DCSIMG
 
 

O.G. Dunn Movies

1974  
R  
John Cassavetes' harrowing masterpiece charts the emotional meltdown of a suburban housewife and its effects on her blue-collar Italian family. Gena Rowlands stars as Mabel Longhetti, a mother of three whose husband Nick (Peter Falk) works as a construction worker; a mismatched couple like so many others in Cassavetes films, the Longhettis seem to be complete opposites: she's impetuous, extroverted, and fragile, while he's controlling, distant, and hard-bitten. Their differences underscore a series of domestic dramas, culminating in a nervous breakdown that sends Mabel to a psychiatric hospital for six months, only to return to a home environment on even thinner ice than before. The improvisational style central to Cassavetes' vision is at its most acute throughout A Woman Under the Influence. Like its title heroine, the film threatens to veer out of control at any time, its shape and scope defined not by narrative but by the emotional upheaval at its center. Embracing the full spectrum of the Longhettis' relationship, from seismic bursts of high drama to small, even trivial moments of domestic tedium, its long scenes relentlessly probe every nook and cranny of the family's life, drawing out each moment for maximum emotional impact; the film is by turns beautiful and ugly, illuminating and frustrating, and it features a performance by Rowlands as heartwrenching and unforgettable as any ever committed to celluloid. ~ Jason Ankeny, Rovi

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Starring:
Gena RowlandsPeter Falk, (more)
 
1968  
R  
Add Faces to Queue Add Faces to top of Queue  
Faces is right: this definitive John Cassavetes film consists almost exclusively of tight, uncomfortable close-ups. It takes place in the fourteenth year of the marriage of Richard (John Marley) and Maria (Lynn Carlin). Neither husband nor wife is content with the conditions that prevail; Maria joins her friends looking for romantic satisfaction elsewhere, while Richard secures the services of a prostitute (Gena Rowlands). Maria herself has a one-night stand with a hippie (Seymour Cassel), but this is no more satisfying than her dead-end marriage. If you think that Faces is an exhausting experience in its current 130-minute length, imagine what it looked like in Cassavetes' original six-hour cut. Alternately clumsy and profound, it is nonetheless a work of deep sincerity, as recognized by the Venice Film Festival, which bestowed no fewer than five awards on the film, and it perfectly exemplifies Cassavetes' improvisational, cinéma vérité style and searching explorations of modern relationships. ~ Hal Erickson, Rovi

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Starring:
John MarleyGena Rowlands, (more)