Alison Folland Movies

Lady in the Water director M. Night Shyamalan puts PG-13 suspense on pause to tell this grim apocalyptic tale about a family fleeing a natural disaster that poses a grave threat to the whole of humanity. Philadelphia high-school science teacher Elliot Moore (Mark Wahlberg) is discussing the disappearance of the bees with his students when the staff is summoned to the theater and briefed about a mysterious event that is currently unfolding in New York City. According to reports, citizens in the vicinity of Central Park have suddenly and inexplicably begun seizing up just before killing themselves by whatever means are at their disposal. As the phenomena begins to spread and talk of terrorism fills the airwaves, Elliot, his wife, Alma (Zooey Deschanel), their friend Julian (John Leguizamo), and his daughter, Jess (Ashlyn Sanchez), board a train bound for the presumed safety of the country. When the train screeches to a halt before arriving at its final destination, however, the frightened passengers are forced to fend for themselves as each consecutive news report paints an increasingly grim picture of the situation in more urbanized areas. Theories abound on what could be causing the unexplainable rash of suicides, but the only thing that everyone seems to agree on is that it's some kind of airborne contagion that is carried in the wind. It would appear that humankind's reign on planet Earth has come to an end, but perhaps if this small band of survivors can find a safe place to lie low until this all blows over, all hope for survival of the species might not be lost just yet. ~ Jason Buchanan, Rovi

A young man who remains decidedly insecure about his masculinity attempts to uncover the mystery of his rare genetic disorder before it transforms him into a female in a sci fi flavored romantic comedy directed by Martin Curland and inspired by the studies of renowned Neuromorphologists Professor Czierny Ptolemy and Eva Szantova. Slowly immersed in a world where some change gender at will and others seem to make the transformation despite how hard they try not to, Luke (Taylor Handley) is forced to abandon all of his assumptions on sexual identity to focus on the one person he truly loves. ~ Jason Buchanan, Rovi

An actress tries to sort out her life while those around her are busy doing the same in this independent comedy drama. Nina (Eleanor Hutchins) enjoyed a few years of minor celebrity when she joined the cast of a popular soap opera while still a teenager, but seven years later, after devoting most of her time to traveling the world on a budget, she decides it's time to get back to work when her bank account is nearly empty and her fan club has been reduced to a single member. Stuck in Rhode Island and needing a place to stay, Nina moves in with Jim (Barney Cheng), a librarian who is having some problems with his girlfriend, Carla (Alison Folland). While Nina struggles to get both her career and her love life back in gear, her best friend, Sheila (Reena Shah), is having problems of her own with her boyfriend, a flighty Frenchman (Pierre Mignard). Stay Until Tomorrow was screened in competition at the 2004 Avignon Film Festival. ~ Mark Deming, Rovi

Writer and director Allison Anders, who used the world of rock & roll as the backdrop for her films Border Radio, Grace of My Heart, and Sugar Mountain, returns to the music scene for this tale of a woman struggling to come to terms with an emotionally devastating past. Sherry McGrale (Kim Dickens) is a punk-influenced singer and songwriter whose angry, deeply personal music has begun to win her a national following, though the demons that fuel her art are playing havoc with her life, as she drowns her sorrows in drugs and alcohol and fills a growing police blotter with arrests for disorderly conduct. Sherry is winning significant airplay for a song about the brutal rape of a young woman, and rock journalist Owen (Gabriel Mann) convinces his editor Pete (Rosanna Arquette) to assign him a major story on Sherry when he tells her he knows the truth about Sherry's own rape as an adolescent, which inspired the song. Owen is forced to run interference with Chuck (Don Cheadle), Sherry's manager and former boyfriend who is fiercely protective of his fragile client, but Owen is still able to meet with the singer. However, Owen finds that Sherry either can't or won't remember most of the details of the brutal and degrading assault, and she doesn't want to discuss the heavy toll it's taken upon her. Influential experimental rock group Sonic Youth contributed several original compositions for the film's score; Sherry's singing voice was provided by Kristen Vigard, who performed on the soundtrack of Grace of My Heart. ~ Mark Deming, Rovi

Filmmaking duo Michael Swanhaus and his brother Trip direct this gothic tale about teens in an East Coast mental asylum. Devon (Justin Pierce), who was unjustly committed, finds company with the cute Kayleigh (Galaxy Craze) and the sex-crazed Eve (Alison Folland). Pigeonholed was screened at the L.A./AFI Film Festival. ~ Jonathan Crow, Rovi

Homicide's Falsone (Jon Seda) and Lewis (Clark Johnson) team up with the sex-crime division's Stivers (Toni Lewis) to track down the rapist responsible for savage attacks on three women. Bayliss (Kyle Secor) offers a unique method to speed up the delivery of Frank and Mary Pembleton's (Andre Braugher, Ami Brabson) baby -- with astonishing results. And Georgia Rae Mahoney (Hazelle Goodman) launches her campaign of revenge against the detectives responsible for the death of her drug-kingpin brother, Luther. ~ Hal Erickson, Rovi

A teenage lesbian comes-of-age in this drama. Claude (Alison Folland) is a raw-boned girl graduating from high school. She spends all the time she can with her beautiful friend Ellen (Tara Subkoff). Ellen has lately gotten a new boyfriend, and has less time for their previous intimacy. Claude has a part-time job at a pizza joint in her multiracial neighborhood in New York City, and makes friends there, and in her neighborhood. Gay newcomer Luke, with whom she shares her dream of becoming a rock musician, is among her most recent acquaintances. Realizing finally that Ellen will not return her affections and that her own affections are lesbian in nature, she slowly develops the courage to act on her feelings, and she hesitantly goes to a lesbian bar, where she meets Lucy (Leisha Hailey), an older woman who can simultaneously offer her sexual guidance and help Claude with her musical aspirations. ~ Clarke Fountain, Rovi