection of gold coins, Dennis comes to the rescue and inflicts Dennis the Menace-type tortures upon the thief in order to reclaim the coins for Mr. Wilson. ~ Paul Brenner, Rovi

Tamara Jenkins wrote and directed this comedy-drama depicting the experience of growing up poor in the 90210 zip code, told from the point of view of Vivian Abramowitz (Natasha Lyonne), a teen who lives a nomadic existence in the outskirts of Beverly Hills with her single, divorced father, Murray (Alan Arkin) and her two young brothers (David Krumholtz, Eli Marienthal). As Murray tries to keep the family in the Beverly Hills school district, the family moves into a one-bedroom apartment in a shabby complex. When sexually liberated Rita (Marisa Tomei), daughter of Murray's brother Mickey (Carl Reiner), checks out of a drug rehab and moves into the apartment, she becomes a "role model" for the young Vivian. Jenkins's semi-autobiographical screenplay was developed and refined during Screenwriters and Filmmakers Labs sessions at the Sundance Institute. Produced by Robert Redford and Michael Nozik, this film was shown in the Directors Fortnight section at the 1998 Cannes Film Festival. ~ Bhob Stewart, Rovi

A vampire hunter in southern California discovers that his son has been murdered by a gang of the undead and thus goes on a quest for revenge. ~ Rovi

In this satire, parents who are worried that their children might not be walking the straight and narrow path discover a rehabilitation camp designed to curb alternative lifestyles. Megan (Natasha Lyonne), a high school student and member of the cheerleading squad, seems like an ordinary enough teenage girl, but her habit of honestly expressing herself and lack of romantic enthusiasm for her boyfriend convince her very repressed parents, Peter (Bud Cort) and Nancy (Mink Stole), that Megan is becoming a lesbian. So Megan is shipped off to True Directions, a camp for gay and gay-leaning teens, where Mary Brown (Cathy Moriarty) attempts to deprogram kids with homosexual tendencies. The first step in the process is to get each teen to admit to their homosexuality, which Megan is loath to do, since she doesn't believe she's a lesbian -- or at least she didn't think so before she met her new friend Graham (Clea DuVall), who seems quite sure that she likes girls. Meanwhile, Mary's son Rock (Eddie Cibrian) may be exempt from the camp's activities, but he turns more than a few heads among True Directions' male inmates. Noted female impersonator RuPaul appears as a camp guide, and Julie Delpy has a cameo as a "lipstick lesbian." ~ Mark Deming, Rovi

Despite the efforts of her sleazy attorney, Mr. Butz (David Alan Grier), teen drug dealer/car thief Crystal (Natasha Lyonne) is sentenced to a 25-year prison term, the first segment of which will be served in a youth correctional facility where she will be treated for her rampant bulimia. There, in-between binge/purge marathons with her fellow eating-disordered inmates and relentless harassment of the hapless authorities, she fends off the lesbian advances of her psychotic cellmate, Cyclona (Maria Celedonio), a serial killer who's just received a life sentence. The two escape together and embark on a cross-country road trip in search of Sister Gomez (Vincent Gallo), the beneficent nun who protected Cyclona from the sexual predations of her family during her troubled childhood south of the border. Where writer/director Matthew Bright's original Freeway was a modern retelling of Little Red Riding Hood, Freeway 2 riffs on Hansel and Gretel; it borrows only the trailer-park trappings of the earlier film, making the titular allusion to automobiles somewhat tenuous. ~ Brian J. Dillard, Rovi

This three-part drama, produced for HBO, examines the changing tides of the lives of lesbians in America, both politically and personally, as we eavesdrop on three stories taking place in the same house over a span of five decades. In 1961, the house is home to Edith (Vanessa Redgrave) and Abby (Marian Seldes), an elderly lesbian couple whose lifestyle is not accepted or acknowledged by their families. When Abby suffers a serious stroke and is on the verge of death, her family rallies to her side, but not understanding the nature of her relationship with Edith, she is not included as her loved ones say their final good-byes. After Abby's death, her nephew (Paul Giamatti) and his wife (Elizabeth Perkins) arrive from out of state with plans to sell the house, without consulting Edith. In 1972, the house is now home to four college students, Michelle (Amy Carlson), Linda (Michelle Williams), Karen (Nia Long), and Jeanne (Natasha Lyonne), all of whom are actively involved in the women's movement and also happen to be lesbians. The four find themselves at odds with the campus women's group when they try to promote an all-women's dance, while the other members of the group feel that feminism, not lesbianism, should be the focus of the group. Similarly, Linda faces hostility from her friends when she becomes involved with Amy (Chloe Sevigny), a very butch townie; Linda's friends see Amy's masculine attire and attitude as a form of self-loathing against being a woman, and while Linda cares deeply for Amy, she's not always comfortable with her and isn't sure that she wants to be public with their relationship. In 2000, Fran (Sharon Stone) and Kal (Ellen DeGeneres), a happy and firmly committed couple, are sharing the house, and after much discussion, they decide that they want to take their relationship to the next level and have a baby. However, deciding that they want a child and dealing with the practicalities of getting pregnant are two different things; Fran and Kal first debate about going to a sperm bank as opposed to asking one of their male friends to help out, and later, either going to a doctor to perform the procedure or trying it at home. DeGeneres' significant other, Anne Heche, wrote and directed the final segment; the 1972 story was directed by Martha Coolidge, and the 1961 episode was directed by Jane Anderson. ~ Mark Deming, Rovi

The horny teen heroes of American Pie (1999) return for further raunchy antics in this comedy sequel written by the first film's creator, Adam Herz. Returning home following their freshman year of college, old friends Jim (Jason Biggs), Kevin (Thomas Ian Nicholas), Oz (Chris Klein), Finch (Eddie Kaye Thomas), and Stifler (Seann William Scott) rent a summer house on Lake Michigan where they hope to score romantically. However, complications ensue due to Jim's relative lack of experience, requiring an interlude with a fellow student and a visit to his old friend Michelle (Alyson Hanigan), who's now a band camp counselor, all in preparation for the return of Nadia (Shannon Elizabeth). In the meantime, Oz is separated from Heather (Mena Suvari) by a trip abroad, Finch has another encounter with Stifler's mom (Jennifer Coolidge), and Jim's dad (Eugene Levy) is as clueless as ever about his son's love life. Director J.B. Rogers served as first assistant director on the first film and made his directorial debut with Say It Isn't So (2001). ~ Karl Williams, Rovi

This sequel to a box-office sleeper hit that spoofed teen slasher flicks takes its cues from haunted house and possession films, particularly The Haunting (1999) and The Exorcist (1973). Although many of the first film's main characters were homicide victims, Marlon Wayans, Shawn Wayans, and Anna Faris return anyway to "re-possess" their roles for this follow-up in which four students are invited by their professor (Tim Curry) to his haunted mansion, Hell House, for a weekend sleep-deprivation study. Providing the sleep deprivation, however, is a series of murderous, supernatural goings-on. Scary Movie 2 co-stars Tori Spelling, Andy Richter, Christopher Masterson, Kathleen Robertson, James Woods, Chris Elliott, and Natasha Lyonne. ~ Karl Williams, Rovi

When a gentle bookkeeper is forced to act as an assassin in order to pay off her husband's debt to the mob, the bloodless scheme she concocts to keep a clear conscience could cost her more than she bargained for in a blistering crime comedy starring Diane Keaton, Burt Young, Bob Balaban, Paul Sorvino, and Natasha Lyonne. Fran (Keaton) has just lost her husband, and if that wasn't enough to shake her world, the revelation that he owed a healthy chunk of change to a local syndicate head does little to comfort her in her time of mourning. Soon informed that she is to carry out a series of risky assassinations lest she find herself having a premature reunion with her recently departed spouse, Fran opts instead to drive her would-be victims to her brother's house in Florida for safe keeping. When the big boss receives word that his enemies may not be as dead as he was led to believe, his impromptu trip to the Sunshine State leads to a comic series of criminal complications. ~ Jason Buchanan, Rovi

A pair of elderly career criminals may have ended their old lives before they can start a new one in this streetwise drama. Tommy (Donnie Montemarano) and Mic (Vinnie Argiro) are a pair of aging wiseguys who used to work on the fringes of the New York mob. Now in their mid-sixties, Tommy has just been sprung from prison after spending seven years behind bars, and Mick has offered to put him up at his place -- a room in a seedy Los Angeles flophouse called the Golden Eagle, which is overrun by junkies, streetwalkers, and bums with no where else to go. While Tommy's been in stir, Mick has been living the straight life; he's gotten a legitimate job, quit drinking, stopped doing business with prostitutes, and has saved up enough money that he and his best friend can head to Las Vegas and start new lives with real jobs there. However, Tommy isn't so sure he wants to live quite so clean, especially on his fight night out of the joint. Tommy meets another resident of the Golden Eagle, Amber (Natasha Lyonne), an attractive young woman who happens to be a hooker. Not having been with a woman for seven years, Tommy is eager to retain Amber's services, but Amber is working for Rodan (Vinnie Jones), a brutal and short-tempered pimp. Tommy's treatment of Amber manages to anger Rodan, and now Mick and Tommy have to get away from the pimp if they have any hope of getting to Las Vegas (and out of Los Angeles) alive. A low-budget labor of love for director Adam Rifkin, A Night at the Golden Eagle's supporting cast includes James Caan, Ann Magnuson, Sam Moore (of the popular singing group Sam and Dave), Fayard Nicholas (of the legendary dance team the Nicholas Brothers), and Francesca 'Kitten' Natividad. ~ Mark Deming, Rovi

After profiling Monica Lewinsky, Billy Haynes, and Tammy Faye Bakker, documentarians Fenton Bailey and Randy Barbato make their feature debut with this true-life tale of the rapid climb and lurid demise of a flamboyant young club promoter in late-'80s/early-'90s Manhattan. Based on James St. James' nonfiction account Disco Bloodbath as well as on the writer/directors' own 1998 documentary, Party Monster features former child star Macaulay Culkin as Michael Alig, a Midwestern teen determined to forget his past amidst the bright lights and throbbing house music of New York City's nightlife. Introduced to the club scene by St. James (Seth Green), Alig quickly becomes an event promoter himself, dreaming up bizarrely themed dance parties in such unlikely venues as fast-food restaurants and subway cars. But this archetypical "club kid" orchestrates his own downfall when, stoned on designer drugs, he and accomplice Freez (Justin Hagan) brutally murder their small-time dealer friend Angel Menendez (Wilson Cruz). Party Monster had its world premiere in the Dramatic Competition at the 2003 Sundance Film Festival. ~ Michael Hastings, Rovi

A deadly form of madness has taken over Cunningham Mental Hospital, and it's not just the patients whose sanity is slipping in this dark thriller from director William Butler. Cunningham is infamous for housing some of society's most dangerously psychotic criminals, and when a staff nurse is murdered, newly hired psychiatry intern Clark Stevens (Joshua Leonard) begins to sense that the staff is being held in the grip of a deadly madness. As Clark begins an investigation into the murder, his research begins to yield ominous answers that may be better left unexplored. ~ Jason Buchanan, Rovi