Francois Levantal Movies

The story of a vengeful ghost (which spawned both a popular silent thriller and a mid-'60s TV miniseries that drew record ratings in France) returns to the big screen in this adaptation of the story by Arthur Bernede. A collection of artifacts from an archeological dig in Egypt are brought to the famous Louvre museum in Paris, and while experts are using a laser scanning device to determine the age of a sarcophagus, a ghostly spirit escapes and makes its way into the museum's electrical system. Museum curator Faussier (Jean-Francois Balmer) brings in a noted Egyptologist, Glenda Spencer (Julie Christie), to examine the findings, and she announces that the mummy inside the coffin was actually the evil spirit Belphegor. Lisa (Sophie Marceau), who lives across the street from the museum, follows her runaway cat into the museum after closing time, where she is accidentally given a shock that sends the stray spirit into her body. Soon, Lisa is disguising herself as Belphegor and making off with the rare Egyptian treasures on display at the museum, convinced that they are rightfully hers. When "Belphegor" proves more than a match for the Louvre's security forces, renowned detective Verlac (Michel Serrault) is brought out of retirement to find out why the museum's Egyptian collection has been shrinking. Belphegor: Le Fantome Du Louvre enjoyed the distinction of being the first feature film to be shot in part inside the world-famous museum. ~ Mark Deming, Rovi

Bertrand Tavernier directed this hard-hitting anti-war drama. In November of 1918, just as World War I had come to a close, Capt. Conan (Phillippe Torreton) and his men await new assignments in Bucharest. Conan regards himself as a warrior, not a soldier: while a soldier will fight in a war, it takes a warrior -- unafraid to take risks, confront death, and spill blood -- to win one. Conan is convinced that it was the bloodthirsty valor of himself and those under his command that won the war against Germany. However, while Conan's dark nature was a boon to the Army during the war, it's a distinct disadvantage in peacetime, as Conan and his friends Norbert (Samuel LeBihan) and De Sceve (Bernard LeCoq) are instructed to patrol the now peaceful border. Conan and his compatriots have become too acclimated to battle to leave it behind and begin staging raids in the mountains of the Balkans. The situation comes to a head when two women are killed in a combination robbery and attack on a nightclub; Conan and his men are to be court martialed for their actions, driving a wedge between him and his close friend Norbert, who respects Conan but lacks his reckless enthusiasm for battle. Capitaine Conan earned Cesar awards for Torreton's performance and Tavernier's direction. ~ Mark Deming, Rovi

Gangsters is the directorial debut of veteran writer and actor Olivier Marchal, who spent ten years as a police detective in France. Frank (Richard Anconina) is captured and interrogated by the police, who want him to reveal the location of a vaulable briefcase. Flashbacks tell the story of the missing briefcase, in which Frank and Little Claude (Jean-Louis Tribes) are present during a violent burglary in a nightclub. Anne Parillaud (from La Femme Nikita) plays the fearless prostitute Nina. ~ Andrea LeVasseur, Rovi

This wild and raunchy, adult-oriented animation remained in the Top Ten at the French box office for weeks after its premiere. Recalling the creations of Ralph Bakshi (Fritz the Cat, Heavy Traffic), it actually originated as a Canal Plus television series in the early 2000s that in turn evolved into a comic book before morphing into this feature. In a shoddy, run-down neighborhood at the edge of an unnamed European metropolis, two lowlifes, Joe Hustleton (rapper IZM) and Tony Pepperoni (Vincent Cassel), devise a couple of wild schemes to reel in enough money to land a vacation to sunny Santo Rico island. Each man adopts a unique approach: Joe decides to sell five kilos of cannabis that he picked up on credit from slimeball dealer Zoran (Gilles Lellouche), but if he doesn't pay the principal back in a reasonable amount of time, he's had it; Joe opts for a more straitlaced approach (so to speak) by simultaneously building a sauna at the palatial home of rich judge Nomercy (François Levantal) and guarding the man's house during his vacation -- a job that leads to enormous complications given Joe's serious yen for Nomercy's sexy daughter Clemence (Diane Kruger of Inglourious Basterds). Meanwhile, a number of unsavory supporting characters pop up, including a couple of porno directors, a possessive girlfriend, and two hoods who must hide out in a swimming pool when their plans to get to Santo Rico fall through. The French title, incidentally, is a slang word for blacks with only mildly derogatory connotations. ~ Nathan Southern, Rovi

Based on the same infamous murders that inspired Jean Genet's play The Maids, and the earlier film Sister My Sister, this French drama explores the difficult family life, professional pressures, and forbidden bond that in 1933 led sisters Christine and Lea Papin to murder the mother and daughter who employed them as maids. Based on Paulette Houdyer's novel L'affaire Papin, Les Blessures Assassines traces the childhood of Christine Papin (Sylvie Testud), a high-strung child who follows older sister Emilia to a convent school after their parents' bitter divorce. Emilia, who claims to have been molested by their father, eventually becomes a nun, while Christine goes into service to support her libertine mother (Isabelle Renauld), whom she heartily resents. Coddled youngest sister Lea (Julie-Marie Parmentier), who is allowed to grow up at home, feels torn between her love for her mother and her close bond with Christine. A talented but moody servant who is prompt to demand her rights under France's labor laws, Christine moves from position to position, but eventually finds a series of households where she and the now teenaged Lea can serve together. Living and working together, the sisters develop an uncanny affection that crosses over into lesbian incest. Eventually jealousy, class resentment, and family drama drive Christine over the edge -- and she is not above taking the mostly innocent Lea with her. Released the same year as the Papin documentary En Quete Des Soeurs Papin, Les Blessures Assassines marked the first film in more than a decade from writer/director Jean-Pierre Denis. ~ Brian J. Dillard, Rovi

Four friends looking for a good time are lured into a strange and dangerous netherworld in this wildly offbeat horror film from France. It's Christmas Eve, and twentysomethings Bart (Olivier Barthelemy), Ladj (Ladj Ly), Thai (Nico Le Phat Tan), and Yasmine (Leila Bekhti) are bored and looking for fun. They end up at a rowdy dance club where, after Bart gets into a fight, they meet Eve (Roxane Mesquida), a sexy girl who seems to take a liking to the three guys. Eve invites the foursome to come back to her place in the country; the guys are more than game, and Yasmine tags along for the ride. Eve's house is a ramshackle mansion overflowing with broken plastic dolls and looked after by Joseph (Vincent Cassel), a cheerful but subnormal handyman whose pregnant wife spends most of her time upstairs. Before long, some of Eve's friends from town come by, and while the women are sexually accommodating, Yasmine soon gets the feeling something is wrong, and in time the guys reach the same conclusion. Joseph's topics of conversation become downright creepy as he talks in great detail about incest and Satanism with his guests, and Christmas Day devolves into an orgy of violence and perversity. Sheitan received its North American premiere at the 2006 Tribeca Film Festival. ~ Mark Deming, Rovi

Director Laurent Bouhnik has crafted a tough-minded but visually impressive look at life in prison with his film Zonzon (French slang for jail). Three inmates sharing a cell in a French correctional facility deal with the physical and emotional rigors of life behind bars. France (Pascal Greggory) is a massive but emotionally distant prisoner who seethes with inner rage at the wife and child who have all but abandoned him. Arnaud (Gael Morel) is a student serving six months on a drug charge, trying to deal with his sudden change of circumstances. And Kader (Jamel Debbouze) is a petty thief relatively unconcerned with his return to jail -- he's been here before and will probably be back again. Zonzon won respectful notices for its unusual use of visual devices -- color, composition, focus, slow-motion photography -- to capture the grim fatalism of life in stir; the film made its American debut with a screening at the 1999 Santa Barbara Film Festival. ~ Mark Deming, Rovi