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Joo Jin Mo Movies

2009  
 
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500 years after being charged with the murder of his master and imprisoned in a painted scroll, mischievous Taoist student Woochi (Kang Dong-won) is released by his elders to battle goblins in the modern world. As Woochi and his sidekick Chorangui (Yoo Hae-jin) attempt to make sense of their strange new surroundings, they discover their goblin adversaries are now a greater threat to humanity than ever before. ~ Jason Buchanan, Rovi

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Starring:
Kang Dong-WonKim Yoon-seok, (more)
 
2009  
 
An inept cop sets out to find the criminal who wronged him in this comic take on Asian crime dramas. Jo Pil-seong (Kim Yun-seok) is a policeman with a few bad habits, mostly a fondness for gambling, and a wife (Gyeon Mi-ri) who doesn't think much of him. When things get rough while Jo is arresting a pimp, he's given a temporary suspension from the force that only increases the tension around the house. Song Gi-tae (Jeong Gyeong-ho) is an escaped criminal with a ruthless streak and a taste for violence; one night Jo is at an illegal casino and winning for a change when Song shows up, takes his money and then beats him up. While Jo hasn't been assigned to track down Song, he feels as if his dignity is on the line, and with the help of some friends he sets out to find the fugitive. However, Jo isn't much of a detective and his friends are even worse, making his personal investigation an uphill battle. Written and directed by Lee Yeon-woo, Geobugi Dallinda (aka Running Turtle) was a major box-office success in South Korea. ~ Mark Deming, Rovi

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Starring:
Kim Yoon-seokJeong Gyeong-ho, (more)
 
2008  
 
Director Yoo Ha helms the period saga A Frozen Flower as a plunge into the intrigues and machinations of the Korean dynastic era. The period is the late 14th century, and the last waning gasp of the centuries-old Goryeo Dynasty. As that regime comes to a bitter end thanks to the machinations of the Yuan Dynasty, The Goryeo king responds by organizing a military force known as Kunryongwe, led by the daunting commander Hong Lim. The leader captivates the king to an alarming degree - to such an extent, in fact, that he almost completely diverts the regent's attention away from his queen, leaving her with tremendous feelings of reluctance and hesitancy about this relationship. Meanwhile, the manipulativeness of the Yuan doubles: they unsuccessfully attempt to subvert the king by placing a threatening ruler in a high position, but the king - sensing this Machiavellian scheme - adamantly refuses, much to the consternation of the top-tiered Goryeo officials. The ruler also devises a complex and wickedly clever scheme to protect the Goryeo line for future generations by appointing Hong Lim to impregnate the queen and father a new ruler with her. ~ Nathan Southern, Rovi

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Starring:
Jo In-SeongJoo Jin Mo, (more)
 
2004  
R  
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A battered woman finds her soul mate in a most unusual manner in this drama from Korean filmmaker Kim Ki-Duk. Tae-suk (Jae Hee Song) is a young drifter who appears to be homeless by inclination as much as necessity; he squats in the homes of strangers while they're away, carefully seeing to it that no damage is done to the property and sometimes performing small household chores as a display of gratitude. One day, Tae-suk sneaks into a house where a number of photos of a beautiful model adorn the walls. After eating, washing up, and doing some minor repairs, Tae-suk discovers he's being watched by the woman of the house, Sun-hwa (Lee Seung-yeon), and he soon recognizes her as the model in the photos. However, Tae-suk sees that Sun-hwa has been badly bruised, and suspects she's been the victim of domestic violence. When Tae-suk returns to the home later that evening, his suspicions are confirmed as he sees Sun-hwa being slapped around by her husband, Min-kyo (Gweon Hyeok-ho). Tae-suk impulsively bursts into the house, grabs a golf club, and attacks Min-kyo with it; moments later, Tae-suk and Sun-hwa ride away together on his scooter, and she silently joins him in his existence as a squatter, which slowly blossoms into a love affair. Bin-Jip (aka 3-Iron) received its North American premiere at the 2004 Toronto Film Festival. ~ Mark Deming, Rovi

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Starring:
Lee Seung-yeonJae Hee Song, (more)
 
2000  
 
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One of the most popular homegrown films in South Korea in 1999, the extramarital drama Haepi Endeu presents a subtle, character-based approach to the time-honored tradition of the love triangle. The movie opens with an illicit encounter between Bo-ra (Jeon Do-yean) and her lover Il-beom (Joo Jin-mo), an ex-boyfriend who has recently shown up to re-ignite their romance. Meanwhile, Bo-ra's husband, Min-ki (Choi Min-sik), is content to play the homemaker in their marriage, caring for their baby daughter and reading mystery novels. He eventually confronts Bo-ra with evidence of the affair. Instead of strengthening their bond, she continues to meet Il-Beom, and Min-ki quietly comes up with a scheme for putting an end to the situation. Haepi Endeu is the first full-length film from writer-director Jung Ji-woo -- and marks a mature turn from Do-yean, who was last seen playing a naive schoolgirl in The Harmonium of My Memory. ~ Michael Hastings, Rovi

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Starring:
Joo Jin Mo
 
1999  
 
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A medical student discovers his talent for dancing after becoming enamored with a pretty Jazz dancer in this musical drama from director Seong-wook Moon. Jun-yeong was on his way to becoming a doctor when he saw Jin-a teaching a class at a local dance school. Later, when Jun-yeong enrolls in the dance school with an aim to get better acquainted with the pretty Jazz dancer, he quickly discovers that he is a natural born dancer. Impressed with her new student's remarkable natural talents, Jin-a invites him to be her official dance partner and the sparks begin to fly. ~ Jason Buchanan, Rovi

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1996  
 
When an old Korean patriarch dies on a short bicycle trip, it prompts his large family and his friends to reunite. This episodic and satirical comedy chronicles each arrival and each scene is interspersed with glimpses of all stages of the funeral process ranging from the preparation of the body to ritual animal sacrifice, to a struggle between traditional mourning procedures and modern ways. ~ Sandra Brennan, Rovi

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