Irene Dunne Movies

Cimarron was the first Western to win the Oscar for Best Picture--and, until Dances with Wolves in 1990, the only one. The film begins on April 22, 1889, the opening day of the great Oklahoma Land Rush on the Cherokee Strip. Boisterous Yancey Cravat (Richard Dix) is cheated out of his land claim by the devious Dixie Lee (Estelle Taylor). Instead of becoming a homesteader, Cravat establishes a muckraking newspaper, and with pistols in hand he becomes a widely respected (and widely feared) peacekeeper. He also displays a compassionate streak by coming to the defense of Dixie Lee, who is about to be arrested for prostitution. Cravat's insistence on sticking his nose into everyone's affairs drives a wedge between him and his young wife Sabra (Irene Dunne), but she stands by him--until he deserts her and her children, ever in pursuit of new adventures. Sabra takes over the newspaper herself, and with the moral support of her best friend, Mrs. Wyatt (Edna May Oliver), she creates a powerful publishing empire. Cimarron makes the mistake of placing most of the action early in the film, so that everything that follows the spectacular opening land-rush sequence may feel anti-climactic. While it's always enjoyable to watch Irene Dunne persevering through the years, it's rather wearing to sit through the overblown performance of Richard Dix, who seems to think that he can't make a point unless it's at the top of his lungs. Cimarron creaks badly when seen today, but it still outclasses the plodding 1960 remake. ~ Hal Erickson, All Movie Guide

A typical pre-code era comedy, Bachelor Apartment was the creation of its leading man, silent screen matinee-idol Lowell Sherman. He plays Wayne Carter, a Park Avenue roué, whose dalliances with a series of women are beginning to catch up with him. Enter a brunette and rather drab Irene Dunne searching for her wayward sister (Claudia Dell). Sherman falls like a ton of bricks for the no-nonsense and seemingly unresponsive Dunne, whom he hires as his executive secretary. For unexplained reasons, Dunne falls in love with her whimsical boss as well and after Sherman shows signs of shaping up, they embrace for a happy ending. Daring in its day, Bachelor Apartment is not really worth a second look except for a next-to-final glimpse of silent screen femme fatale Mae Murray. Playing Sherman's most ardent conquest -- who, as the suave playboy explains, "might commit a sin but never a faux pas" -- Murray has to be seen to be believed. Valiantly attempting to display her trademark bee-stung countenance while at the same time deliver a series of hoary lines, the still svelte Murray -- who is introduced to the strains of an ersatz Merry Widow Waltz lest we forgot -- offers an overripe performance that all but ended her screen career. Sherman used her once more -- in High Stakes, another frothy comedy -- but the aging Murray was obviously not talkie material. Bachelor Apartment offers a glimpse of yet another faded silent screen star, the mustachioed Norman Kerry of Phantom of the Opera fame, here playing the minor role of a theatrical wolf. Like Murray (and Lowell Sherman himself), Kerry's looks and mannerisms belonged to a bygone era. ~ Hans J. Wollstein, All Movie Guide

Consolation Marriage (British title: Marriage in Haste) stars Irene Dunne and Pat O'Brien. When hero and heroine are jilted by their respective sweethearts Lester Vail and Myrna Loy, they marry each other on the rebound. Having already been burned around the heart, Dunne and O'Brien agree that theirs will be a marriage in name only, with no romance in the equation. Only when they're disastrously reunited with their former lovers do Dunne and O'Brien realize how deeply in love they truly are, and always have been. Surprisingly, though Pat O'Brien and Myrna Loy would enjoy long Hollywood careers, they would not work together on-screen again until they were cast as Burt Reynolds's parents in the 1979 comedy The End. ~ Hal Erickson, All Movie Guide

In this misleadingly-titled 1932 medical (not musical) drama, the resolve of a young surgeon is severely tested. Dr. Felix Klauber (Ricardo Cortez), is a selfless Jewish physician who has grown up in the segregated slums of New York City. Through hard work, he becomes a wealthy Park Avenue doctor. He is called to operate on his father, Meyer Klauber (Gregory Ratoff), to remove a small tumor. But Dr. Klauber makes a fatal mistake, and his father dies on the operating table. Klauber now becomes plagued by guilt and self-doubt and is afraid to practice his profession. His girlfriend Jessica (Irene Dunne) urges him to continue. When it turns out that she, too, requires surgery, his love for her and her entreaties compel him to return to perform the delicate operation. This RKO Studios production was based on a novel by Fannie Hurst. ~ Michael Betzold, All Movie Guide

In this suspenseful drama, an embittered woman exacts revenge upon the 12 women who wronged her in college. The trouble began when the woman, who was of Japanese and Indian heritage, was ejected from a college sorority because she wasn't white. Still angry, the woman hires an astrologer to create 12 terrifying horoscopes for each of the dastardly dozen. These grim predictions terrify the victims into doing dreadful things. One commits suicide, while another commits murder. More mayhem ensues until the astrologer makes some dire predictions about the vengeful woman herself. She doesn't like it, and using her psychic powers she forces him in front of an oncoming train. She then resumes her revenge by trying to poison the son of the remaining woman. This causes a police inspector to get suspicious, and he follow the murderous woman to the train station where she plans to kill the woman. A chase ensues culminating in the evil woman's demise. ~ Sandra Brennan, All Movie Guide

The melodramatic No Other Woman is a remake of the 1925 silent film Just a Woman which was based on the play of the same name by Eugene Walter. Early in her career, Irene Dunn stars as ambitious housewife Anna Stanley, who pressures her steelworker husband, Jim (Charles Bickford), into a business partnership with Joe Zarcovia (Eric Linden). A fellow boarder at their rooming house, Joe's business idea involves a new type of dye. Jim quickly becomes a millionaire and finds the transition difficult from blue-collar worker to wealthy socialite. He soon takes up with a mistress, Margo Van Dearing (Gwili Andre), whom he meets at a party. Forced to get a divorce, the couple duke it out in the climactic courtroom scene with sleazy lawyer Bonelli (J. Carroll Naish). ~ Andrea LeVasseur, All Movie Guide

Secret of Madame Blanche is one of those "confessional" film dramas which movie fans of the early 1930s ate up like bonbons. Irene Dunne stars as a musical hall entertainer who is impregnated by a wealthy young man (Phillips Holmes). They marry, but the husband kills himself. Under the pressure of father-in-law Lionel Atwill, Dunne gives up the baby. Two decades pass: Irene crosses her son' path again. He commits a murder, and she willingly takes the blame--never letting the boy know her true identity. Secret of Madame Blanche is a remake of an equally teary Norma Talmadge silent film; both pictures bore the heavy influence of Madame X. ~ Hal Erickson, All Movie Guide

Richard Dix plays the title-role, of a dashing highwayman and bandit in 1870's Australia, in this strangely delightful mix of swashbuckler and musical. But the real star is Irene Dunne as Hilda Bouverie, an impoverished serving girl who wants to sing. Left orphaned and homeless by the deaths of her parents, Hilda is now a servant in the home of the Clarksons, the wealthiest family in the province. Hilda is glad to have a roof over her head and three meals a day, but won't really be happy unless she gets a chance to sing, and she has the voice to match her aspirations. Mr. Clarkson (Henry Stephenson) is kind and encouraging enough to her, but his wife (Mary Boland) is a harridan who treats Hilda and her other maid Annie (Una O'Connor) as little better than slaves; and Mrs. Clarkson is especially jealous of Hilda, as she also aspires to a singing career (but is sorely lacking a voice), and is eagerly awaiting a visit by London-based composer and impressario Sir Julian Kent (Conway Tearle). And then in rides Stingaree (Richard Dix), a highwayman new to the province, who is already a legend elsewhere in Australia. The authorities, led by the boorish Inspector Radford (George Barraud), know he is there and are set to catch him, but he's smarter than they are and faster on his feet, and outwits them. Stingaree kidnaps Sir Julian and, learning of the Clarksons and their wealth, plans to rob them masquerading as Sir Julian. But when he chances to hear Hilda singing, and gets to meet her, he abandons his plan and, instead, decides to help her -- his ruse is uncovered, however, and he is forced to flee, and takes the unwilling girl with him. Together in his lair in the forest, Hilda discovers that Stingaree truly does love her -- he is a man who takes whatever he wants and wants everything, but, as he tells her, "You are as safe here as you wish to be." Stingaree arranges a daring raid on the Clarkson home that allows Hilda's singing to be heard by Sir Julian -- the impressario offers her the chance to go to London, and at a career as an opera singer. She's reluctant to accept because Stingaree has been captured, but the highwayman insists that she do it, telling her that he happily gave up his freedom to give Hilda hers. And she conquers the operatic stages of Europe, in a career that takes her to Berlin, the Paris Opera, La Scala, and London's Covent Garden, and leading roles in Trovatore, Martha, and the rest of the major operatic repertory of the period. But she can't forget the sacrifice that Stingaree made for her, or the love they share for each other, and decides that even if it means giving up everything, she must return to Australia to find him. ~ Bruce Eder, All Movie Guide

Jane Mufin's stage play Love Flies in the Window was the basis for the RKO Radio assembly-line romance This Man is Mine. Happily married to dull but dependable Jim Dunlap (Ralph Bellamy), level-headed Toni Dunlap (Irene Dunne) suddenly finds herself forced to fight for her husband's affections. The cause of it all is Toni's old school chum, the recently divorced Fran Harper (Constance Cummings). Fran graciously makes no secret of her intention to steal Jim away. With equal graciousness, Toni beats her rival at her own game. In addition to the sterling contributions of its stars, This Man is Mine benefits from a well-honed supporting performance by Kay Johnson, who two years earlier had co-starred with Constance Cummings in Frank Capra's American Madness. ~ Hal Erickson, All Movie Guide

A man who has ruined a woman's life attempts to make good on his debt to her (and his conscience) in this sudsy drama based on a best-selling novel by Lloyd C. Douglas. Bobby Merrick (Robert Taylor) is an alcoholic ne'er-do-well whose recklessness causes the death of Dr. Hudson, a respected physician. Helen Hudson (Irene Dunne), the doctor's widow, turns away from Merrick's apology, only to walk into traffic. She's struck by a car and blinded. Shaken by the tragic events, Merrick gives up alcohol and begins studying to become a doctor and right the wrong he's done to Helen. As he begins spending time at the family's estate through a mutual friend, Helen grows fond of his frequent visits, and they begin to fall in love. However, when Helen learns that Merrick is responsible for her husband's death and her own accident, she moves away to a place where he cannot find her. In time, Merrick becomes a gifted eye surgeon, and he learns that he could restore Helen's sight with a delicate and dangerous operation that he has never performed before. Magnificent Obsession was a box-office success that spawned a 1954 remake directed by Douglas Sirk and starring Rock Hudson and Jane Wyman. ~ Mark Deming, All Movie Guide

This second film version of the Edna Ferber/Jerome Kern/Oscar Hammerstein II musical Show Boat is considered by many film buffs to be the best of the three. Covering nearly four decades (was there ever an Edna Ferber novel that didn't?), the film stars Irene Dunne as Magnolia Hawks, a role she'd previously played on stage, though not in the Broadway version. The daughter of showboat impresario Captain Andy (Charles Winninger, who was in the Broadway original), Magnolia is swept off her feet by dashing gambler Gaylord Ravenal (Allan Jones). Yearning to appear on the showboat stage, Magnolia gets her chance when Captain Andy's leading lady, the tragic Julie (Helen Morgan, likewise a holdover from Broadway), is ordered not to perform by a small-town sheriff because she is Mulatto. Julie's husband Steve (Donald Cook) loyally walks out with his wife, thereby leaving the leading-man position open--but not for long, since Gaylord Ravenal agrees to take over for Steve, the better to stay close to Magnolia. Despite the disapproval of Magnolia's mother Parthy Hawks (Helen Westley), Magnolia and Ravenal are married. Later on, the couple has a baby girl named Kim. At first, the young family is blissfully happy, but as Ravenal's gambling debts begin to mount, things turn sour. Unable to support Magnolia and Kim, Ravenal walks out on them both. Desperately, Magnolia tries to get a job as a singer in Chicago. She auditions at a night spot where, fortuitously, Julie is the featured attraction. Hoping to give Magnolia a break, Julie gets drunk, forcing the manager to hire Magnolia as a replacement. During her New Years' Eve debut, Magnolia "chokes up" in front of the raucous audience--and then, who should emerge from the crowd but lovable Captain Andy, who gives Magnolia the encouragement she needs. Magnolia goes on to become a famous musical comedy star, as does her grown-up daughter Kim (played as an adult by Sunnie O'Dea). On the eve of Magnolia's retirement from the theater, she is reunited with her now-contrite husband Gaylord Ravenal. While the second half of Show Boat departs radically from both the novel (in which Ravenal never returns ) and the Broadway show, the film manages to capture the spirit of its literary and theatrical ancestors. Of the original score, "Cotton Blossom," "Ol' Man River," "Where's the Mate for Me?" "Make Believe," "Can't Help Lovin' Dat Man," You are Love" and "Bill" are retained, while most of the other songs are heard as background accompaniment. Jerome Kern and Oscar Hammerstein II penned three new tunes for the film version: "Ah Still Suits Me," "Gallavantin' Around" and "I Have the Room Above." As in all stage and screen versions of Show Boat, the Charles K. Harris standard "After the Ball" is heard in the New Year sequence. In addition to the aforementioned Dunne, Jones, Winninger, Westley, Morgan, and O'Dea, the Show Boat cast includes the magnificent Paul Robeson as Joe (his rendition of "Ol' Man River" can still induce goosebumps), Hattie McDaniel as Queenie and Sammy White and Queenie Smith as the engagingly second-rate vaudeville team of Frank and Ellie Schultz. Though James Whale of Frankenstein fame seems an odd choice for director, he brings a vibrant theatricality to the proceedings that is lacking in other versions. Show Boat literally saved the financially strapped Universal Pictures from receivership--but not soon enough to prevent the ousters of Carl Laemmle Sr. and Jr. in favor of a new administration. ~ Hal Erickson, All Movie Guide

Leo McCarey directed this classic screwball comedy in which Cary Grant and Irene Dunne play Jerry and Lucy Warriner, a couple whose marriage is starting to fall apart. Jerry informs Lucy that he's taking a vacation alone in Florida; instead, he holes up with his buddies and plays poker for a week (while sitting under a sun lamp so he'll have an appropriate tan). Lucy concludes that Jerry was never in Florida just as Jerry discovers that Lucy was spending her time with Armand Duvalle (Alex D'Arcy), a handsome voice teacher. Both Jerry and Lucy believe the other was unfaithful, so they agree to a trial divorce, with a bitter battle fought over custody of Mr. Smith, the dog (Lucy gets the dog, but Jerry has visitation rights). Determined to make Jerry jealous, Lucy continues keeping company with Armand while also dating Daniel Leeson (Ralph Bellamy), a wealthy oil man from Oklahoma. Convinced that turnabout is fair play, Jerry starts going out with Dixie Belle Lee (Joyce Compton), a brassy nightclub singer, as well as socialite Barbara Vance (Molly Lamont). However, Lucy has belatedly decided that she wants Jerry back, and she hatches a plan to win him back by making a spectacle of herself at a party. The Awful Truth was based on a play which had been filmed twice before, but McCarey gave his superb comic cast free reign to improvise and add new business, and the results were splendid; you haven't lived until you've heard Irene Dunne attempt to sing "Home on the Range." ~ Mark Deming, All Movie Guide

Given the talent involved, The Joy of Living should have been far better than it is. Irene Dunne plays Maggie, a popular musical-comedy star saddled with a possessive, spendthrift family. Maggie would like to leave the house once in a while and experience "real life," but her parents (Alice Brady, Guy Kibbee), worried that they'll lose their meal ticket, refuse to allow her to do so. The Prince Charming who rescues Maggie from her folks is ship-owner Dan (Douglas Fairbanks Jr.) As a bonus, the footloose and fancy-free Dan teaches the repressed Maggie that "it's fun to be foolish." Apparently director Tay Garnett couldn't keep the production under control, and the cost ballooned to a then-staggering $1.1 million, resulting in a huge loss for RKO Radio. Some of the film's brighter moments are provided by Lucille Ball, Billy Gilbert, Jean Dixon and Franklin Pangborn, who like Dunne and Fairbanks all deserved funnier material than this. ~ Hal Erickson, All Movie Guide